Uruguay Box Office for The Perks of Being a Wallflower (2012)

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The Perks of Being a Wallflower poster
Theatrical Performance (US$)
Uruguay Box Office $12,750Details
Worldwide Box Office $33,069,303Details
Home Market Performance
North America DVD Sales $15,449,967 Details
North America Blu-ray Sales $3,210,713 Details
Total North America Video Sales $18,660,680
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

It’s 1991 and academically precocious, socially awkward Charlie is a wallflower, always watching from the sidelines, until a pair of charismatic seniors take him under their wing. Beautiful, free‐spirited Sam and her fearless stepbrother, Patrick, shepherd Charlie through new friendships, first love, burgeoning sexuality, bacchanalian parties, midnight screenings of The Rocky Horror Picture Show and the quest for the perfect song. At the same time, his English teacher, Mr. Anderson introduces him to the world of literature, sparking his dreams of becoming a writer. But even as Charlie thrives in his new, more grown‐up world, the pain of his past—which includes, his best friend Michael's recent suicide and the accidental death of a beloved aunt—lurks just below the surface. As his older friends plan to leave home for college, Charlie’s precarious equilibrium begins to crumble, and at the root of his sadness is a shocking revelation.

Metrics

Movie Details

Production Budget:$13,000,000
Uruguay Releases: January 18th, 2013 (Wide)
Video Release: February 12th, 2013 by Lionsgate Home Entertainment
MPAA Rating: R for teen drug and alcohol use, and some sexual references.
(Rating bulletin 2211, 2/22/2012)
PG-13 on appeal for mature thematic material, drug and alcohol use, sexual content including references, and a fight - all involving teens.
(Rating bulletin 2214, 3/14/2012)
Running Time: 103 minutes
Keywords: Novel or Other Work Adapted by Author, Coming of Age, Romance, First Love, High School Hell, Last Day of School, Young Adult Book Adaptation, 1990s, Coming-of-Age Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Summit Entertainment, Mr. Mudd
Production Countries: United States
Languages: English

Blu-ray Sales: February 17th, 2013: Skyfall Sky High on High Definition

April 10th, 2013

As expected, Skyfall dominated the list of new releases and easily earned first place on the February 17th, 2013 edition of the Blu-ray sales chart. It sold an outstanding 1.62 million units and generated $32.33 million in sales while its opening Blu-ray share was just shy of 60%. That's a fantastic start. More...

DVD Sales: February 17th, 2013: Bond Blows Away the Competition

April 10th, 2013

Skyfall led a set of four new releases that earned spots in the top 30 on the February 17th edition of the DVD sales chart. It easily took top spot with 1.09 million units / $18.54 million, which is already enough for fourth place for the year. More...

2013 - Awards Season: Independent Spirit Awards are the Silver Linings for Smaller Films

February 24th, 2013

Independent Spirit Award were handed out yesterday and while the average moviegoer will be more focused on the Oscars tonight, a lot of great films were honored yesterday. This includes Silver Linings Playbook, which took home numerous awards, including the top prizes.

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DVD and Blu-ray Releases for February 12th, 2013

February 12th, 2013

It's a busy week, not only in terms of big selling DVDs and Blu-ray, but also in terms of quality. Skyfall will be the best-selling DVD and Blu-ray of the week, plus it is a contender for Pick of the Week. It is not the only contender, as The Perks of Being a Wallflower (DVD or Blu-ray Combo Pack); The Sessions (DVD or Blu-ray); Bully (DVD or Blu-ray Combo Pack); Nurse Jackie: Season Four (DVD or Blu-ray) and The Thieves (DVD or Blu-ray) were all contenders. In the end, I went with Skyfall, but it was close. More...

2013 Awards Season: Lincoln Oversees a Divided Group of Nominees

January 10th, 2013

The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions. More...

2013 Awards Season: WGAs Leaves Analysts In the Dark

January 7th, 2013

Surprises seems to be the word of the day, as the WGA nominations included a number of them. Granted, Zero Dark Thirty and a lot of the other films that have earned Awards Season success thus far were here, but there were almost as many surprises as there were obvious choices. More...

