Colombia Box Office for Those Who Wish Me Dead (2021)

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Those Who Wish Me Dead
Theatrical Performance (US$)
Colombia Box Office $206,000Details
Worldwide Box Office $17,601,631Details
Home Market Performance
North America DVD Sales $854,630 Details
North America Blu-ray Sales $1,095,255 Details
Total North America Video Sales $1,949,885
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A teenage murder witness is lost in the Montana wilderness with the twin assassins hunting him, a survival expert tasked with protecting him, and a forest fire that threatens to consume them all.

Metrics

Movie Details

Colombia Releases: May 21st, 2021 (Wide)
Video Release: May 14th, 2021 by Max
MPAA Rating: R for strong violence, and language throughout.
(Rating bulletin 2662 (cert #52965), 1/6/2021)
Running Time: 100 minutes
Keywords: Set in Montana, Witnessing a Crime, Early / Simultaneous Video-on-Demand release, Action Thriller, Firefighter, Death of a Partner, PTSD, Hitmen
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Bron Studios, Filmrights, Creative Wealth Media Finance
Production Countries: Canada, United States
Languages: English

Weekend estimates: Spiral repeats as market braces for Memorial Day

May 23rd, 2021

Spiral

With no new films opening in over 1,500 theaters, this weekend was always going to be a modest one at the box office as the industry prepares for a make-or-break Memorial Day session. Spiral will repeat at the top of the chart with a projected $4.55 million, according to Lionsgate’s Sunday-morning projection. Its 48% decline from opening weekend is a bit better than expected, and several other films are also holding on well, which means the weekend as a whole looks more solid than feared. It’s still fair to say that A Quiet Place: Part II and Cruella will face virtually no competition when they open this coming weekend. More...

Weekend estimates: Spiral beats prediction, but not by much

May 16th, 2021

Spiral

Going into the weekend, the industry was hoping Spiral would earn something around $15 million and help build on recent progress in the theatrical market. Our prediction model was considerably less optimistic, expecting the film to take in a little over $6 million. So the glass-half-full view of the weekend is that the film beat our prediction, with Lionsgate projecting it will earn $8.725 million as of Sunday morning. That’s not a huge amount over what the model expected though, and the rest of the market isn’t looking that great either. More...

Weekend predictions: Spiral leads a rush of new releases

May 14th, 2021

Spiral

There are four new wide releases this weekend, a new high point as theaters reopen and the theatrical market continues its recovery. In spite of some fairly impressive star power on display, there’s not a huge amount of doubt about which film will top the chart this weekend. Spiral, the latest incarnation of the Saw franchise is getting the widest release, in 2,811 theaters, and by far the loudest pre-release buzz. The sheer quantity of new films makes this a challenging weekend to predict, but here’s what our model has to say… More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/14/2021 $871,066 333 333 1309 $2,442,429 9/9/2021
Colombia 5/21/2021 $0 0 0 0 $206,000 10/20/2022
Hong Kong 5/14/2021 $48,886 0 0 0 $150,000 10/20/2022
Indonesia 5/21/2021 $220,000 390 390 390 $302,000 10/20/2022
Lithuania 5/14/2021 $4,900 11 11 17 $9,749 6/3/2021
Mexico 5/13/2021 $271,903 0 437 437 $561,000 10/20/2022
New Zealand 5/13/2021 $75,649 73 75 298 $196,562 8/10/2021
North America 5/14/2021 $2,830,000 3,188 3,379 9,362 $7,407,200
Portugal 5/14/2021 $20,810 41 41 95 $39,479 6/8/2021
Russia (CIS) 5/14/2021 $419,629 902 902 2171 $755,000 10/20/2022
Saudi Arabia 5/14/2021 $534,000 35 35 70 $1,900,000 10/20/2022
Singapore 5/14/2021 $0 0 0 0 $118,000 10/20/2022
South Korea 5/5/2021 $5,230 212 268 748 $455,000 10/20/2022
Spain 5/14/2021 $0 0 84 84 $335,000 10/20/2022
Taiwan 5/14/2021 $0 0 0 0 $274,000 10/20/2022
Ukraine 5/14/2021 $0 0 0 0 $217,000 10/20/2022
United Arab Emirates 5/14/2021 $0 0 0 0 $412,000 6/21/2021
United Kingdom 5/17/2021 $428,505 283 283 526 $788,000 10/20/2022
 
