Austria Box Office for The Secret Life of Pets 2 (2019)

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The Secret Life of Pets 2
Theatrical Performance (US$)
Austria Box Office $2,932,325Details
Worldwide Box Office $446,449,908Details
Home Market Performance
North America DVD Sales $13,252,687 Details
North America Blu-ray Sales $13,764,996 Details
Total North America Video Sales $27,017,683
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Terrier Max is coping with some major life changes. His owner is now married and has a toddler, Liam. Max is so worried about protecting the boy that he develops a nervous tic. On a family trip to a farm, Max and mutt Duke encounter canine-intolerant cows, hostile foxes and a terrifying turkey, all of which only elevates Max’s anxiety. Luckily, Max gets some guidance from veteran farm dog Rooster, who pushes Max to ditch his neuroses, find his inner alpha, and give Liam a little more freedom. Meanwhile, while her owner is away, plucky Pomeranian Gidget tries to rescue Max’s favorite toy from a cat-packed apartment with a little help from her feline friend, Chloe, who has discovered the joys of catnip. And crazy-but-cute bunny Snowball gets delusions of grandeur that he’s an actual superhero after his owner Molly starts dressing him in superhero pajamas. But when Daisy, a fearless Shih Tzu, shows up to ask for Snowball’s help on a dangerous mission, he’ll have to summon the courage to become the hero he’s only been pretending to be. Can Max, Snowball, Gidget and the rest of the gang find the inner courage to face their biggest fears?

Metrics

Movie Details

Production Budget:$80,000,000
Austria Releases: June 28th, 2019 (Wide)
Video Release: August 13th, 2019 by Universal Home Entertainment
October 7th, 2019 by Universal Pictures UK
MPAA Rating: PG for some action and rude humor.
(Rating bulletin 2569 (Cert #52089), 3/13/2019)
Running Time: 92 minutes
Franchise: The Secret Life of Pets
Keywords: Animal Lead, Talking Animals, Coming of Age, Newlyweds, New Parents, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Illumination Entertainment, Universal Pictures, Chris Meledandri
Production Countries: United States
Languages: English

Home Market Releases for August 27th, 2019

August 28th, 2019

The Last Black Man in San Francisco

This week, the main list of new releases is particularly short for two reasons. Firstly, it is a slow week. Secondly, I’ve filtered out the TV on DVD releases for their own section. I’ve been meaning to do this for a while and we are entering the heart of TV on DVD season on the home market, so it made sense to do it this week. (I’m including all TV on DVD releases, both individual seasons and full series Megasets.) As for the biggest new releases, there are not a lot to talk about. Godzilla: King of the Monsters and The Secret Life of Pets 2 both missed expectations at the box office, but both are worth picking up for their respective target audiences. As for the best, only The Last Black Man in San Francisco and Rocketman are contenders for Pick of the Week. The latter has far better extras, but the former is the better movie and wins that title. More...

International Box Office: Spider-Man’s Worldwide Vacation

July 11th, 2019

Spider-Man: Far from Home

Spider-Man: Far from Home expanded nearly worldwide over the weekend, and earned $236.74 million on 53,120 screens in 85 markets for a still early international total of $393.37 million, and $578.43 million worldwide. The film’s biggest new market was South Korea, where it earned $24.55 million on 2,173 screens over the weekend for a total opening of $33.45 million. Far From Home also cracked $10 million in the U.K. with $10.53 million on 979 screens over the weekend for a total opening of $17.77 million and in Mexico with $10.39 million on 3,806 screens over the weekend for a total opening of $13.42 million. The film earned a total opening of $12.11 million in Australia, including $7.26 million on 332 screens over the weekend. The film’s biggest holdover was China, where it earned $29.88 million over the weekend for a two-week total of $166.63 million. Italy was the only market the film wasn’t playing in over the weekend, but that changed on Wednesday and we will have those numbers next week. More...

International Box Office: Spider-Man Swings into First Place

July 3rd, 2019

Spider-Man: Far from Home

Spider-Man: Far from Home made its international debut the weekend before its domestic start earning $111.20 million on 35,187 screens in three markets. Those three markets where led by China, where it earned $97.72 million on 34,300 screens. It was also very potent in Japan with $9.36 million on 465 screens and in Hong Kong with $4.12 million on 422. More...

