Sweden Box Office for Neighbors 2: Sorority Rising (2016)

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Neighbors 2: Sorority Rising poster
Theatrical Performance (US$)
Sweden Box Office $794,548Details
Worldwide Box Office $108,757,621Details
Home Market Performance
North America DVD Sales $2,737,683 Details
North America Blu-ray Sales $3,524,666 Details
Total North America Video Sales $6,262,349
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Now that Mac and Kelly Radner have a second baby on the way, they are ready to make the final move into adulthood: the suburbs. But just as they thought they’d reclaimed the neighborhood and were safe to sell, they learn that the new occupants next door are a sorority even more out of control than Teddy and his brothers ever dreamed of being. Tired of their school’s sexist, restrictive system, the unorthodox ladies of Kappa Nu have decided to start a house where they can do whatever the hell they want. When Shelby and her sisters, Beth and Nora, find the perfect place just off campus, they won’t let the fact that it’s located on a quiet street stand in their way of parties as epic as the guys throw.

Metrics

Movie Details

Production Budget:$35,000,000
Sweden Releases: May 6th, 2016 (Wide)
Video Release: September 6th, 2016 by Universal Home Entertainment
MPAA Rating: R for crude sexual content including brief graphic nudity, language throughout, drug use and teen partying.
(Rating bulletin 2420 (Cert #50402), 4/13/2016)
Running Time: 92 minutes
Franchise: Neighbors
Keywords: Neighbors from Hell, College, Fraternity/Sorority, New Parents, Farcical / Slapstick Comedy, Enemies Forced to Work Together
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Point Grey, Good Universe, Universal Pictures, Perfect World Pictures
Production Countries: United States
Languages: English

2016 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 22nd, 2016

Finding Dory

It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year... More...

Home Market Releases for September 20th, 2016

September 20th, 2016

Labyrinth

It is not a great week on the home market, as the biggest release is Beauty and the Beast: 25th Anniversary. I’m still waiting for the screener, but I fear there will be less extras this time around. Modern Family: Season Seven was also a contender for Pick of the Week, but the light extras prevents it from earning that title. That leaves Labyrinth: 30th Anniversary Edition as the best of the week. More...

Home Market Releases for September 6th, 2016

September 6th, 2016

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Thursday Night Previews: Are Pets On Pace for $80 million after $5.3 million Previews?

July 8th, 2016

Mike and Dave Need Wedding Dates

The Secret Life of Pets earned $5.3 million during its previews last night. This is not as much as the $6.24 million Minions made last year. It is higher than the $4.7 million Despicable Me 2 earned. (Despicable Me opened before previews were standard and only pulled in $590,000.) Its reviews have slipped to 76% positive, but that’s still good enough to suggest good legs. $80 million is more likely now than it was yesterday, but direct competition could prevent that from happening. More...

Weekend Wrap-Up: X-Men has Okay Opening with $79.81 million, Alice suffers Apocalyptic Opening

May 31st, 2016

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Last Memorial Day was bad with Tomorrowland leading the way with $33.03 million / $42.68 million. This year things were a bit better, with X-Men: Apocalypse earning $65.77 million / $79.81 million. Again, this is okay, but not outstanding. It's record-breaking compared to Alice Through the Looking Glass, which took in $26.86 million / $33.51 million. It's Disney's first bomb of the year. Don't feel bad for them, as they also set the record for fastest to $4 Billion Worldwide over the weekend. Overall, the box office was at $164 million, which was 20% better than last weekend and 18% better than last year. Including Monday, the box office pulled in $205 million, which was 6.3% more than last Memorial day. Year-to-date, 2016 has earned $4.39 billion, which is 5.4% or $220 million more than last year's figure of $4.16 billion. (This does include Monday of last year, because of the misalignment of holiday. This is the last misaligned holiday till Labor Day.) More...

