United Kingdom Box Office for Philomena (2013)

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Philomena poster
Theatrical Performance (US$)
United Kingdom Box Office $17,081,726Details
Worldwide Box Office $98,963,392Details
Home Market Performance
North America DVD Sales $6,787,990 Details
North America Blu-ray Sales $1,513,139 Details
Total North America Video Sales $8,301,129
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Falling pregnant as a teenager in Ireland in 1952, Philomena was sent to the convent of Roscrea to be looked after as a “fallen woman.” When her baby was only a toddler, he was taken away by the nuns for adoption in America. Philomena spent the next fifty years searching for him in vain. Then she met Martin Sixsmith, a world-weary political journalist who happened to be intrigued by her story. Together they set off for America on a journey that would not only reveal the extraordinary story of Philomena’s son, but also create an unexpectedly close bond between them.

Metrics

Movie Details

Production Budget:$12,000,000
United Kingdom Releases: November 1st, 2013 (Wide)
Video Release: April 15th, 2014 by Anchor Bay Home Entertainment
MPAA Rating: PG-13 on appeal for some strong language, thematic elements and sexual references.
(Rating bulletin 2299, 11/20/2013)
Running Time: 97 minutes
Keywords: Investigative Journalist, Adopted Family, Adopted Family Seeking Reunion, Religious, Epilogue, Non-Chronological, Bigotry, LGBTQ+, AIDS, 1950s, 2014 Oscars Best Picture Nominee, Historical Drama, Monks and Nuns, Child Abuse
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Pathe, BBC Films, BFI, Canal Plus, Cine Plus, Baby Cow, Magnolia May
Production Countries: United Kingdom, United States
Languages: English

DVD and Blu-ray Releases for April 15th, 2014

April 15th, 2014

It is a busy week on the home market with five films that either opened at least semi-wide or expanded semi-wide. However, unlike last week, there's no monster hit like The Hobbit: The Desolation of Smaug leading the way. In fact, most of the semi-wide or wide releases on this week's list were critical and box office disappointments. Only Philomena did well with critics. Fortunately, it did well enough that it is a contender for Pick of the Week without even considering the extras on the DVD or Blu-ray. There are a few other new releases that are noteworthy, but most of them are catalog Blu-ray releases. These include Touch of Evil on Blu-ray and Double Indemnity on Blu-ray. In the end, I went with Touch of Evil, but I literally had to roll a dice to decide. More...

Per Theater Chart: Grand, Grandeur, Grandest

March 12th, 2014

The Grand Budapest Hotel poster

The Grand Budapest Hotel led the way on the per theater chart with an average of $202,792 in four theaters. This is the best per theater average this year and the best per theater average since Frozen's debut last year. It is also the best per theater average for a live action film of all time, beating The Master's old record of $147,262 in five theaters set in 2012. The film will clearly expand wide enough to earn a significant measure of mainstream success, if it doesn't expand truly wide. Particle Fever was next with an average of $14,323 in three theaters over the weekend, while its total since Wednesday is $49,869. The only wide release to top $10,000 on the per theater chart was 300: Rise of an Empire, which earned an average of $13,006. Interior. Leather Bar. was a surprise entrant in the $10,000 club earning $10,902 in one theater. More...

2014 Awards Season: Oscar Highlight: Best Picture

February 27th, 2014

12 Years a Slave poster

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We wrap up our look at the prestigious categories with the most prestigious of them all: Best Picture. Like last year, there were nine nominees. Unlike last year, none of them were completely out of left field. That's not to say they all have a legitimate shot at winning; there's definitely a favorite. However, politics could become an issue. I don't mean politics as in Democrat vs. Republican. I mean behind-the-scenes issues might play a bigger role than what is on the screen. More...

2014 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 25th, 2014

12 Years a Slave poster

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, ending with Best Adapted Screenplay. This race is about as uncompetitive as it can be with nearly all analysts agreeing on the likely winner. More...

2014 Awards Season: Oscar Highlight: Best Lead Actress

February 20th, 2014

Blue Jasmine poster

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, finishing with Best Lead Actress. Unlike last year, this year the race is far more competitive in nearly all of the of the four acting categories this year. The person seen as the favorite has switched, more than once, and at the moment, I'm not sure who is going to win. More...

Per Theater Chart: In Love with the Top

February 19th, 2014

Bei Jing Ai Qing Gu Shi poster

Beijing Love Story led the way on the per theater chart with an average of $18,708 in 9 theaters. This is surprisingly strong, given its weak reviews. Next up is the overall box office leader, The LEGO Movie, with an average of $13,204 and the overall second place film, About Last Night, was right behind with an average of $11,384. More...

Weekend Estimates: LEGO Towers Over All

February 16th, 2014

Lego poster

It's looking like a healthy President's Day weekend at the box office, with one impressive debut and several movies enjoying strong second, fourth, and even thirteenth weekends. The champion opener is About Last Night, a remake of the 1986 hit, which will open with about $27 million over three days, helped by a big $13 million Valentine's Day. With the film playing in only 2,253 theaters, that represents a terrific $12,000 theater average, and continues Kevin Hart's hot streak. Handily beating About Last Night at the top of the chart, though, is The LEGO Movie, with a projected $48.8 million over three days, and around $60 million over the full four-day weekend. That's down a decent 29% from last weekend, for a theater average of almost $13,000. More...

