Brazil Box Office for Tom and Jerry (2021)

← Go to main Tom and Jerry page

Tom and Jerry
Theatrical Performance (US$)
Brazil Box Office $1,300,000Details
Worldwide Box Office $132,370,100Details
Home Market Performance
North America DVD Sales $5,915,048 Details
North America Blu-ray Sales $4,376,369 Details
Total North America Video Sales $10,291,417
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

One of the most beloved rivalries in history is reignited when Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner to hire Tom to get rid of him. The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them.

Metrics

Movie Details

Production Budget:$50,000,000
Brazil Releases: February 19th, 2021 (Wide)
Video Release: February 26th, 2021 by Max
MPAA Rating: PG for cartoon violence, rude humor and brief language.
(Rating bulletin 2652 (cert #52941), 10/21/2020)
Running Time: 100 minutes
Franchise: Tom and Jerry
Keywords: Family Movie, Family Adventure, Animal Lead, Set in New York City, Set in New York, Set in Manhattan
Source:Based on Short Film
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Warner Bros.
Production Countries: France, Germany, United Kingdom, United States
Languages: English

Weekend estimates: strong hold for Free Guy keeps it top for second weekend

August 22nd, 2021

Free Guy

Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole. More...

Weekend estimates: Jungle Cruise opens with impressive $34.2 million

August 1st, 2021

Jungle Cruise

Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole. More...

Weekend estimates: Old leads on lackluster weekend

July 25th, 2021

Old

M. Night Shyamalan returns to the top of the box office charts this weekend, but he might be the only person celebrating as every opening and returning film in the top 10 looks set to underperform this weekend. Shyamalan’s new film, Old is coming closest to our model’s prediction with an opening of $16.5 million, which is 12% below what the model expected. Snake Eyes: G.I. Joe Origins will come second with $13.35 million, which is 15% behind expectations. Those results are both well within the model’s margin of error, but the collective performance of the market is troubling. More...

Weekend estimates: A Quiet Place sets new 2021 benchmark with 3-day $48.38 million

May 30th, 2021

A Quiet Place: Part II

A Quiet Place: Part II is headed for a Memorial Day opening of close to $60 million, according to Paramount’s Sunday morning projections. The horror sequel is expected to pick up $48.38 million over three days, and $58 million over four, making it the biggest hit at the box office since theaters started reopening, handily beating Godzilla vs. Kong, which debuted with $32.2 million back in April. Cruella is well behind it in second place, but will top Tom and Jerry to become the best-performing post-pandemic family movie with a $21.3-million 3-day opening, and projected $26.5 million over four days.

Both films are performing well above our model’s predictions, which is an encouraging sign that audiences are returning to theaters. More...

Weekend predictions: Dream Horse unlikely to trouble the top six

May 21st, 2021

Dream Horse

With Memorial Day weekend looming over the market, along with its two big new films, Cruella and A Quiet Place: Part II, this will be a quiet weekend at the box office. In fact, to borrow a well-worn phrase, perhaps too quiet.

Dream Horse is the only new wide release this weekend, and (as we will see in a moment) it isn’t expected to do a huge amount of business. Spiral, last week’s number one, didn’t do spectacular business on opening weekend and should see a sharp decline. With everything else in the top ten either coming off a weak debut or pretty much played out, we could see one of the worst weekends in the past couple of months.

Here’s what the model has to say… More...

Weekend estimates: Nobody maintains market momentum

March 28th, 2021

Nobody

An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less. More...

Weekend predictions: Nobody’s business

March 26th, 2021

Nobody

Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured. More...

Weekend predictions: Raya headed for weekend win as more theaters reopen

March 19th, 2021

Raya and the Last Dragon

Raya and the Last Dragon should post another win at the box office this weekend as new theater reopenings and strong word of mouth are set to boost its performance. Our model predicts it will decline just 28% in its third weekend to $4.09 million while Tom and Jerry is likely to be down around 24% to $3.08 million. Although it isn’t likely to challenge the current top two, new release The Courier should land in the top four and keep the overall market from declining too sharply this weekend. More...

Weekend estimates: Raya stays top with good second-week hold

March 14th, 2021

Raya and the Last Dragon

A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market. More...

Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend estimates: Tom and Jerry shows the strength of family movies with a $13.7-million debut

February 28th, 2021

Tom and Jerry

Tom and Jerry is enjoying the best weekend of 2021 so far, and the third-best of the pandemic era, according to Warner Bros.’ projections released on Sunday mornings. Its $13.71 million opening is a far cry from the $40 million to $50 million it might have earned before the pandemic, but it confirms something we’ve suspected since the stronger-than-expected openings of The War with Grandpa and The Croods: A New Age: family movies are performing much better during the pandemic than other types of film… More...

Weekend predictions: $6 million is the benchmark for Tom and Jerry

February 26th, 2021

Tom and Jerry

Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.