Weekend Wrap-Up: Toy Story Can’t Overcome Box Office Woes

July 2nd, 2019

Toy Story 4

June ended with shrug, as the weekend was neither a success nor a disaster. Toy Story 4 was the top draw, but it fell faster than most family films do, down 51% to $59.70 million. Annabelle Comes Home had the weakest opening in the franchise, while Yesterday did well as counter-programming, but that’s all. The overall box office fell 26% from last weekend and, more importantly, 15% from the same weekend last year. Year-to-date, 2019 has fallen behind 2018’s pace by a margin of 9.5% or $580 million at $5.52 billion to $6.10 billion. At the beginning of June, I thought 2019 would have cut into 2018’s lead by $100 million, but that clearly didn’t happen. More...

Weekend Estimates: Toy Story has a June-Like Hold with $58 million

June 30th, 2019

Toy Story 4

Toy Story 4 is earning first place over the weekend with $57.92 million. A few weeks ago, a 52% sophomore stint drop-off by a family film would have been a really bad sign; however, June was so bad that this result matches expectations, more or less. The film now has $236.92 million domestically and should race past $300 million here before it is done. This is a monster hit and more than enough to be profitable, but still disappointing. This film is having a better weekend internationally, earning $80.6 million in 45 markets for totals of $259.6 million internationally and $496.5 million worldwide. This includes a $7.0 million opening in France, which is the best in the franchise. More...

Friday Estimates: Toy Story Dominates Chart, Doesn’t Have Aladdin-Like Legs

June 29th, 2019

Toy Story 4

It looks like June won’t end on a high note, as Toy Story 4 is falling faster than hoped for. The film earned $17.04 million on Friday, which is almost as much as the rest of the top five earned in total. However, and more importantly, it is 64% lower than the film’s opening Friday and that’s a sharper decline that I was anticipating. Granted, its $196.03 million running tally is in line with budget expectations, so it will break even, even if it doesn’t match expectations. A profitable disappointment. More...

Weekend Predictions: Will June Completely Miss at the Box Office?

June 27th, 2019

Annabelle Comes Home

So far June has been a disaster with no film topping expectations to any significant degree. In fact, Aladdin was the last time we had a film that really beat expectations at the box office and that came out more than a month ago. This weekend is the last chance for June to not be a complete disaster and frankly I’m not optimistic. Annabelle Comes Home is part of the biggest horror franchise around. However, the most recent installment was also the weakest by far and I fear this film will also be significantly below average for the franchise. Yesterday is the smaller of the two films, but in this case this means it doesn’t have to do much business at the box office to be seen as a success. Meanwhile, Toy Story 4 is expected to remain in top spot over the weekend and if its legs are long enough, it could be seen as a real success rather than a profitable disappointment. This weekend last year, there were no major new releases, but Jurassic World: Fallen Kingdom and Incredibles 2 were strong as holdovers. More...

Weekend Wrap-Up: Toy Story Latest Film to Miss Expectations

June 25th, 2019

Toy Story 4

I think 2019 is done. The year isn’t quite halfway done, but I think I’m ready to call the box office race with 2018 over. Toy Story 4 was the latest potential monster hit to miss expectations by a huge margin. Granted, it still opened in first place with $120.10 million and it will make a substantial profit, but this is still about 25% lower than a lot of people expected and the overall weekend is still a massive disappointment. It did rise 50% from last weekend hitting $204 million, but this was 25% lower than the same weekend last year and that’s a much more important figure. Year-to-date, 2019 is now behind 2018 by 8.9% or $510 million at $5.26 billion to $5.77 billion. If you want to stretch for some good news, then this isn’t the worst deficit we’ve seen this year. More...

Weekend Estimates: Toy Story has the Best Opening in the Franchise, Still Disappoints

June 23rd, 2019

Toy Story 4

Almost none of the films on this week’s list are living up to expectations, at least not according to the weekend estimates. Toy Story 4 is earning the best opening in the franchise with an estimated $118.0 million weekend. This is third-highest opening for an animated film, so there is reason to celebrate. However, it is also much lower than expected and a little more front-loaded than anticipated, so its future might be in doubt. The film is doing better internationally with an estimated opening weekend of $120.0 million in 37 markets. The film had the third biggest opening in Mexico with $23.4 million, putting it behind just the two most recent Avengers movies. It had the biggest opening for an animated film in Brazil with $9.6 million. The film was also a monster hit in the U.K. with $15.0 million. On the other hand, it struggled in China with a second-place $13.4 million opening there; however, most animated films struggle in China. Hopefully the film’s reviews and its A from CinemaScore translate into long legs, because 2019 really needs more success stories at the box office. More...