Weekend Estimates: LEGO Builds Instant Franchise

February 9th, 2014

Lego poster

2014 is shaping up to be a good year at the box office. After excellent openings for Ride Along and Lone Survivor in January, February is getting off to a spectacular start thanks to a huge opening weekend for The LEGO Movie. Warner Bros. is projecting an opening of $69.1 million for the toy spin-off -- far and away the biggest weekend of the year so far, and the second-best February weekend ever, behind only The Passion of the Christ. Numbers like that guarantee a sequel or three, and boost a franchise that has already built an impressive following in the video market. More...

Per Theater Chart: Glory to Gloria

January 28th, 2014

Gloria

There were not a lot of new releases to do well on the per theater chart this week, but one of them, Gloria, led the way with an average of $19.592 in three theaters. A long-time release, The Great Beauty, returned to the $10,000 club with an average of $13,121 in nine theaters. More...

2014 Awards Season: PGA Buries the Lead

January 19th, 2014

12 Years a Slave poster

Producers Guild of America announce the winners tonight, but it seems I forgot to upload the story when they announced their nominations. In my defense, they announced them on January 2nd. You don't make an announcement on January 2nd, not unless you are trying to bury a story. As for the actual nominations, there are very few differences between this group and others, except when it comes to documentaries. Then again, that's been the norm this year. No one seems to agree on what the best documentaries were. More...

2014 Awards Season: Oscars Understand the Gravity of the Situation

January 16th, 2014

Gravity poster

The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises. More...

Per Theater Chart: Still Lonely

January 14th, 2014

Lone Survivor poster

There was only one film in the $10,000 club, but that's one more than a lot of people thought there would be. Lone Survivor expanded wide earning $37.85 million in 2,876 theaters for an average of $13,161. That's awesome, especially for this time of year. More...

Per Theater Chart: Holdovers Feeling Lonely

January 7th, 2014

Lone Survivor poster

It was a slow week for new releases as none topped $10,000 on the per theater chart. There were some holdovers that performed well, led by Lone Survivor, which pulled in an average of $42,429 in two theaters. This is compared to $45,436 during its opening weekend. Such a small decline is great news for its upcoming wide expansion. August: Osage County was next with an average of $27,983 in five theaters, which is 22% lower than its opening average of $35,860. Its running tally is already at nearly half a million and it has potential to expand, especially if it continues to do well during Awards Season. The final film in the $10,000 club was Her with an average of $15,378 in 47 theaters. It is already at nearly $3 million after three weeks of release and it expands wide this weekend. More...

Per Theater Chart: Hustle Speeds to the Top

December 17th, 2013

American Hustle poster

American Hustle started its box office run in limited release with a stunning average of $123,409. This is the second best per theater average for the year, behind only Frozen. Saving Mr. Banks opened in 15 theaters earning an average of $27,558. It should do well in its upcoming expansion. Inside Llewyn Davis expanded, playing in 15 theaters over the weekend while its per theater average fell to $23,786. It will continue to expand. The overall box office leader, The Hobbit: The Desolation of Smaug, was the final film in the $10,000 club earning an average of $18,869. More...

2014 Awards Season: Slave Hustles to the Top

December 14th, 2013

12 Years a Slave poster

Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces. More...

2014 Awards Season: SAG a Slave to Slave

December 14th, 2013

12 Years a Slave poster

SAG handed out nominations over the week, and like with the Independent Spirit Awards, 12 Years a Slave led the way and earned four nominations. It wasn't the only film that was singled out. More...

Per Theater Chart: Insider Trading

December 12th, 2013

Inside Llewyn Davis poster

Inside Llewyn Davis had an incredible opening earning more than $400,000 in four theaters for a per theater average of $101,353. This is the third best per theater for the year behind just Frozen and Blue Jasmine. Mandela Long Walk to Freedom had a strong hold with an average of $19,413 in four theaters. The reason for this is obvious, but a little ghoulish to talk about. More...

Weekend Projections: Frozen Top During Calm Between the Storms

December 8th, 2013

Frozen poster

Frozen will come out the winner at the box office this weekend, topping Catching Fire $31.6 million to $27 million, according to studio estimates released on Sunday. Both films are down over 50% from last weekend's holiday frame, but Frozen enjoys an advantage as the more seasonal of the two and will likely maintain its lead, at least until The Hobbit blows them both away on Friday. More...

Per Theater Chart: Mandela Sprints to the Top

December 4th, 2013

Mandela: Long Walk to Freedom poster

Mandela Long Walk to Freedom earned first place on the per theater chart with an average of $21,071 in four theaters. However, its reviews are only good, not great, and it likely won't have great legs. Frozen and The Hunger Games: Catching Fire were neck and neck with averages of $18,009 and $17,819 respectively. More...

