Colombia Box Office for Ralph Breaks The Internet (2018)

← Go to main Ralph Breaks The Internet page

Ralph Breaks The Internet
Theatrical Performance (US$)
Colombia Box Office $4,000,000Details
Worldwide Box Office $529,290,830Details
Home Market Performance
North America DVD Sales $13,957,971 Details
North America Blu-ray Sales $34,131,331 Details
Total North America Video Sales $48,089,302
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Video-game bad guy Ralph and best friend Vanellope von Schweetz leave the comforts of Litwak’s arcade in an attempt to save her game, Sugar Rush. Their quest takes them to the vast, uncharted world of the internet where they rely on the citizens of the internet—the Netizens—to help navigate their way. Lending a virtual hand are Yesss, the head algorithm and the heart and soul of the trend-making site “BuzzzTube,” and Shank, a tough-as-nails driver from a gritty online auto-racing game called Slaughter Race, a place Vanellope wholeheartedly embraces—so much so that Ralph worries he may lose the only friend he’s ever had.

Metrics

Movie Details

Production Budget:$175,000,000
Colombia Releases: November 22nd, 2018 (Wide)
Video Release: February 26th, 2019 by Walt Disney Home Entertainment
MPAA Rating: PG for some action and rude humor.
(Rating bulletin 2546 (Cert #51803), 9/26/2018)
Running Time: 112 minutes
Franchise: Wreck-It Ralph
Keywords: Internet, Video Game, Franchise Crossover, Gratuitous Cameos, 3-D, Auto Racing, Viral Video, Social Media, Scene in End Credits, 3-D - Shot in 3-D, IMAX: DMR, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Walt Disney Pictures, Walt Disney Animation Studios
Production Countries: United States
Languages: English

2018 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 7th, 2019

Spider-man: Into the Spider-Verse

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and there is a Pixar film on this list. However, in a shocking twist, it isn’t the overwhelming favorite to win. More...

International Box Office: Bumblebee Stings the Competition

January 16th, 2019

Bumblebee

Bumblebee remained in first place with $35.6 million in 64 markets for totals of $256.3 million internationally and $365.2 million worldwide. It was able to remain in first place in China with $26.36 million over the weekend for a two-week total of $108.91 million. It fell 55%, which is actually quite good for a film in China. Bumblebee needs about $250 million worldwide, without China, in order to break even during its initial push into the home market. It got there this weekend and it still hasn’t opened in Japan. I think Paramount will be happy with this result and there will be another installment in the Transformers franchise. More...

International Box Office: Bumblebee Bounces to the Top

January 9th, 2019

Bumblebee

Bumblebee rose to first place with $82.7 million in 62 markets for totals of $192.0 million internationally and $289.6 million worldwide. It was able to earn first place thank in part due to its first place debut in China, where it earned $58.06 million over the weekend for a total opening of $59.26 million. The film needs to make more than $150 million in China to have a secure future there. Granted, films in China tend to have short legs, but Transformers has usually been the exception, so I’m cautiously optimistic for its chances. More...

Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin

December 18th, 2018

Spider-Man: Into The Spider-Verse

The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Weekend Predictions: Will Spider-man Swing into First Place?

December 13th, 2018

Spider-Man: Into The Spider-Verse

After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that. More...

International Box Office: Aquaman Floods China

December 12th, 2018

Aquaman

Aquaman debuted in China dominating the market with $92.98 million over the weekend for a total opening of $94.28 million. This is roughly as much as the rest of the top five made combined. It is also certainly more than it will open with domestically. More...

Weekend Wrap-Up: The Calm before the Winter Storm

December 11th, 2018

Ralph Breaks the Internet

There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion. More...

Weekend Estimates: Christmas Comes Early for Animation

December 9th, 2018

Ralph Breaks the Internet

Both animated films are doing great at the box office with Ralph Breaks the Internet matching our prediction nearly perfectly with a studio estimate of $16.1 million over the weekend, which would give it a running tally of $140.9 million. Internationally, the film has barely opened in half the world earning $18.0 million over the weekend for a total of $117.3 million. This includes a first place debut in Spain with $4.6 million over the five-day weekend. Its next major market isn’t until December 21st when it opens in Japan, while it is a Boxing Day release in Australia. More...