Friday Estimates: Toy Story Doesn’t Have an Incredible Start

June 22nd, 2019

Toy Story 4

Toy Story 4 is on pace to earn the third-best opening weekend for an animated film, but despite this, it will be seen as a disappointment, as many people were expecting a lot more. The film earned $47.39 million on Friday, putting it on pace for $123 million over the full weekend, which is behind Incredibles 2 and Finding Dory on the all-time opening chart for an animated film. It really needed to be higher up that list in order to help 2019 win in the year-over-year competition. At this pace, it won’t even match last year’s number one film, Jurassic World: Fallen Kingdom. On the positive side, the film is earning 97% positive reviews and managed an A from CinemaScore, so it should have long legs. It will be a hit for Pixar and Disney is not going to lose money on this movie. However, I’m getting tired of big films failing to live up to expectations and I don’t think 2019 is going to be able to turn things around. More...

Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?

June 20th, 2019

Toy Story 4

June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison. More...

Weekend Wrap-Up: Weekend Bests Estimates, Still Clobbered by Incredibles

June 18th, 2019

Men in Black: International

There is some good news to report, as the weekend final numbers beat both the projections based on Friday estimates and Sunday’s estimates. There’s also some bad news. Even with this improvement, the weekend was really soft at the box office. Men in Black: International led the way with just $30.04 million during its opening weekend, while only two other films topped $10 million over the weekend. This left the overall box office down 18% from last weekend to just $135 million. This is 50% lower than the same weekend last year; a decline that we normally only see when there is a misalignment in a holiday. However, in this case, it was due to Incredibles 2, which earned more by itself than the total box office did this year. This has left 2019 further behind 2018 and it is now off last year’s pace by 7.0% or $370 million at $4.99 billion to $5.36 billion. Several weeks worth of gaining ground has gone in a single weekend. More...

Weekend Estimates: Black Skies for MiB

June 16th, 2019

Men in Black: International

According to weekend estimates, Men in Black: International is topping projections based on Friday estimates, but is still weaker than predicted with $28.5 million. This is a pleasant surprise, as the film’s reviews are terrible and its B from CinemaScore strongly suggested weaker legs. Maybe it will continue to surprise going forward. The film is doing much better internationally with $73.7 million on 41,400 screens in 56 markets. This includes $26.3 million in China, $5.1 million in Russia, $4.9 million in South Korea, and $3.9 million in Mexico. On the downside, the film has opened in most major markets, so it will be mostly coasting on holdovers at this point. It should still earn enough to cover its production budget worldwide, but that’s not enough to break even in any timely fashion. More...

Friday Estimates: Toy Story 4 needs to be a Monster Hit

June 15th, 2019

Men in Black: International

It is going to be a really bad weekend. All of the progress we made since Endgame came out could be erased in a week and if Toy Story 4 isn’t a monster hit, then 2019 will be in serious trouble, again. Men in Black: International led the way on Friday, but it only managed $10.4 million. Sony is projecting a $26.2 million opening weekend, which would be the studio’s biggest opening of the year so far. In fact, it would be the studio’s third biggest hit of the year after just three days. Yikes. The film’s reviews are terrible and it only managed a B from CinemaScore, so I don’t expect long legs. There are some rumors going around that the film didn’t cost as much as its official $110 million production budget, but even if those are true, this is still not a good start. Maybe it will thrive internationally. More...

Weekend Predictions: Can Men in Black Open in the Black?

June 13th, 2019

Men in Black: International

It’s a busy weekend at the box office with the potential for four new entries in the top ten. Unfortunately, only one of those films, Late Night, is earning good reviews. The other films’ reviews range from mediocre reviews to depressing reviews. Likewise, the four film’s box office chances range from mediocre, with Men in Black: International expected to open south of $30 million, to depressing, with some suggesting Late Night and / or The Dead Never Die missing the Mendoza Line. This weekend last year, Incredibles 2 opened with $182.69 million. That’s more than the entire box office will make this weekend. 2019 is going to get crushed in the year-over-year comparison. More...

Theater Averages: Late Night Gets Off to an Early Start

June 13th, 2019

Late Night

2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229. More...