Weekend Predictions: Apocalypse vs. Alice

May 26th, 2016

X-Men: Apocalypse

It's Memorial Day long weekend and there are two wide releases trying to take advantage of the holidays. X-Men: Apocalypse is the latest installment in the X-Men franchise, but it is earning among the worst reviews. Alice Through the Looking Glass is the sequel to Alice in Wonderland, which was a surprise $1 billion hit back in 2010. Neither film is expected to live up to its predecessor, but both are expected to be hits. This weekend last year, San Andreas opened with $54.59 million over three days. Apocalypse will top that over three days, while it might take Alice four days to get there. More...

Weekend Wrap-Up: Birds should be Happy with a $38.16 million

May 24th, 2016

The Angry Birds Movie

While each film in the top five on this weekend's box office chart finished in the right place, none of them matched expectations, save for The Jungle Book, which earned fifth place. The Angry Birds Movie debuted on top of the chart with $38.16 million, which is an okay opening for a family film at this time of year and nothing more. Likewise, Neighbors 2: Sorority Rising struggled compared to its predecessor, but did well compared to its budget. The Nice Guys will need long legs to break even. The overall box office rose 4.5% from last weekend, reaching $137 million, but fell 11% from the same weekend last year. 2016's lead over 2015 shrank to 5.1% or $200 million at $4.14 billion to $3.94 billion. This is a very impressive figure, but might not be enough to keep 2016 in the lead throughout the rest of the year. Jurassic World came out last June and there's little hope any film this June will match it. More...

Weekend Estimates: Angry Birds Win Civil War with $39 Million Debut

May 22nd, 2016

The Angry Birds Movie

The Angry Birds Movie is performing at the top end of expectations this weekend, and will top the box office chart with a commendable $39 million. While that’s a long way behind the $75.1 million earned by Zootopia on its opening weekend back in March, it’s a very respectable figure, and gives Sony the increasingly-rare bragging rights over Disney this weekend, with Captain America: Civil War dropping to second place with $33.1 million. More...

Friday Estimates: Angry Birds have Nice Opening

May 21st, 2016

The Nice Guys

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Thursday Night Previews: Neighbors 2 Rises

May 20th, 2016

Neighbors 2: Sorority Rising

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Weekend Predictions: Will Angry have a Reason to Blow Up?

May 19th, 2016

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International Box Office: Billion Dollars Loom Large for Civil War with Weekend Haul of $84.2 million

May 18th, 2016

Captain America: Civil War

Captain America: Civil War remained in top spot as it races towards $1 billion worldwide. Over the weekend, it added $84.2 million in 55 markets lifting its international total to $645.0 million, while its worldwide total hit $941.0 million. The film had no new openings this past weekend, but it pulled in $31.87 million in China for a total of $155.95 million after 11 days in that market. The film will top $1 billion by Friday, at the latest. More...

Contest: Anger Management

May 13th, 2016

The Angry Birds Movie

It is actually challenging to decide which film should be the target film in this week's box office prediction contest. The Angry Birds Movie is expected to be the biggest hit opening next weekend, but Neighbors 2: Sorority Rising could open faster, but not have as strong legs. (The Nice Guys will be a midlevel hit, at the most.) Sorority Rising's international numbers are weaker than expected, so I'm going with The Angry Birds Movie as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are; two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

International Box Office: Civil War's Fights its Way to Profitability with $220.0 million

May 11th, 2016

Captain America: Civil War

Before Captain America: Civil War came out, it was estimated that the film would need to make more than $600 million worldwide to break even. It did so after just two weeks of release. This weekend, the film earned $220.0 million in 55 markets for totals of $496.6 million internationally and $675.7 million worldwide. The film's biggest market this past weekend was China, where it pulled in $96.07 million, including Thursday's previews. South Korea was the strongest holdover earning $11.75 million on 1,771 screens over the weekend for a two-week total of $52.63 million. At this pace, the film has likely already crossed $700 million worldwide, while $1 billion is an easy target for the weekend. Speaking of billions of dollars, Disney has cracked $3 billion worldwide in record time. The previous record was set last year by Universal. More...