Awards Season: Silver Linings for Limited Releases

November 28th, 2012

The Independent Spirit Awards has a special place in the Awards Season. The nominations are the unoffficial start of Awards Season, but the actual awards aren't given out until Oscar weekend, so they are the beginning at the end of Awards Season. They also help out a lot of limited releases that would otherwise not get enough buzz, although they are not so good at predicting Oscar wins. This year, two films tied for most nominations, Moonrise Kingdom and The Silver Linings Playbook, both of which earned five nominations. They weren't the only films to earn multiple nominations though. More...

Per Theater Chart: Dawn of a Busy Day

November 20th, 2012

The Twilight Saga: Breaking Dawn, Part 2 led the overall chart and the per theater chart. Its average was $34,660, which is especially impressive, as it was playing in more than 4,000 theaters. The next best release was Silver Linings Playbook, which earned an average of $27,688 in 16 theaters. This suggests a strong potential to expand, while its reviews suggest a strong word-of-mouth and some Awards Season buzz. Anna Karenina was next up with an average of $20,043, also playing in 16 theaters, but the reviews suggest it will struggle if it tries to expand. The Comedy opened in New York this week after playing in Los Angeles last week and it did really well earning $13,150. Both members of last week's $10,000 club remained above that mark this week with Lincoln earning an average of $11,859 and Skyfall earning an average of $11,727. One final note, while Jab Tak Hai Jaan didn't quite reach that mark with an average of $8,022 in 160 theaters, it debuted on Tuesday. In total, it made $1.94 million, which would have given it an average of $12,136, had it made that over the weekend. More...

Per Theater Chart: Session In, New Releases Out

October 30th, 2012

The Sessions was the only film to top $10,000 on the per theater chart with an average of $10,868 in 20 theaters. Earning some measure of mainstream success is very likely at this point. More...

Per Theater Chart: Going Nowhere

October 16th, 2012

There was only one film to crack the $10,000 mark on this week's Per Theater Chart. Middle Of Nowhere managed that feat with $68,000 in six theaters for an average of $11,318. Simon and the Oaks came very close with $9,963 in its one theater. More...

Weekend Wrap-Up: Taken Two Recaptures Top Spot

October 15th, 2012

It was another good week at the box office with just about every film in the top ten at least doing as well as expected. Granted, none of the new releases were monster hits, but the depth was very good with five films topping $10 million over the weekend. Taken 2 remained in first place, so it should come as no surprise that the box office was lower than last weekend; however, it only fell 8.6% to $130 million. This is 48% more than the same weekend last year, which is a huge boost. Year-to-date, 2012 expanded its lead to 3.8% at $8.42 billion to $8.11 billion. Just a few weeks ago, it looked like 2012 would fall below 2011's pace in the end, but now things are looking a lot more optimistic. More...

Per Theater Chart: Taken to the Top

October 9th, 2012

Taken 2 was the only film to top the $10,000 mark on this week's per theater chart earning an average of $13,525. The best new limited release was The Paperboy, which came very close with an average of $9,337 in eleven theaters. More...

Weekend Wrap-Up: Taken Two Twice as Strong

October 8th, 2012

Taken 2 took the competition and went to work on them. It opened much, much better than its predecessor did, doubling its opening weekend haul. It also made nearly twice as much as Hotel Transylvania and easily more than last year's number one film, Real Steel. This helped the overall box office grow by 20% from last weekend to $142 million, which is nearly 50% higher than the same weekend last year. Finally there's a reason to celebrate the box office again. One win could have been a fluke, but two is officially a streak. Year-to-date, 2012 is ahead of 2011 by 3.2% at $8.24 billion to $7.99 billion. Granted, that's off its peak from earlier in the year, but I'm happy the bleeding has stopped. More...

Weekend Estimates: Taken 2 Posts Top 3 October Opening

October 7th, 2012

After Hotel Transylvania's record-breaking September opening last week, Taken 2 will make its mark on the October record book this weekend, with Fox projecting a $50 million opening, most likely enough for a place in the top 3 October weekends. The film still has a shot at ousting Paranormal Activity 3 from the top of that list, although it would have to have a very strong Sunday to break the record. Regardless of that, we're looking at another up weekend and 2012 will pull further ahead of last year's pace. More...