Weekend Wrap-Up: New Releases Miss Expectations and Estimates

June 11th, 2019

The Secret Life of Pets 2

It was a mixed weekend at the box office with neither of the two new releases matching expectations. Not only that, but most of the top five missed estimates as well. This led to a result 5.6% lower than last weekend falling to $164 million. I was really expecting growth this weekend. The Secret Life of Pets 2 led the way with $46.65 million, while Dark Phoenix really struggled with just $32.83 million. Aladdin was arguably the only real bright spot in the top five this weekend. Fortunately, this weekend last year was even worse and 2019 was able to win the year-over-year comparison by a whopping 37%. This allowed 2019 to close the gap between it and 2018 to just $300 million or 5.9% at $4.78 billion to $5.08 billion. That’s still a large gap, but it is far cry from where it once was. More...

Weekend Estimates: Pets Don’t have a Fiery Rebirth with Just $47 million

June 9th, 2019

The Secret Life of Pets 2

Neither of the two wide releases matched expectations over the weekend and in both cases, it could be the end of their respective franchises. The Secret Life of Pets 2 is earning first place with $47.11 million, which isn’t a bad result for a family film that cost $80 million to make. However, this estimate is 55% lower than the first film’s opening weekend. Internationally, it is adding $16.0 million over the weekend to its three-week total, which sits at $49.0 million. Additionally, it has yet to open in most international markets, so it should have long legs on this chart. However, it still isn’t living up to the original. Universal has to be looking at this numbers and deciding to move on from the franchise, even though this film will very likely break even sooner rather than later. Even a moderate decline for a hypothetical third film would put profitability in question. More...

Friday Estimates: Dark Day at the Box Office

June 8th, 2019

The Secret Life of Pets 2

June might be in trouble, as both of the wide releases stumbled out of the gate missing expectations. The Secret Life of Pets 2 managed first place on Friday, but with just $16.5 million. This is 57% lower than the first film managed during its opening day. Unlike the first film, school was still in session for a lot of the film’s target audience during Friday, so that could help its legs over the weekend. Universal is projecting a $47 million opening weekend, but it might climb to $50 million. Even so, that’s still a serious decline over the first movie. The film did match the original at CinemaScore earning an A minus, so its weaker reviews aren’t going to be much of an issue. Additionally, the movie only cost $80 million to make, so even a $45 million opening won’t prevent the film from breaking even sooner rather than later. More...

Thursday Night Previews: Dark Phoenix Sinks Below Apocalypse

June 7th, 2019

Dark Phoenix

Dark Phoenix had the best Thursday previews with $5 million. However, while this is tops for the weekend, it is well below comparisons. For example, Godzilla: King of the Monsters earned $6.3 million during its previews last week, while Apocalypse managed $8.2 million in previews back in 2016. Additionally, the film also has the worst reviews of these films, so it will likely have the shortest legs. That said, for a lot of high school and college students, this weekend is the start of the summer holidays, so that should help its legs during its opening weekend. Because of this, I’m still cautiously optimistic about our $52 million prediction. More...

Weekend Predictions: Can Dark Phoenix Soar Above Pets 2?

June 6th, 2019

The Secret Life of Pets 2

It could be a real race on the box office chart this weekend. The Secret Life of Pets 2 isn’t generating as much buzz as I was expecting, while there is actually some good news surrounding Dark Phoenix’s box office chances. There’s no good news regarding its reviews, that’s for sure. Also coming out this weekend is Late Night, but it is now coming out in limited release with a wide expansion next week. That’s not a good sign. This does leave one more spot in the top five for a holdover, meaning Aladdin, Godzilla: King of the Monsters, and Rocketman will all remain in the top five for at least one more weekend. This weekend last year, Ocean’s 8 opened with a decent $41.61 million and both The Secret Life of Pets 2 and Dark Phoenix should top that. 2019 should start the month with an easy win. More...

International Box Office: Godzilla Stomps Through Asia, is Quieter Elsewhere

June 5th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters was more dominant on the international chart with $130 million on 53,515 screens in 75 markets for a worldwide debut of $178 million. Most of this success came in Asia, including in China, where the movie opened in first place with $66.65 million over the weekend for a total opening of $70.41 million. Japan was the next biggest market with a haul of $8.4 million on 600, which was enough for first place in that market. The film also earned first place in Taiwan ($4.2 million on 320 screens); Thailand ($2.3 million on 705 screens); and Malaysia ($2.2 million on 653). The film had to settle for second place in a number of major markets including Mexico ($4.7 million on 2,443 screens); the U.K. ($4.43 million in 531 theaters); and France ($2.5 million on 628 screens). The film has yet to open in Spain and a number of smaller markets, so it isn’t done its international run. That said, it was an expensive movie to make and it will need help on the home market to break even. More...