2016 Preview: May

May 1st, 2016

Captain America: Civil War

April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.) More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/06/10 4 $27,105   19 $1,427   $746,451 6
2016/06/17 5 $8,411 -69% 6 $1,402   $768,013 7
2016/06/24 5 $4,019 -52% 6 $670   $776,876 8
2016/07/01 6 $5,509 +37% 5 $1,102   $787,178 9
2016/07/08 6 $1,580 -71% 2 $790   $792,190 10
2016/07/15 6 $918 -42% 2 $459   $794,548 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/17/2016 $324,000 0 66 86 $581,561 11/30/2018
Australia 5/6/2016 $1,756,372 373 373 1393 $5,660,808 6/23/2016
Austria 5/6/2016 $0 0 31 50 $1,327,828 7/12/2016
Belgium 7/6/2016 $322,621 50 63 258 $909,041 8/16/2016
Brazil 5/19/2016 $412,696 0 10 11 $872,811 11/15/2018
Bulgaria 5/13/2016 $22,468 0 0 0 $82,434 2/26/2019
Chile 5/26/2016 $0 0 7 11 $171,064 12/31/2018
Croatia 5/12/2016 $0 0 11 22 $120,901 12/31/2018
Czech Republic 5/12/2016 $0 0 36 83 $103,752 12/31/2018
Denmark 5/12/2016 $0 0 11 25 $510,899 8/3/2016
Finland 5/6/2016 $0 0 9 27 $380,420 7/12/2016
France 7/6/2016 $1,046,045 322 322 1137 $3,405,554 8/9/2016
Germany 5/6/2016 $0 0 315 1046 $7,501,242 8/9/2016
Hong Kong 5/12/2016 $0 0 2 3 $952,970 6/21/2016
Hungary 5/12/2016 $0 0 14 36 $494,740 12/31/2018
Israel 5/12/2016 $0 0 22 66 $1,424,111 12/31/2018
Italy 6/30/2016 $192,988 286 286 579 $575,192 8/9/2016
Lithuania 5/13/2016 $21,797 116 116 246 $60,684 6/15/2016
Malaysia 5/12/2016 $0 0 1 1 $403,403 6/14/2016
Mexico 5/27/2016 $1,145,750 0 23 24 $3,464,503 7/27/2016
Netherlands 5/6/2016 $320,923 98 104 819 $1,985,588 8/9/2016
New Zealand 5/13/2016 $212,342 59 60 215 $567,302 7/5/2016
North America 5/20/2016 $21,760,405 3,384 3,416 11,725 $55,340,730 1/18/2017
Norway 5/6/2016 $0 0 14 47 $877,712 9/20/2016
Panama 5/19/2016 $0 0 7 9 $399,911 12/31/2018
Poland 5/13/2016 $177,002 0 25 40 $445,436 11/17/2018
Portugal 5/13/2016 $103,423 56 56 259 $586,359 7/14/2016
Russia (CIS) 6/23/2016 $301,334 537 537 1218 $669,310 12/31/2018
Singapore 5/5/2016 $0 0 1 1 $232,108 6/14/2016
Slovakia 5/12/2016 $48,071 54 54 135 $98,785 6/23/2016
Slovenia 5/13/2016 $39,443 9 9 72 $115,577 7/8/2016
South Africa 5/6/2016 $0 0 17 34 $426,346 7/5/2016
Spain 6/24/2016 $457,774 393 393 1060 $1,789,215 8/9/2016
Sweden 5/6/2016 $0 0 19 40 $794,548 7/19/2016
Switzerland 5/5/2016 $0 0 20 106 $1,242,632 9/20/2016
Turkey 5/13/2016 $49,816 72 72 175 $164,343 2/26/2019
United Kingdom 5/5/2016 $2,442,534 490 495 2235 $9,249,000 9/8/2018
Venezuela 5/20/2016 $0 0 8 13 $111,598 6/28/2016
 
Rest of World $4,657,203
 
Worldwide Total$108,757,621 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Seth Rogen    Mac Radner
Zac Efron    Teddy Sanders
Rose Byrne    Kelly Radner
Chloë Grace Moretz    Shelby