Weekend Predictions: Take It Away

October 4th, 2012

This weekend, there are two wide releases making their debuts, Taken 2 and Frankenweenie. Plus a previous limited release is aiming for a spot in the top five, Pitch Perfect, and another limited release that could expand into the top ten, The Perks of Being a Wallflower. It's an all around busy weekend. Taken 2 should easily win the box office race earning more than the original, although it very likely won't have the same legs. More importantly, it should open with more than last year's number one film, Real Steel. The second best wide release should open better than Ides of March did, plus the holdovers this year are better than last year. Am I getting optimistic again? Yes. Keep in mind that I have had the optimism crushed a lot this year. More...

Per Theater Chart: Pitch has a Perfect Start

October 2nd, 2012

Pitch Perfect had an explosive opening in select theaters earning more than $5 million in just over 300 theaters for an average of $15,371. Most limited releases playing in only a handful of theaters would kill for an average like that. The overall number one film, Hotel Transylvania, was in second place on the per theater chart with an average of $12,697. Last week's number one film on the per theater chart, The Perks of Being a Wallflower, remained north of $10,000 on the per theater chart this week, despite expanding into more than 100 theaters. It pulled in $1.10 million in 102 theaters for an average of $10,823. Its running tally is already enough to give it some measure of mainstream success, and this week's performance nearly guarantees further expansion. The Other Dream Team didn't quite make the $10,000 club, but with an average of $9,911 in two theaters, it was close enough to mention above the fold. More...

Weekend Estimates: Hotel Transylvania Sets September Record

September 30th, 2012

Hotel Transylvania will set a new September weekend record by a big margin this weekend, according to Sony's estimate released on Sunday morning. The film's expected $43 million debut is more than 20% bigger than Sweet Home Alabama's opening exactly ten years ago, although a 38% increase in ticket price in the last decade means it's a bit more of a marketing record than a real one. Still, $43 million is a very useful boost to the industry, which has been in the doldrums in September. In fact, this will be the first weekend of the month to record a win on the 2011 year-on-year comparison. Also helping is a great opening weekend for Looper, which will itself end up in the top 30 September weekends, with Sony projecting $21.2 million right now. All-in-all, it's a great weekend for the studio. More...

Per Theater Chart Perks Up

September 25th, 2012

The Perks of Being a Wallflower easily topped the per theater chart with an average of $57,090 in four theaters. This combined with its 81% positive reviews suggests a potential for significant expansion and long legs. Diana Vreeland - The Eye Has to Travel was also strong with an average of $21,233. This is an excellent start, but documentaries rarely expand significantly beyond the art house circuit. Occupy Unmasked just managed to top $10,000 on the per theater chart with an average of $10,238 in four theaters. More...

Weekend Estimates: Three-Way Tie on Another Slow Weekend

September 23rd, 2012

Moviegoers have delivered a split verdict this weekend, with any one of three films in the running for top spot as of Sunday morning. End of Watch and House at the End of the Street are tied at $13 million, according to projections from Open Road and Relativity, but Trouble with the Curve is right behind them with a projected $12.72 million, according to Warner Bros., and the eventual winner is still anybody's guess. In fact, Trouble with the Curve may have a slight edge, since it is likely to have better legs on Sunday. For all the intrigue at the top, September continues to be a very sluggish month at the box office, and there's little that this weekend's new releases will do to change that. More...

Limited Releases: The Perks of Being a Limited Release

September 21st, 2012

It's another busy week for limited releases. However, of the nine films on this week's list, only two of them are earning overwhelmingly positive reviews, and both of them are documentaries. There is one film that is earning great reviews and is also generating a lot of buzz, The Perks of Being a Wallflower. If that film isn't the biggest hit on this week's list, I would be shocked. More...