2019 Preview: June

June 1st, 2019

Toy Story 4

While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point. More...

The Secret Life of Pets 2 Trailer

February 21st, 2019

Animated adventure opens June 7 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/28 - $376,000   0     $376,000 1
2019/07/05 - $350,748 -7% 89 $3,941   $1,128,502 2
2019/07/12 - $442,140 +26% 89 $4,968   $1,699,228 3
2019/07/19 - $143,230 -68% 83 $1,726   $2,014,065 4
2019/07/26 - $145,738 +2% 86 $1,695   $2,257,022 5
2019/08/02 - $101,461 -30% 85 $1,194   $2,441,740 6
2019/08/09 - $47,277 -53% 85 $556   $2,577,261 7
2019/08/16 - $30,489 -36% 71 $429   $2,657,798 8
2019/08/23 - $24,161 -21% 64 $378   $2,713,749 9
2019/08/30 - $17,475 -28% 54 $324   $2,757,016 10
2019/09/06 - $62,909 +260% 51 $1,234   $2,835,975 11
2019/09/13 - $15,292 -76% 50 $306   $2,854,986 12
2019/09/20 - $9,598 -37% 39 $246   $2,866,701 13
2019/09/27 - $6,729 -30% 23 $293   $2,875,221 14
2019/10/04 - $5,987 -11% 17 $352   $2,883,212 15
2019/10/11 - $2,694 -55% 17 $158   $2,886,102 16
2019/10/18 - $1,925 -29% 15 $128   $2,888,278 17
2019/10/25 - $1,181 -39% 10 $118   $2,889,641 18
2019/11/01 - $2,632 +123% 8 $329   $2,892,273 19
2019/11/08 - $2,096 -20% 3 $699   $2,900,987 20
2019/11/15 - $365 -83% 1 $365   $2,902,554 21
2019/11/22 - $973 +167% 2 $487   $2,903,527 22
2020/06/05 - $2,246   1 $2,246   $2,923,500 50
2020/06/19 - $124   1 $124   $2,925,664 52
2020/07/03 - $33   1 $33   $2,927,039 54
2020/07/10 - $1,223 +3,606% 4 $306   $2,928,427 55