Rest of World $1,033,212
 
Worldwide Total$17,601,631 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Angelina Jolie    Hannah
Nicholas Hoult    Patrick
Finn Little    Connor
Aidan Gillen    Jack
Medina Senghore    Allison
Jon Bernthal    Ethan

Supporting Cast

Jake Weber    Owen
Tyler Perry    Arthur
Boots Southerland    Sheriff
Tory Kittles    Ryan
James Jordan    Ben
Lora Martinez-Cunningham    Tina
Howard Ferguson Jr    Vic
Ryan Jason Cook    Leo
Laura Niemi    Maggie
Dylan Kenin    Pilot
Faith Lynch    Pretty Girl
Alex Wagenman    Boy #1
Mason Howell    Boy #2
Calvin Olson    Boy #3
Tessa Jo Mentus Darlington    Newscaster
Keith Meriweather    Forest Service Official
John Trejo    Contractor #1
Sofia Embid    Lady Driver
Mary Fenton    Beth
Charissa Lauren Potter    Waitress #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Taylor Sheridan    Director
Taylor Sheridan    Screenwriter
Michael Koryta    Screenwriter
Charles Leavitt    Screenwriter
Michael Koryta    Story based on the book by
Steven Zaillian    Producer
Garrett Basch    Producer
Aaron L. Gilbert    Producer
Kevin Turen    Producer
Taylor Sheridan    Producer
Steven Thibault    Executive Producer
Ashley Levinson    Executive Producer
Andria Spring    Executive Producer
Jason Cloth    Executive Producer
Richard McConnell    Executive Producer
Kathryn Dean    Executive Producer
Michael Friedman    Executive Producer
Daria Cercek    Executive Producer
Celia Khong    Executive Producer
Neil Spisak    Production Designer
Chad Galster    Editor
Brian Tyler    Composer
Ben Richardson    Director of Photography
Kari Perkins    Costume Designer
Andrea von Foerster    Music Supervisor
Cathy Sandrich Gelfond*    Casting Director
Amanda Mackey    Casting Director
Kate Dean    Unit Production Manager
Jason Altieri    First Assistant Director
Peter McGrew    Second Assistant Director
Brenda Gilbert    Co-Executive Producer
Adam Davids    Co-Executive Producer
Harrison Kreiss    Co-Producer
Grace Morton    Associate Producer
Andrejs Prokopenko    Sound Mixer
Dawn Swiderski    Supervising Art Director
Greg Papalia    Art Director
Sandra D. Carmola    Art Director
Taura C.C. Rivera    Set Designer
Emma Sparer    Set Designer
Natalie Pascual    Costume Supervisor
Jay Hart    Set Decorator
Tim Muir    Hairstylist
Nichole Miller    Hairstylist
Felicity Bowring    Make up
Bonnie Masoner    Make up
Daniel Holt    Special Effects Supervisor
Anita Sum    Production Supervisor
Wade Allen    Second Unit Director
Sharron Reynolds-Enriquez    Script Supervisor
Len Murach    Supervising Location Manager
Tim Pedegana    Post-Production Supervisor
Brooke Rupe    First Assistant Editor
Alan Robert Murray    Supervising Sound Editor
Tom Ozanich    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
Tom Ozanich    Sound Designer
John Joseph Thomas    Sound Effects Editor
Michael W. Mitchell    Sound Effects Editor
Christian Wenger    Sound Effects Editor
Michael Hertlein    Dialogue Editor
Kevin R.W. Murray    Foley Editor
Tavish Grade    Foley Mixer
Arno Stephanian    Foley Mixer
Mark Stetson    Visual Effects Supervisor
Jason Chen    Visual Effects Supervisor
Beverly Abbott    Visual Effects Producer
Wade Allen    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.