2012 Preview: September

September 1st, 2012

August is over and let's just be glad we never have to talk about that month again. It is too early to tell how a couple of the wide releases from the month will do, but of the other fourteen we have solid numbers for, none of them were a pleasant surprise. There were a few that were mildly disappointing, but likely still profitable. There were also a few that were "What were they thinking?" level of box office bomb. This September, there about a dozen films opening wide, depending on your definition of wide. (Plus, For A Good Time, Call might expand wide on the 14th, while The Master is opening in limited release on the 14th, but might expand wide before the end of the month. "Might" is the key here. I don't think either will get it done.) None of the dozen films are likely to get to $100 million. In fact, there's a good chance no film opening this month will get to $75 million in total. The biggest film of the month could be Finding Nemo, which is getting a 3D Re-release. As long as the movie going public hasn't tired of 3D re-releases, it should be a hit, but there are signs that the trend might be ending soon. There are a few others that should become midlevel hits, but most will struggle to find an audience. Last September was not terrible with one $100 million film and a few other midlevel hits. For 2012 to come out ahead, it will have to rely on depth, and I'm more than a little worried in that regard. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/01/18 8 $4,989   2 $2,495   $4,989 1
2013/01/25 12 $2,008 -60% 2 $1,004   $10,209 2
2013/02/01 15 $467 -77% 1 $467   $12,750 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/29/2012 $36,754 14 14 28 $66,974 12/29/2018
Australia 11/29/2012 $182,802 171 182 717 $3,254,640 12/13/2015
Austria 11/1/2012 $23,350 16 16 54 $92,142 12/12/2015
Belgium 1/2/2013 $59,205 12 14 55 $169,147 12/14/2015
Brazil 10/19/2012 $0 0 8 35 $409,899 12/14/2015
Chile 1/17/2013 $28,461 11 11 20 $70,413 12/30/2018
Croatia 2/21/2013 $2,603 4 4 12 $5,256 12/30/2018
France 1/2/2013 $237,747 25 25 25 $237,747 12/13/2015
Germany 11/1/2012 $132,930 69 69 182 $362,361 12/12/2015
Hong Kong 10/18/2012 $30,562 10 11 42 $181,298 12/12/2015
Italy 2/14/2013 $588,165 177 177 463 $1,498,725 12/14/2015
Lebanon 9/20/2012 $16,608 11 11 19 $26,917 12/29/2018
Malaysia 11/22/2012 $0 0 3 22 $64,882 12/14/2015
Mexico 10/26/2012 $212,943 99 102 356 $941,661 12/12/2015
Netherlands 10/25/2012 $88,184 35 35 67 $272,484 12/12/2015
New Zealand 4/4/2013 $15,181 7 8 22 $50,401 12/14/2015
North America 9/21/2012 $228,359 4 745 5,620 $17,742,948 12/16/2014
Norway 11/9/2012 $0 0 10 31 $437,020 12/13/2015
Peru 11/8/2012 $24,675 9 9 19 $68,822 12/29/2018
Philippines 9/26/2012 $0 0 25 37 $326,357 12/29/2018
Portugal 11/22/2012 $16,545 11 11 27 $35,177 12/12/2015
Russia (CIS) 9/20/2012 $264,738 210 210 210 $264,738 12/29/2018
Singapore 10/11/2012 $85,636 6 8 38 $489,422 12/13/2015
Spain 2/8/2013 $228,380 197 197 564 $511,332 12/14/2015
Switzerland 11/8/2012 $55,442 24 24 24 $55,568 12/12/2015
Taiwan 10/9/2012 $53,852 17 17 39 $157,872 12/12/2015
Thailand 10/11/2012 $24,962 13 13 34 $77,892 12/12/2015
United Arab Emirates 9/20/2012 $30,999 15 15 16 $41,660 12/29/2018
United Kingdom 10/3/2012 $1,335,537 328 335 1073 $3,662,069 12/12/2015
Uruguay 1/18/2013 $4,989 2 2 5 $12,750 12/30/2018
 
Rest of World $1,480,729
 
Worldwide Total$33,069,303 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Logan Lerman    Charlie
Emma Watson    Sam
Ezra Miller    Patrick

Supporting Cast

Mae Whitman    Mary Elizabeth
Kate Walsh    Mother
Dylan McDermott    Father
Melanie Lynskey    Aunt Helen
Nina Dobrev    Candace
Johnny Simmons    Brad
Joan Cusack    Dr. Burton
Nicholas Braun    Ponytail Derek
Reece Thompson    Craig
Paul Rudd    Mr. Anderson

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Chbosky    Director
Stephen Chbosky    Screenwriter
Stephen Chbosky    Based on the Novel by
John Malkovich    Producer
Russell Smith    Producer
Lianne Halfon    Producer
Stephen Chbosky    Executive Producer
James Powers    Executive Producer
Andrew Dunn    Director of Photography
Inbal Weinberg    Production Designer
Mary Jo Markey    Editor
David C. Robinson    Costume Designer
Alexandra Patsavas    Music Supervisor
Michael Brook    Composer
Venus Kanani    Casting Director
Mary Vernieu    Casting Director