Supporting Cast

Ike Barinholtz    Jimmy
Kiersey Clemons    Beth
Dave Franco    Pete
Jerrod Carmichael    Garf
Christopher Mintz-Plasse    Scoonie
Beanie Feldstein    Nora
Clara Mamet    Maranda
Awkwafina*    Christine
Selena Gomez    Phi Lamda President
Hannibal Buress    Officer Watkins
Elise Vargas    Stella
Zoey Vargas    Stella
Carla Gallo    Paula
John Early    Darren
Johnny Pemberton    Frat President
Kyle Mooney    R.A.
Lisa Kudrow    Dean Carol Gladstone
Ian Gregg    Second Frat Guy
Jacob Wysocki    Live Tinder Guy
Liz Cackowski    Wendy the Realtor
Kelsey Grammer    Shelby's Dad
Sam Richardson    Eric Baiers
Abbi Jacobson    Jessica Baiers
Billy Eichner    Oliver Studebaker
Brian Huskey    Bill Wazakaowski
Miles Armstrong    Rapper
Kemuel Crossty    Rapper
Cameron Hill    Rapper
Denryc Hill    Rapper
Brian K. Johnson    Rapper
Robert Windsor Jones Jr    Rapper
Harrison Thacker    Rapper
Ciara Bravo    Sorority Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicholas Stoller    Director
Jay Cohen    Screenwriter
Brendan O'Brien    Screenwriter
Seth Rogen    Screenwriter
Nicholas Stoller    Screenwriter
Evan Goldberg    Screenwriter
Seth Rogen    Producer
Evan Goldberg    Producer
James Weaver    Producer
Jay Cohen    Executive Producer
Brendan O'Brien    Executive Producer
Nathan Kahane    Executive Producer
Joseph Drake    Executive Producer
Ted Gidlow    Executive Producer
Theresa Gulesarian    Production Designer
Zene Baker    Editor
Michael A. Webber    Editor
Michael Andrews    Composer
Brandon Trost    Director of Photography
Andrew Jay Cohen    Character Creator
Brendan O'Brien    Character Creator
Leesa Evans    Costume Designer
Manish Raval    Music Supervisor
Tom Wolfe    Music Supervisor
Erin Westerman    Co-Producer
Josh Fagen    Co-Producer
Ariel Shaffir    Co-Producer
Kyle Hunter    Co-Producer
Francine Maisler    Casting Director
Kathy Driscoll-Mohler    Casting Director
Ted Gidlow    Unit Production Manager
Michael J. Moore    First Assistant Director
Matthew Haggerty    Key Second Assistant Director
Maria Blasucci    Associate Producer
Amanda Lund    Associate Producer
Douglas Schwartz    Associate Producer
Robert Mazaraki    Production Supervisor
Cate Bangs    Art Director
Ryan Watson    Set Decorator
Patricia Klawonn    Set Designer
John Thigpen    Set Designer
Aron Siegel    Sound Mixer
Russell Tyrrell    Special Effects Supervisor
Mary Beth Ramsey    Costume Supervisor
Maggie Fung    Make up
Ellen Arden    Make up
Alicia Accardo    Script Supervisor
John Latenser    Location Manager
Peck Prior    Additional Editor
Michael Babcock    Supervising Sound Editor
Nancy Kirhoffer    Post-Production Supervisor
Brian G. Addie    First Assistant Editor
Joe Zappia    Second Assistant Editor
Michael Babcock    Re-recording Mixer
Tony Lamberti    Re-recording Mixer
Kira Roessler    Dialogue Editor
Mary Jo Lang    Foley Mixer
Manish Raval    Music Editor
Michael Andrews    Score Producer
Paul Linden    Visual Effects Supervisor
Chris LeDoux    Visual Effects Supervisor
Tim LeDoux    Visual Effects Supervisor
Robin Graham    Visual Effects Supervisor
Wes Dorough    Visual Effects Producer
Jason Sanford    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.