Netherlands Box Office for Queen & Slim (2019)

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Queen & Slim
Theatrical Performance (US$)
Netherlands Box Office $161,143Details
Worldwide Box Office $48,266,163Details
Home Market Performance
North America DVD Sales $548,164 Details
North America Blu-ray Sales $2,017,652 Details
Total North America Video Sales $2,565,816
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

While on a forgettable first date together in Ohio, a black man and a black woman, are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country. As they drive, these two unlikely fugitives will discover themselves and each other in the most dire and desperate of circumstances and will forge a deep and powerful love that will reveal their shared humanity and shape the rest of their lives.

Metrics

Movie Details

Production Budget:$20,000,000
Netherlands Releases: March 13th, 2020 (Wide)
Video Release: March 3rd, 2020 by Universal Home Entertainment
MPAA Rating: R for violence, some strong sexuality, nudity, pervasive language, and brief drug use.
(Rating bulletin 2588 (Cert #52310), 7/24/2019)
Running Time: 132 minutes
Keywords: Police Brutality, Fugitive / On the Run, Romance, African Americans, Bigotry, Bounty/Price on one's Head, Set in New Mexico, Set in Florida, Crime Drama, Political Protest, Political
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Makeready, 3Blackdot, Bron Creative, De La Revolucion Films, Hillman Grad Productions, Universal Pictures, Entertainment One
Production Countries: United States
Languages: English

Home Market Releases for March 3rd, 2020

March 5th, 2020

Jojo Rabbit

It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago. More...

Weekend Wrap-Up: Post-holiday Blues Gets to Frozen II

December 10th, 2019

Frozen II

As expected, the box office collapsed this week, as it always does in a post-holiday weekend. Despite the best efforts of Frozen II and Knives Out, the overall weekend box office fell 50% to $89 million. This is 5.4% higher than the same weekend last year and that’s the more important figure. Year-to-date, 2019 closed ground with 2018, albeit by a tiny margin and this year is still behind last year by 5.9% or $630 million at $10.16 billion to $10.80 billion. It has been a long time since we’ve seen the box office decline by that high of a percentage in one year; however, 2019 is still on pace to be the second highest grossing year of all time and it still has higher ticket sales than 2017 had at this point, so I think we shouldn’t panic over this. More...

Weekend Estimates: Frozen Falls, Still Set to Top Predecessor

December 8th, 2019

Frozen II

Frozen II fell both faster than expected, and faster than projections based on Friday’s estimates. However, the film is still managing an estimated $34.67 million over the weekend for a three-week total of $337.59 million. This is enough to push it ahead of Joker and into seventh place on the yearly chart. If this holds up, then it will have an excellent shot at topping the first Frozen’s domestic total, even without the Christmas break coming up. Internationally, the film pulled in $90.2 million in 48 markets for totals of $582.1 million internationally and $919.7 million worldwide. It had no major market openings this weekend, but it is earning an estimated $800,000 in South Africa, which would make it the second biggest opening for an animated film there, behind only Minions. The film has become the biggest animated film in South Korea with $75.5 million. It as also topped its predecessor in Russia ($23.0 million) and Mexico ($21.1 million) and a lot of smaller markets. More...

Friday Estimates: Frozen Begins to Thaw, Playmobil Nowhere to be Found

December 7th, 2019

Frozen II

As expected, Frozen II earned first place on the Friday box office chart. However, the film fell further than anticipated, earning $7.84 million—off 77% from last Friday. That was a holiday, so obviously it will bounce back over the rest of the weekend, but projections have the film earning about $36 million compared to our $38 million prediction. This is close enough that I’m satisfied with the result and it is more than enough to keep it in wide release until after the new year. More...

Weekend Predictions: December Will Start on a Chilly Note

December 5th, 2019

Playmobil

The weekend after Thanksgiving is one of the worst weeks of the year to release a film wide. In fact, many years there are no wide releases. This year, Playmobil gets thrown to the wolves, or to the mercy of Frozen II, to be more specific. I can’t imagine it will survive the competition. In fact, most think the wide expansion of Dark Waters will beat it at the box office and that film isn’t expected to land in the top five. This weekend last year had no wide releases and Frozen II should earn more than last year’s top two films, Ralph Breaks the Internet and The Grinch, earned combined. December should get off to a fast start on the year-over-year competition and hopefully that’s a good omen going forward. More...

Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left

December 2nd, 2019

Frozen II

2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half. More...