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Albania 6/13/2019 $0 0 2 11 $8,070 8/7/2019
Argentina 7/4/2019 $731,150 213 225 1211 $5,324,196 1/1/2020
Australia 6/21/2019 $1,436,336 282 323 2404 $13,028,733 12/11/2019
Austria 6/28/2019 $376,000 0 89 949 $2,932,325 10/7/2020
Belgium 7/3/2019 $54,988 76 83 1155 $3,046,346 12/4/2019
Bolivia 7/4/2019 $120,180 20 20 86 $519,354 8/14/2019
Brazil 6/27/2019 $1,369,466 655 655 3276 $7,336,270 9/2/2020
Bulgaria 5/31/2019 $26,952 0 38 38 $508,697 9/19/2019
Central America 6/6/2019 $230,197 22 158 435 $1,700,739 2/26/2020
Chile 7/4/2019 $360,999 76 77 475 $2,137,837 9/25/2019
China 7/5/2019 $10,420,000 53888 53888 74887 $22,341,535 9/4/2019
Colombia 8/8/2019 $650,109 209 209 1024 $2,313,431 10/23/2019
Croatia 6/6/2019 $46,488 59 59 263 $302,597 4/24/2024
Cyprus 6/6/2019 $25,319 7 7 72 $128,744 9/4/2019
Czech Republic 6/14/2019 $45,622 36 155 960 $2,061,158 10/19/2022
Denmark 7/4/2019 $630,726 95 96 881 $2,894,227 11/6/2019
Ecuador 6/28/2019 $233,556 47 48 245 $797,585 8/21/2019
Egypt 6/12/2019 $0 0 14 36 $96,752 8/7/2019
Estonia 5/31/2019 $166,159 25 25 181 $615,140 8/21/2019
Finland 6/28/2019 $650,549 98 98 757 $2,633,252 12/25/2019
France 7/31/2019 $3,629,415 767 795 5783 $15,967,275 11/6/2019
Germany 6/27/2019 $2,339,920 723 761 9414 $21,175,788 4/16/2021
Greece 8/29/2019 $282,705 195 195 871 $1,120,418 12/18/2019
Hong Kong 6/20/2019 $939,136 52 52 246 $2,234,037 10/2/2019
Hungary 7/4/2019 $514,272 73 79 626 $2,138,719 10/19/2022
Iceland 6/7/2019 $26,876 10 10 50 $108,447 10/2/2019
India 6/14/2019 $372,000 756 756 893 $573,043 8/7/2019
Indonesia 6/14/2019 $519,434 280 280 469 $1,124,398 7/3/2019
Israel 6/27/2019 $346,578 34 34 445 $3,430,889 10/19/2022
Italy 6/6/2019 $1,171,153 0 33 105 $4,178,378 10/19/2022
Japan 7/26/2019 $2,595,001 365 365 3005 $20,101,844 10/16/2019
Latvia 5/31/2019 $94,108 15 16 135 $512,907 9/25/2019
Lebanon 6/6/2019 $32,824 16 16 56 $106,104 7/31/2019
Lithuania 5/24/2019 $13,959 11 253 1307 $585,822 9/2/2020
Macedonia 6/6/2019 $1,915 3 3 11 $9,085 7/17/2019
Malaysia 5/30/2019 $75,614 127 132 594 $730,234 7/24/2019
Mexico 8/9/2019 $4,947,796 0 231 320 $14,940,879 5/26/2021
Middle East Region 6/6/2019 $660,307 72 72 160 $1,542,366 8/14/2019
Mongolia 5/31/2019 $52,775 8 8 37 $97,967 7/3/2019
Netherlands 6/7/2019 $568,512 139 143 2305 $6,253,192 12/18/2019
New Zealand 6/20/2019 $546,422 93 97 804 $2,068,378 10/19/2020
North America 6/7/2019 $46,652,680 4,561 4,564 25,922 $159,214,420
Norway 6/21/2019 $138,629 46 128 861 $2,237,711 11/6/2019
Pakistan 6/7/2019 $15,210 17 17 58 $36,602 8/7/2019
Paraguay 7/4/2019 $38,906 16 16 65 $195,194 9/11/2019
Peru 6/27/2019 $464,547 98 98 258 $1,527,138 9/4/2019
Philippines 6/5/2019 $481,301 165 165 241 $734,352 7/3/2019
Poland 6/28/2019 $169,290 88 256 1816 $6,930,613 10/19/2022
Portugal 5/31/2019 $50,870 67 119 761 $1,550,300 10/19/2022
Romania 6/14/2019 $116,333 78 78 619 $698,461 10/20/2022
Russia (CIS) 5/30/2019 $7,284,638 1858 1861 9718 $24,851,021 10/19/2022
Serbia and Montenegro 6/6/2019 $73,503 82 82 574 $332,610 2/24/2021
Singapore 5/30/2019 $56,442 34 34 222 $1,239,604 11/13/2019
Slovakia 6/14/2019 $21,981 25 81 555 $1,069,993 10/19/2022
Slovenia 6/6/2019 $32,251 27 27 162 $367,511 7/28/2021
South Africa 6/28/2019 $282,368 124 129 780 $1,226,238 9/18/2019
South Korea 7/31/2019 $2,307,953 933 933 2222 $7,082,848 5/11/2022
Spain 8/9/2019 $2,673,998 401 401 3333 $24,351,073 2/24/2021
Sweden 6/7/2019 $2,821 1 176 1673 $3,580,849 12/4/2019
Switzerland 6/6/2019 $12,403 4 100 1156 $3,399,661 3/18/2020
Taiwan 6/7/2019 $832,102 194 194 629 $1,725,405 7/31/2019
Thailand 6/6/2019 $273,276 112 112 268 $467,332 7/3/2019
Trinidad 6/5/2019 $66,269 19 19 70 $233,015 8/7/2019
Turkey 6/5/2019 $185,938 425 425 1514 $1,068,536 10/19/2022
Ukraine 5/30/2019 $1,601,983 188 188 1005 $3,014,620 10/19/2022
United Arab Emirates 6/6/2019 $534,587 53 53 212 $1,315,120 9/2/2020
United Kingdom 5/24/2019 $4,433,068 617 627 5739 $24,741,026 1/29/2020
Uruguay 6/27/2019 $46,357 27 30 197 $618,397 10/30/2019
Venezuela 7/5/2019 $28,123 0 0 0 $182,739 10/2/2019
Vietnam 6/7/2019 $1,050,338 183 184 820 $2,730,361 7/31/2019
 