More...

Weekend estimates: Croods pulls clear of the pack

February 21st, 2021

The Croods: A New Age

The Croods: A New Age will, as expected, finish top at the box office this weekend. In doing so, it becomes the first film in the 21st century to top the chart in its 13th weekend in release. The last film to achieve the feat was Titanic back in 1998. Titanic went on to win 15 weekends during its incredible first run. If A New Age surpassed that number, we’d have to look back to ET’s run in 1982 for something comparable. That film had 16 weekend wins spread through the second half of the year, including the weekend after Thanksgiving—its 26th in release.

Interesting as these stats may be to the connoisseur of box office records, Croods was down 18% from last weekend, which is a slight disappointment, although there is some potentially good news lurking when we look at the complete set of weekend estimates… More...

Weekend estimates: The Little Things stays top on a sluggish weekend

February 7th, 2021

The Little Things

Today’s Super Bowl might be causing some caution among the studios as they compile their weekend projections, but whichever way you cut it, we’re looking at another slow weekend in theaters. The Little Things will come out on top with around $2.1 million, according to Warner Bros.. That’s down a steep 56% from its opening weekend, and 9% below our model’s prediction. In general, almost all films are falling a little shy of the model’s numbers, suggesting that we’re still not seeing real growth in the market. More...

Tom and Jerry trailer

November 19th, 2020

Animated adventure starring Chloë Grace Moretz is scheduled to open in theaters on March 5 ... Full Movie Details.

One of the most beloved rivalries in history is reignited when Jerry moves into New York City’s finest hotel on the eve of “the wedding of the century,” forcing the event’s desperate planner to hire Tom to get rid of him. The ensuing cat and mouse battle threatens to destroy her career, the wedding and possibly the hotel itself. But soon, an even bigger problem arises: a diabolically ambitious staffer conspiring against all three of them. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/02/19 - $699,000   1,054 $663   $699,000 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/1/2021 $830,786 353 367 2714 $7,697,833 10/20/2022
Brazil 2/19/2021 $699,000 1054 1054 1054 $1,300,000 10/20/2022
Bulgaria 2/19/2021 $0 0 0 0 $52,000 10/19/2022
China 2/26/2021 $12,340,000 93360 93360 115787 $16,200,000 10/20/2022
Colombia 2/19/2021 $0 0 0 0 $1,400,000 10/20/2022
Czech Republic 6/11/2021 $21,346 45 96 242 $62,300 10/20/2022
Egypt 2/19/2021 $0 0 0 0 $53,000 10/19/2022
France 5/19/2021 $1,422,239 502 621 3655 $4,800,000 10/20/2022
Germany 8/12/2021 $816,000 485 485 485 $4,461,827 9/24/2021
Hong Kong 3/12/2021 $165,000 102 102 102 $381,690 4/12/2021
Iceland 2/19/2021 $0 0 0 0 $76,000 10/19/2022
India 2/19/2021 $324,000 999 999 999 $1,100,000 10/19/2022
Italy 5/13/2021 $21,031 0 5 5 $41,235 10/20/2022
Japan 3/19/2021 $1,800,000 354 354 1399 $7,200,000 10/20/2022
Lithuania 5/7/2021 $21,349 14 14 68 $60,690 12/22/2021
Mexico 2/18/2021 $372,549 0 0 0 $2,900,000 10/20/2022
Netherlands 6/11/2021 $130,401 130 472 1439 $1,500,000 10/20/2022
New Zealand 4/15/2021 $87,024 109 109 801 $1,148,538 10/20/2022
North America 2/26/2021 $14,112,629 2,475 2,563 29,929 $46,536,687
Portugal 5/6/2021 $63,092 85 88 453 $277,674 10/19/2022
Romania 6/4/2021 $168,651 80 81 320 $321,112 10/20/2022
Russia (CIS) 2/26/2021 $3,415,965 1765 1765 7238 $8,100,000 10/20/2022
Saudi Arabia 3/19/2021 $738,000 35 35 66 $2,800,000 10/20/2022
Serbia and Montenegro 2/19/2021 $0 0 0 0 $77,000 10/19/2022
Singapore 2/12/2021 $487,000 49 49 49 $1,200,000 10/20/2022
Slovakia 5/28/2021 $0 0 47 148 $91,236 7/13/2021
South Korea 2/26/2021 $467,743 918 918 1459 $1,040,866 5/26/2021
Spain 3/26/2021 $508,893 309 449 1928 $3,200,000 10/20/2022
Taiwan 2/12/2021 $438,000 95 95 95 $1,000,000 10/19/2022
Ukraine 2/26/2021 $443,000 343 343 549 $1,200,000 10/20/2022
United Arab Emirates 2/12/2021 $421,000 96 96 241 $2,400,000 5/3/2021
United Kingdom 5/21/2021 $333,860 371 372 3493 $1,761,472 2/16/2022
Vietnam 2/19/2021 $0 0 0 0 $591,000 3/15/2021
 