Weekend Estimates: Thanksgiving Stuffs itself on New Releases and Leftovers

December 1st, 2019

Frozen II

Frozen II’s weekend haul wasn’t quite up to the level it was during the week, but it was still impressive. In fact, it is matching our prediction nearly perfectly with $85.25 million, giving it $123.75 million over five days and a running tally of $287.57 million. It will break the three-day and the five-day Thanksgiving records, topping the second place film, The Hunger Games: Catching Fire, by substantial margins. Frozen II will have no trouble getting to $300 million shortly, while topping $400 million is practically assured at this point. Meanwhile, it is adding $163.8 million in 45 markets internationally for totals of $451.0 million internationally and $738.6 million worldwide. The film had a trio of first-place openings in major markets this past weekend, including Russia with $13.7 million, which Disney is reporting as the best opening for an animated film in that market. In Italy, it earned $7.7 million over the weekend and $8.6 million including previews, which is the best for a Disney animated film. It wasn’t as impressive in Australia with an opening of $6.6 million, but this was still 59% more than the first Frozen opened with in that market. At this point, the film has fully paid for its production budget, and while it likely cost between $150 million and $200 million to advertise, it should last in theaters long enough to cover that as well. That’s assuming the film had no more markets to open in, which isn’t the case. It has yet to open in Brazil and some smaller markets, so it should get a boost at the box office over the next month and a bit. More...

Friday Estimates: Frozen II in the Black on Black Friday

November 30th, 2019

Frozen II

Frozen II remains on pace to top expectations and set a couple of Thanksgiving weekend records. It should earn both the three-day and the five-day records. In fact, with a Friday haul of $34.03 million, it is on pace for about $85 million from Friday through Sunday, meaning its three-day Thanksgiving weekend won’t be too far behind the first Frozen’s five-day Thanksgiving weekend haul of $93.59 million. Even with weaker legs thanks to weaker reviews, a lower A minus CinemaScore, and being a sequel, it is still on pace to top its predecessor and hit $400 million domestically with ease. More...

Daily Box Tracking: Catching Fire Melts Frozen, but Frozen Still on Record Pace

November 29th, 2019

Frozen II

Frozen II slipped faster than anticipated on Thursday, pulling in $14.72 million. Family films tend to fall faster on Thanksgiving Thursday, because families spend time with each other rather than going to the theaters, but I was hoping it wouldn’t fall quite this fast. Frozen II fell fast enough that the more adult oriented The Hunger Games: Catching Fire remains the Biggest Thursday in November, albeit by a very close margin. Furthermore, the film is still well ahead of our prediction, helping it crack $200 million domestically on Thursday. Projections have the film destroying the 5-Day Thanksgiving record, with $130 million, maybe more, so there’s plenty to celebrate. As for the film’s long term chances, it doesn’t have any direct competition until Christmas Day, so it will have no trouble remaining in wide release until the New Year. More...

Daily Box Tracking: Frozen Fills Up on Wednesday, Knives Out Opens on the Up and Up

November 28th, 2019

Frozen II

After breaking the record for Biggest Monday of November and the Biggest Tuesday of November, Frozen II had to settle for second place for the Biggest Wednesday of November, as it earned $23.78 million on Wednesday. This puts it just shy of The Matrix Revolutions’s record of $24.31 million; however, that was The Matrix Revolutions’ opening day, so I think it is safe to assume Frozen II will be back on top on Thursday. Furthermore, this puts the film on pace to top our prediction by a substantial margin. In fact, it looks like it will top its three-day opening weekend over the five-day Thanksgiving weekend. It’s chances of matching its predecessor have increased dramatically. More...

Weekend Predictions: Will Audiences be Thankful this Thanksgiving?

November 27th, 2019

Frozen II

There are two wide releases this Thanksgiving, both of which are earning stellar reviews. Unfortunately, only one of those two films, Knives Out, is expected to make any real impact at the box office. Queen and Slim is just hoping to reach the top five. That said, both films will be crushed by Frozen II, which broke records last weekend and it is expected to have a strong hold during the holidays. This weekend last year was the weekend after Thanksgiving and the biggest new release was The Possession of Hannah Grace. Queen and Slim should top that at the box office. In fact, Knives Out might top Ralph Breaks the Internet’s sophomore stint, so even without Frozen II, the weekend would be looking good. 2019 might do well enough on the year-over-year competition that it will save November and give the year a real shot at ending on a strong note. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Queen & Slim Trailer

August 23rd, 2019

Drama starring Daniel Kaluuya, and Jodie Turner-Smith opens November 27 ... Full Movie Details.