Worldwide Total$446,449,908 4/24/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Patton Oswalt    Max
Kevin Hart    Snowball
Eric Stonestreet    Duke
Jenny Slate    Gidget
Tiffany Haddish    Daisy
Lake Bell    Chloe
Hannibal Buress    Buddy
Harrison Ford    Rooster

Supporting Cast

Nick Kroll    Sergei
Dana Carvey    Pops
Ellie Kemper    Katie
Chris Renaud    Norman/Additional Voice
Bobby Moynihan    Mel
Pete Holmes    Chuck
Henry Lynch    Liam
Sean Giambrone    Cotton
Meredith Salenger    Cat Lady
Michael Beattie    Lead Wolf/Skinny Cat
Kiely Renaud    Molly
David Acord    Additional Voice
Scott Mosier    Additional Voice
Jaime Camil    Additional Voice
Laraine Newman    Additional Voice
Antonio Raul Corbo    Additional Voice
Capri Oliver    Additional Voice
Brian T. Delaney    Additional Voice
Arthur Ortiz    Additional Voice
Jessica DiCicco    Additional Voice
Lucian Perez    Additional Voice
Terri Douglas    Additional Voice
Sandra Echeverria    Additional Voice
Maddix Robinson    Additional Voice
Kylie Hart    Additional Voice
Ashley Silverman    Additional Voice
Garth Jennings    Additional Voice
Tara Strong    Additional Voice
JP Karliak    Additional Voice
Fred Tatasciore    Additional Voice
John Kassir    Additional Voice
Cory Walls    Additional Voice
Scott Menville    Additional Voice
Matthew Wood    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Chris Renaud    Director
Jonathan Del Val    Co-Director
Brian Lynch    Screenwriter
Christopher Meledandri    Producer
Janet Healy    Producer
Tiffany Hillkurtz    Editor
Alexandre Desplat    Composer
Brett Hoffman    Executive Producer
Colin Stimpson    Production Designer
Colin Stimpson    Character Designer
Christelle Balcon    Co-Producer
Matthieu Gosselin    Art Director
Eric Guillon    Character Designer
Daniel Fernandez Casas    Character Designer
Robert Taylor    Associate Producer
Eric Favela    Head of Story
Julien Soret    Animation Director
Gwenole Oulchen    Animation Director
Patrick Delage    Animation Director
Nicolas Bauduin    Supervising Animator
Cecile Brossette    Supervising Animator
Simone Fiorito    Supervising Animator
Basile Heiderscheid    Supervising Animator
Gael Matchabelli    Supervising Animator
Aymeric Palermo    Supervising Animator
Cesc Pujol Font    Supervising Animator
Ludovic Roz    Supervising Animator
Fabrice Senia    Supervising Animator
Mourad Simoussa    Supervising Animator
Damien Zeelen    Supervising Animator
Ken Schretzmann    Additional Editor
Nicolas Stretta    Associate Editor
Rachel Brennan    Associate Editor
Tom Walters    Associate Editor
Christophe Ducruet Biahacue    First Assistant Editor
Samuel Craven    First Assistant Editor
Marco Allard    Story Artist
Serguei Kouchnerov    Story Artist
Jerod Chirico    Story Artist
Gabe Lin    Story Artist
Jed Diffenderfer    Story Artist
Chris Martin    Story Artist
Matt Nealon    Story Artist
Melissa Nemchek    Script and Recording Supervisor
Regis Maillet    Set Designer
Brett Nystul    Set Designer
Vincent Massy De La Chesneraye    Set Designer
Alexandre Saint-Martin    Set Designer
Dennis Leonard    Supervising Sound Editor
David Acord    Supervising Sound Editor
David Acord    Sound Designer
Gary A. Rizzo    Re-recording Mixer
David Acord    Re-recording Mixer
Jonathan Greber    Dialogue/ADR Supervisor
Addison Teague    Sound Effects Editor
Ben Burtt    Sound Effects Editor
J.R. Grubbs    Sound Effects Editor
Richard Gould    Foley Editor
Larry Oatfield    Foley Editor
Jason Butler    Foley Mixer
Nevin Seus    Music Editor
Alexandre Desplat    Music Producer
Dennis Sands    Score Recordist
Frank Wolf    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.