Friday Estimates: Box Office Sinks a Little Deeper

December 8th, 2018

Ralph Breaks the Internet

It looks like it will be another soft weekend at the box office. The lack of new releases is not helping holdovers too much, but most of the top five is on pace to match expectations, more or less. For example, Ralph Breaks the Internet pulled in $3.52 million on Friday, putting it on pace for $15 million over the weekend. This is within a rounding error of our prediction and nothing to panic about. Granted, the film is falling behind Coco’s pace, while $200 million domestically is becoming a more difficult goal, but Disney could give it a push over the top if it wants to. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Weekend Predictions: Short List of New Releases

December 6th, 2018

Ralph Breaks the Internet

The first weekend of December is usually a terrible weekend to release a new film. However, that’s because it is usually the first weekend after Thanksgiving long weekend. This year this is not the case, but there are still no wide releases to talk about. The closest to a new release is Schindler’s List, which is getting a semi-wide release. It has a slim chance at reaching the top ten, but I wouldn’t bet on it. This means the top five this week will be identical the top five from last weekend with Ralph Breaks the Internet leading the way. This weekend last year, Coco remained in top spot with $18.45 million, while the only wide release was Just Getting Started, which missed the Mendoza Line. I think 2018 will win in the year-over-year competition, but not by a lot. More...

International Box Office: Bohemian Rhapsody Challenges Grindelwald for Top Spot

December 5th, 2018

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald remained in first place on the international chart with $40.8 million on 18,922 screens in 80 markets for totals of $386.9 million internationally and $521.4 million worldwide. Its biggest market of the weekend was Japan, where it added $7.5 million to its running tally, which now sits at $25.6 million. Its biggest market overall is China, where it has $56.65 million, including $2.37 million this past weekend, followed by the U.K. with $33.8 million, including $3.5 million this past weekend. More...

Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong

December 4th, 2018

Ralph Breaks the Internet

The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Friday Estimates: Ralph has a mostly Graceful Decline

December 1st, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there. More...

Weekend Predictions: New Releases don’t look Very Graceful

November 29th, 2018

The Possession of Hannah Grace

It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage. More...

Theater Averages: The Favourite Lives Up to Its Name

November 29th, 2018

The Favourite

The Favourite had the best theater average, not only of the weekend, but of the year. It pulled in $422,000 in 4 theaters for an average of $105,603, putting it ahead of the previous leader for 2018, Suspiria. It is a lot more mainstream and shouldn’t have a problem expanding significantly beyond this point. Shoplifters was well back with an average of $17,853 in five theaters. The overall box office leader, Ralph Breaks The Internet, was next with an average of $14,000. The World Before Your Feet was the latest documentary to open in the $10,000 club earning an average of $11,241 in two theaters. The final film in the $10,000 club was also a wide release, Creed II, which earned an average of $10,338. More...

International Box Office: Grindelwald Falls, But Remains in First Place

November 28th, 2018

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald fell more than $100 million to $83.3 million on 27,922 screens in 80 markets for totals of $322.2 million internationally and $439.2 million worldwide. Its only new market was Japan, where it debuted with $13 million on 1,008 screens. By comparison, the first Fantastic Beasts earned $15.5 million during its debut in that market. The film’s best holdover was Germany, where it added $7.5 million on 1,460 screens lifting its running tally to $23.2 million after two weeks of release. On the other hand, it plummeted 82% during its second weekend in China down to just $6.44 million for a two-week total of $52.11 million. The film likely won’t reach $500 million internationally and its worldwide total might be as much as $200 million shy of its predecessor. This is still enough to be profitable, but there is reason to be concerned about the franchise going forward. More...

Weekend Wrap-Up: Ralph, Creed Lead Box Office, Break Records

November 27th, 2018

Ralph Breaks the Internet

The weekend box office was more lucrative than predicted with both Ralph Breaks the Internet and Creed II breaking records. Depending on how technical you want to be. Ralph Breaks the Internet led the way with $55.67 million over the three-day weekend and $84.47 million over five. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Nearly every other film on this week’s list also topped predictions helping this weekend to rise 26% from last weekend hitting $216 million over the three-day period. This was also 15% higher than the same weekend last year, which is a more important result. I was really expecting 2018’s lead over 2017 to be down significantly from its peak; however, instead it has stretched its lead to $1.04 billion or 11% at $10.53 billion to $9.49 billion. More...

Weekend Estimates: Ralph Wrecks Predictions, Technically Sets Record

November 25th, 2018

Ralph Breaks the Internet

While Thanksgiving long weekend wasn’t as lucrative as earlier figures suggested, estimates are still better than our predictions. For example, Ralph Breaks the Internet should open with $55.67 million over the three-day weekend for a five-day opening of $84.47 million. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Internationally, the film reportedly made $41.5 million during its opening weekend. This doesn’t sound like a lot, but it is only playing in about a third of international markets, and only three major markets. It opened with an estimated $19.5 million in China, while it was also dominant in Mexico ($6.3 million) and Russia ($5.7 million). Overall, the film nearly tripled Wreck-it Ralph’s openings in the same markets. The film won’t have the same legs, as sequels almost never do, but this is still an amazing start and it is clearly on pace for $600 million worldwide. More...