Weekend Predictions: Fire vs. Ice

November 27th, 2013

Frozen poster

Thanksgiving long weekend won't be remembered for the quality of the films opening wide. In fact, of the three new releases on this week's list, only one of them is truly opening wide. Homefront is debuting in 2,500 theaters, while Black Nativity is only opening in 1,500. Oldboy is only opening in 600 theaters, but it still has a reasonable shot at the top ten. If it weren't for the wide expansion of Frozen and hopefully a strong hold by The Hunger Games: Catching Fire, the weekend would be a write-off. As it is, 2013 should crush 2012... mostly because there is a misalignment and this weekend last year was the weekend after Thanksgiving. The post holiday slump meant the top five was only able to bring in a little under $75 million. I'm not saying Catching Fire will top that number, at least not over three days, but it should clear at least that much over the next five days. More...

Per Theater Chart: Frozen has a Hot Opening

November 26th, 2013

Frozen poster

Frozen begun its short prestige release before its wide expansion on Wednesday and it was fantastic. The film pulled in $243,390 in one theater giving it the best per theater average for the year so far, topping Blue Jasmine and pushing Spring Breakers into third place. The Hunger Games: Catching Fire was in a distant second place with an average of $37,971 in more than 4,000 theaters. Philomena did very well with an average of $32,109 in four theaters. The Great Beauty remained in the $10,000 club with an average of $17,452 in three theaters. Nebraska rounded out the $10,000 club with an average of $11,634 in 28 theaters. It should continue to expand and start hitting major milestones. More...

Weekend Projections: Catching Fire Takes November Record

November 24th, 2013

The Hunger Games: Catching Fire poster

As expected, The Hunger Games: Catching Fire topped Delivery Man to win at the box office this weekend. OK, topped is perhaps an understatement when the gap between the two movies is about $150 million. Catching Fire will easily record the biggest November weekend of all time, topping The Twilight Saga: New Moon. It's also heading towards the 4th-biggest weekend of all time, per Lionsgate's Sunday estimate, although there's a good chance it'll end up just behind The Dark Knight Rises' $160.8 million from last year. It will definitely end behind Iron Man 3's $174 million from earlier this year, but continued big earnings for Catching Fire over Thanksgiving means that this year's box office championship race is about to get interesting. More...

Limited Releases: Limited Releases are Frozen Out

November 22nd, 2013

Frozen poster

This week's list of limited releases is kind of mixed. Frozen is coming out this week for a prestige opening before expanding wide on Wednesday and it is virtually guaranteed box office success. On the other hand, most of the rest of the films are documentaries, which almost never have breakout success. Every documentary on this list looks interesting, but of the non-Frozen releases, I think Philomena has the best shot at box office success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/11/22 6 $877,937   530 $1,656   $14,246,564 4
2013/11/29 8 $474,443 -46% 433 $1,096   $15,755,530 5
2013/12/06 11 $222,753 -53% 325 $685   $16,509,655 6
2013/12/13 12 $88,432 -60% 160 $553   $16,918,176 7
2013/12/20 19 $36,248 -59% 46 $788   $17,024,928 8
2013/12/27 15 $37,407 +3% 26 $1,439   $17,081,726 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Denmark 11/28/2013 $110,516 74 77 206 $476,892 12/13/2015
Hungary 12/26/2013 $28,772 19 19 19 $28,772 12/30/2018
Iceland 11/1/2013 $0 0 3 14 $47,605 12/30/2018
Italy 12/19/2013 $756,106 158 214 372 $3,509,753 12/13/2015
New Zealand 12/26/2013 $46,401 39 74 113 $433,820 12/13/2015
North America 11/22/2013 $128,435 4 1,225 12,674 $37,709,979 12/5/2014
Norway 11/15/2013 $0 0 39 72 $263,366 12/13/2015
Slovenia 12/12/2013 $3,249 3 3 9 $28,731 12/13/2015
Sweden 12/6/2013 $103,423 43 53 197 $673,007 12/13/2015
United Kingdom 11/1/2013 $0 0 530 1520 $17,081,726 12/13/2015
 
Rest of World $38,709,741
 
Worldwide Total$98,963,392 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Judi Dench    Philomena Lee
Steve Coogan    Martin Sixsmith

Supporting Cast

Charlie Murphy    Kathleen

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Frears    Director
Steve Coogan    Screenwriter
Jeff Pope    Screenwriter
Martin Sixsmith    Story Creator
Gabrielle Tana    Producer
Steve Coogan    Producer
Tracey Seaward    Producer
Henry Normal    Executive Producer
Carolyn Marks Blackwood    Executive Producer
Christine Langan    Executive Producer
Francois Ivernel    Executive Producer
Cameron McCracken    Executive Producer
Robbie Ryan    Director of Photography
Alan MacDonald    Production Designer
Valerio Bonelli    Editor
Alexandre Desplat    Composer
Consolata Boyle    Costume Designer
Naomi Donne    Make-up and Hair Designer
Leo Davis    Casting Director
Lissy Holm    Casting Director