Rest of World $11,337,940
 
Worldwide Total$132,370,100 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Chloë Grace Moretz    Kayla
Michael Peña    Terrance
Colin Jost    Ben
Rob Delaney    Mr. DuBros
Ken Jeong    Jackie

Supporting Cast

Jordan Bolger    Cameron
Patsy Ferran    Dorothy
Pallavi Sharda    Preeta
Somi De Souza    Mrs. Mehta
Ajay Chhabra    Mr. Mehta
Patrick Poletti    Mr. Jacobson Sr.
Janis Ahern    Mrs. Jacobson
Camilla Arfwedson    Linda Perrybottom
Joe Bone    Animal Control Officer
Edward Judge    Leo the Sous Chef
Brian Bovell    Annoyed Vendor
David Nolan    Passing Father
Jude Coward Nicoll    Passing Child
Christina Chong    Lola
Daniel Adegboyega    Gavin the Doorman
Craig Stein    Job Hopper Supervisor
Edward Dogliani    Elephant Trainer
Josselyn Ospina Escobar    Carriage Riding Kid
Ozuna    Assistant Hotel Staff
Paolo Bonolis    Wedding Guest
Haley Bishop    Person in Park
Norma Butikofer    Commuter
Marc Wesley Dehaney    Commuter
Kerri McLean    News Reporter
Sophie Holland    TV Announcer
Joseph Begley    Workman
Scott Coker    Limo Driver
Bobby Cannavale    Spike
Nicky Jam    Butch
Joey Wells    Lightning
Harry Ratchford    Topsy
Spank Horton    Ash
Na’im Lynn    Meathead
Lil Rel Howery    Angel/Devil Tom
Utkarsh Ambudkar    Real Estate Rat
Tim Story    Pigeon Announcer
Kaiji Tang    Additional Voice
Andre Sogliuzzo    Additional Voice

Cameos

Joe Buck    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tim Story    Director
Chris de Faria    Producer
Kevin Costello    Screenwriter
Tim Story    Executive Producer
Adam Goodman    Executive Producer
Steven Harding    Executive Producer
Sam Register    Executive Producer
Jesse Ehrman    Executive Producer
Allison Abbate    Executive Producer
Alan Stewart    Director of Photography
Peter S. Elliot    Editor
William Hanna    Character Creator
Joseph Barbera    Character Creator
Christopher Lennertz    Composer
Kier Lehman    Music Supervisor
James Hambridge    Production Designer
Frazer Churchill    Visual Effects Supervisor
Michael Eames    Animation Supervisor
Alison McCosh    Costume Designer
Lucinda Syson    Casting Director
Steven Harding    Unit Production Manager
Will Dodds    First Assistant Director
Gayle Dickie    Key Second Assistant Director
Rich Yeomans    Visual Effects Producer
Phil Sims    Supervising Art Director
Les Tomkins    Art Director
David Allday    Art Director
Peter Dorme    Art Director
Gregory Fangeaux    Art Director
Hazel Keane    Art Director
John Hayes    Sound Mixer
Rowena Ladbury    Script Supervisor
Ann Lynch    Post-Production Supervisor
Siobhan Boyes    Post-Production Supervisor
Tom Davis    First Assistant Editor
Rob Stevenhagen    Head of Story
Dean Roberts    Story Artist
Carlos Lutterbach    Story Artist
Neil Boyle    Story Artist
Sean McCormack    Supervising Sound Editor
Julian Slater    Supervising Sound Editor
Julian Slater    Re-recording Mixer
Chris Burdon    Re-recording Mixer
Dan Morgan    Supervising Dialogue/ADR Editor
Jeremy Price    Sound Designer
Rowan Watson    Sound Designer
Paul Pirola    Sound Effects Editor
Hayden Collow    Sound Effects Editor
Alex Sawyer    Dialogue/ADR Editor
Anna Lau    Costume Supervisor
Rose Crocker    Make up
Francesco Alberico    Hairstylist
Freya Harkon-MacGregor    Set Decorator
Jessica MacNaughton    Set Decorator
Paul Howard    Supervising Location Manager
Lex Wade    Location Manager
Richard Van Den Bergh    Special Effects Supervisor
Flora Warrington    Special Effects Coordinator
Glen Gathard    Foley Mixer
Jemma Riley-Tolch    Foley Mixer
Adam Oakley    Foley Editor
Dan DiPrima    Music Editor
Peter Clarke    Music Editor
Michael Connell    Music Editor
Dara Taylor    Score Producer
Dara Taylor    Additional Music
Dan DiPrima    Additional Music
DJ Nu-Mark    Additional Music
Steve McLaughlin    Score Recordist
John Barrett    Score Recordist
Casey Stone    Score Recordist
Casey Stone    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.