Friday Estimates: Ralph Slips Below Moana’s Pace, Still a Monster Hit

November 24th, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet again led the way on Friday with $21.74 million for a three-day total $50.54 million. Good news: It is still on pace to top our prediction; in fact, depending on when you read this on Saturday, it might have already done so. At this point, a five-day opening of $85 million seems like a safe bet. Bad news: it has fallen behind Moana’s daily pace, despite a much faster start, so it will definitely have weaker legs. It should still have no problem getting to $200 million domestically and still is in a race with Dr Seuss’ The Grinch for biggest hit of November. It’s just no longer a record-setting opening. More...

Daily Box Office: Ralph Slips, but is still Thankful

November 23rd, 2018

Ralph Breaks the Internet

Yesterday was Thanksgiving and some studios were closed for the day, but we have a full list of box office numbers today. Ralph Breaks the Internet continued to lead the way at the box office with $10.3 million on Thursday for a two-day total of $28.8 million. The film is still well above Coco and Moana’s two-day pace, but it fell 44% from its Wednesday debut, which is a sharper decline than either of those two films suffered. It is on pace to dominate the five-day weekend with $85 million, which is below yesterday’s pace and below Frozen’s record-setting wide expansion, but I can’t imagine there are many people at Disney that are disappointed with this result. The film’s reviews and its A minus from CinemaScore, plus its family friendly target audience should help it last in theaters till the new year and it should be profitable enough that the studio will want to turn the franchise into a trilogy. More...

Daily Box Office: Ralph is Breaking Record Books

November 22nd, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means many studios are closed and are not reporting official numbers. However, one of the studios that is reporting numbers is Disney and they are reporting record-breaking numbers. Ralph Breaks the Internet earned $18.5 million on Wednesday, which is significantly more than either Coco or Moana managed the previous two years. In fact, this is more than Frozen managed during its record-breaking wide expansion back in 2013. This film’s reviews are great and it earned an A minus from CinemaScore, so it should have good legs and could top Frozen’s $93.59 million five-day opening. In fact, some studios think it has a real chance of $100 million during its five-day opening. I’m not that bullish, but even if it only earns $90 million over five-days, it will still be a monster hit and way more than we predicted. More...

Weekend Prediction: Will Ralph Wreck the Competition?

November 21st, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means it is officially the start of the holiday blockbuster season. This year, three films are opening wide hoping to become hits. One of them, Ralph Breaks the Internet, could become the biggest hit of the month. Creed II is expected to top its predecessor during its five-day opening. Robin Hood is just hoping not to bomb in theaters. Both Green Book and The Front Runner were scheduled to expand wide, but neither will. In fact, The Front Runner isn’t even expanding semi-wide. This weekend last year, Coco opened with nearly $73 million during its five day weekend. Ralph Breaks the Internet likely won’t earn that much over the weekend, but it should come close. Additionally, Justice League earned $60 million during the five-day frame, which is very likely better than Creed II will perform. However, after that point, 2018’s depth becomes stronger than 2017’s depth and we should earn the small win in the year-over-year competition. More...

Weekend Wrap-Up: Grindelwald Debuts on Top, but Pales Compared to Harry Potter

November 19th, 2018

Fantastic Beasts: The Crimes of Grindelwald

As expected, Fantastic Beasts: The Crimes of Grindelwald topped the weekend box office chart; however, it failed to meet expectations by about 10%. Additionally, neither Instant Family nor Widows matched expectations and this hurt the overall box office, which fell 2.9% from last weekend to $172 million. More importantly, this is 14% lower than the same weekend last year. Year-to-date, 2018 has reached $10 billion and now has a running tally of $10.18 billion. This is 11% or $1.01 billion ahead of last year’s pace. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