When a black man and black woman on a first date are pulled over by a police officer at a traffic stop, their life goes awry. Forced to kill him in self-defense, rather than turn themselves in, they must go on the run. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/03/13 13 $36,689   44 $834   $62,783 1
2020/06/19 20 $12,341   37 $334   $98,640 15
2020/06/26 - $7,991 -35% 30 $266   $113,771 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/13/2020 $26,027 48 48 92 $46,874 7/14/2020
Austria 1/10/2020 $19,314 19 19 71 $52,615 6/28/2023
France 2/12/2020 $359,240 157 157 390 $767,922 3/18/2020
Germany 1/9/2020 $280,392 109 109 421 $716,517 8/26/2020
Italy 3/5/2020 $10,624 0 0 0 $11,761 10/7/2020
Mexico 4/3/2020 $0 0 11 27 $3,772 9/30/2020
Middle East Region 1/30/2020 $69,494 36 36 42 $113,625 8/12/2020
Netherlands 3/13/2020 $36,689 44 44 161 $161,143 10/19/2022
New Zealand 3/19/2020 $3,141 31 31 47 $11,636 10/19/2022
North America 11/27/2019 $11,890,490 1,690 1,715 8,001 $43,808,310 3/1/2023
Singapore 2/13/2020 $2,786 1 1 5 $7,833 8/26/2020
South Africa 2/14/2020 $35,924 50 50 112 $77,385 3/11/2020
Spain 2/21/2020 $31,936 80 80 129 $62,693 9/11/2020
Sweden 3/6/2020 $25,513 41 41 100 $57,178 9/2/2020
Switzerland 1/9/2020 $43,945 26 26 91 $102,225 12/9/2020
United Arab Emirates 1/30/2020 $16,851 40 40 41 $24,074 2/12/2020
United Kingdom 1/31/2020 $669,352 357 1515 2375 $1,913,274 5/28/2021
 
Rest of World $327,326
 
Worldwide Total$48,266,163 6/28/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Daniel Kaluuya    Slim
Jodie Turner-Smith    Queen

Supporting Cast

Bokeem Woodbine    Uncle Earl
Chloë Sevigny    Mrs. Shepherd
Flea    Mr. Shepherd
Sturgill Simpson    Officer Reed
Indya Moore    Goddess
Benito Martinez    Sheriff Edgar
Jahi Di’Allo Winston    Junior
Gralen Bryant Banks    Older Black Man
Dickson Obahor    Large Black Man
Bryant Tardy    Chubby
Thom Gossom Jr.    Slim’s Father
Melanie Halfkenny    Naomi
Brian Thornton    Swat Leader
Joseph Poliquin    Cashier
Karen Kaia Livers    Bartender
Bertrand E. Boyd II    Black Man
Gregory Keith Grainger    Black Cop
Lucky Johnson    Black Cop at Protest
Reynolds Washam    Cop
Andre Shanks    Black Cop
Robert Walker Branchaud    White Cop at Shepherd House
Colby Boothman-Shepard*    Teenage White Boy
Andy Dylan    Cop (Bullhorn)
Regina Swanson    Newscaster

Cameos

Soledad O'Brien    Herself
Gayle King    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Melina Matsoukas    Director
Lena Waithe    Screenwriter
Lena Waithe    Story by
James Frey    Story by
Lena Waithe    Producer
Melina Matsoukas    Producer
James Frey    Producer
Andrew Coles    Producer
Pamela Abdy    Producer
Brad Weston    Producer
Michelle Knudsen    Producer
Pamela Hirsch    Executive Producer
Daniel Kaluuya    Executive Producer
Aaron L. Gilbert    Executive Producer
Jason Cloth    Executive Producer
Reginald Cash    Executive Producer
Angelo Pullen    Executive Producer
David Krintzman    Executive Producer
Guymon Casady    Executive Producer
Todd Cohen    Co-Producer
Tat Radcliffe    Director of Photography
Karen Murphy    Production Designer
Pete Beaudreau    Editor
Shiona L. Turini    Costume Designer
Devonte Hynes    Composer
Kier Lehman    Music Supervisor
Carmen Cuba    Casting Director
Pamela Hirsch    Unit Production Manager
H.H. Cooper    First Assistant Director
James Roque, Jr.    Second Assistant Director
Ashley Levinson    Co-Executive Producer
Cassandra Butcher    Co-Executive Producer
H.H. Cooper    Co-Producer
Rankin Hickman    Production Supervisor
Tim Pedegana    Post-Production Supervisor
Spencer Davison    Art Director
Ryan Watson    Set Decorator
Aimee Huber    Set Designer
Chris Welcker    Sound Mixer
Guy Clayton    Special Effects Supervisor
Mik Kastner    Special Effects Coordinator
Dana Marie Embree    Costume Supervisor
Linda Gardar    Costume Supervisor
Ma Kalaadevi Ananda    Make up
Lana Mora    Make up
Brian B. Badie    Hairstylist
Myeisha Wade    Hairstylist
Eva Z. Cabrera    Script Supervisor
Leonard Reynolds    Location Manager
Andy Dylan    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.