Ralph Breaks The Internet: Wreck-It Ralph 2 Trailer

June 5th, 2018

Animated comedy starring John C. Reilly and Sarah Silverman opens November 21 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/4/2019 $1,400,000 0 0 0 $6,412,466 5/18/2019
Australia 12/21/2018 $0 0 527 2430 $14,719,128 4/27/2019
Austria 1/25/2019 $400,000 0 0 0 $500,000 1/27/2019
Belgium 12/14/2018 $300,000 0 0 0 $300,000 12/17/2018
Brazil 1/4/2019 $4,800,000 0 1023 1023 $17,332,960 7/12/2019
Bulgaria 1/4/2019 $111,596 0 0 0 $390,635 4/2/2019
China 11/22/2018 $19,430,000 77267 77267 142198 $39,000,000 2/22/2019
Colombia 11/22/2018 $0 0 0 0 $4,000,000 12/27/2018
Czech Republic 1/4/2019 $37,006 27 140 612 $1,061,748 3/25/2019
France 2/15/2019 $3,912,321 0 578 578 $15,617,886 7/11/2019
Germany 1/24/2019 $3,600,000 0 0 0 $11,563,510 7/12/2019
Hong Kong 12/21/2018 $1,600,000 0 0 0 $1,600,000 12/27/2018
India 11/23/2018 $534,999 0 0 0 $534,999 12/2/2018
Indonesia 11/23/2018 $1,000,000 0 0 0 $4,600,000 12/31/2018
Italy 1/1/2019 $4,564,855 0 42 87 $12,176,927 7/12/2019
Japan 12/21/2018 $4,700,000 0 0 0 $35,032,284 4/6/2019
Lithuania 12/28/2018 $1,751 2 214 771 $329,535 12/19/2019
Mexico 11/23/2018 $6,159,491 0 0 0 $17,403,188 3/25/2019
Netherlands 12/12/2018 $341,845 190 190 1445 $4,483,014 5/4/2019
New Zealand 12/26/2018 $0 0 0 0 $700,000 12/31/2018
North America 11/21/2018 $56,237,634 4,017 4,017 30,648 $201,091,711
Panama 11/23/2018 $1,000,000 0 0 0 $1,000,000 11/26/2018
Philippines 11/23/2018 $1,400,000 0 0 0 $2,500,000 12/4/2018
Poland 1/11/2019 $1,000,000 0 277 277 $4,670,979 7/12/2019
Portugal 11/30/2018 $214,875 99 109 677 $1,526,953 3/12/2019
Russia (CIS) 11/23/2018 $6,134,138 1421 1592 5236 $12,612,937 3/9/2019
Slovakia 1/4/2019 $29,257 24 61 304 $436,628 3/26/2019
South Korea 1/3/2019 $19,794 9 1453 3583 $12,433,491 2/13/2020
Spain 12/7/2018 $2,742,493 409 409 3370 $14,710,944 7/6/2019
Taiwan 11/30/2018 $1,400,000 0 0 0 $4,487,727 3/9/2019
Thailand 11/30/2018 $800,000 0 0 0 $1,100,000 12/4/2018
Turkey 1/11/2019 $295,103 291 300 1170 $1,759,772 2/28/2019
United Kingdom 11/30/2018 $5,150,415 613 619 5559 $23,704,128 7/6/2019
 
Rest of World $47,063,789
 
Worldwide Total$529,290,830 2/13/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

John C. Reilly    Wreck-It Ralph
Sarah Silverman    Vanellope Von Schweetz

Supporting Cast

Alfred Molina    Double Dan
Jane Lynch    Sergeant Calhoun
Jack McBrayer    Fix-It Felix, Jr.
Alan Tudyk    KnowsMore
Anna Ortiz    Ballet Mom
Gal Gadot    Shank
Bill Hader    Spamley
Taraji P. Henson    Yesss
Ed O'Neill    Mr. Litwak
Mandy Moore    Rapunzel
Jennifer Hale    Cinderella
Paige O'Hara    Belle
Jodi Benson    Ariel
Linda Larkin    Jasmine
Irene Bedard    Pocahontas
Ming-Na Wen    Mulan
Anika Noni Rose    Tiana
Kelly Macdonald    Merida
Kristen Bell    Anna
Idina Menzel    Elsa
Auli'i Cravalho    Moana
Flula Borg    Maybe
Ali Wong    Felony
GloZell Lynette Simon    Little Debbie
Timothy Simons    Butcher Boy
Rich Moore    Sour Bill/Zangief
Tim Allen    Buzz Lightyear
Vin Diesel    Groot
Michael Giacchino    FN-3181
Roger Craig Smith    Sonic the Hedgehog

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rich Moore    Director
Phil Johnston    Director
Phil Johnston    Screenwriter
Pamela Ribon    Screenwriter
Rich Moore    Story by
Phil Johnston    Story by
Jim Reardon    Story by
Pamela Ribon    Story by
Josie Trinidad    Story by
Clark Spencer    Producer
John Lasseter    Executive Producer
Jennifer Lee    Executive Producer
Jeremy Milton    Editor
Henry Jackman    Composer
Nathan Warner    Director of Photography
Chris Williams    Co-Executive Producer
Jacob Riehle    Supervising Sound Editor
Lee Gilmore    Sound Effects Editor
Samson Neslund    Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.