Argentina Box Office for The Nutcracker and the Four Realms (2018)

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The Nutcracker and the Four Realms
Theatrical Performance (US$)
Argentina Box Office $913,104Details
Worldwide Box Office $170,024,300Details
Home Market Performance
North America DVD Sales $5,270,747 Details
North America Blu-ray Sales $5,523,743 Details
Total North America Video Sales $10,794,490
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

All Clara wants is a key — a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s annual holiday party, leads her to the coveted key, which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara’s key and hopefully return harmony to the unstable world.

Metrics

Movie Details

Production Budget:$132,900,000
Argentina Releases: November 2nd, 2018 (Wide)
Video Release: January 29th, 2019 by Walt Disney Home Entertainment
MPAA Rating: PG for some mild peril.
(Rating bulletin 2544 (Cert #51800), 9/12/2018)
Running Time: 99 minutes
Keywords: War, Dancing, Circus, Family Movie, 3-D, Fairies, Royalty, Ballet, Christmas, Christmas in November, Young Child Dealing with the Death of a Parent, Death of a Spouse or Fiancée / Fiancé, Motion Capture Performance, 3-D - Post-production Conversion, Family Adventure
Source:Based on Folk Tale/Legend/Fairytale
Genre:Adventure
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: Walt Disney Pictures, The Mark Gordon Company
Production Countries: United States
Languages: English

Home Market Releases for January 29th, 2019

January 30th, 2019

The Wife

We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor. More...

Featured Blu-ray and DVD Review: The Nutcracker and the Four Realms

January 28th, 2019

The Nutcracker and the Four Realms

I knew The Nutcracker and the Four Realms was in trouble when Disney didn’t push Christopher Robin over $100 million at the domestic box office. At that point, every film they released in 2018 had hit the century mark, so there was a chance they could have had every film released in a calendar year get to that milestone. They wouldn’t pass up that chance, unless they knew The Nutcracker and the Four Realms wasn’t going to get there. It didn’t get there. It barely managed to get halfway to $100 million. Is the film as bad as its box office numbers? Or was it unfairly ignored? More...

International Box Office: Venom Sinks its Teeth into China

November 14th, 2018

Venom

Venom roared into first place with $117.30 million on 44,833 screens in 85 markets for totals of $467.71 million internationally and $674.01 million worldwide. Nearly all of the film’s weekend haul came from China, where it made $107.85 million in 40,000 theaters over the weekend for a total opening of $110.40 million. Whoever made the decision to recut the movie to a PG-13 rating feels like a genius after this result. More...

Weekend Wrap-Up: Grinch Matches Expectations, Incredibles’ Record Safe for Now

November 12th, 2018

The Grinch

The weekend box office had a few success stories and a couple of misses. Dr Seuss’ The Grinch was one of the success stories with $67.57 million, which matches predictions perfectly. The other two new wide releases were less successful. Overlord did okay, but it will need a lot of help to break even any time soon. On the other hand, The Girl in the Spider’s Web likely won’t break even. The overall box office rose 15% from last weekend hitting $167 million. This is 11% more from the same weekend last year. I really wasn’t expecting 2018’s losing streak to end after just one weekend. This is great news. 2018’s lead over 2017 is practically the same as it was last weekend at $1.01 billion or 11% at $9.95 billion to $8.94 billion. More...

Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note

November 11th, 2018

The Grinch

The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets. More...

Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start

November 10th, 2018

The Grinch

Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget. More...

Weekend Prediction: Will Grinch Spread the Holiday Cheer?

November 8th, 2018

The Grinch

Dr Seuss’ The Grinch could be the biggest hit of the month, if it gets off to a fast start this weekend. There is some good news, as it could break The Incredibles’ record for November weekend for an animated film. This weekend, The Girl in the Spider’s Web and Overlord are both aiming to become midlevel hits. I’m not sure either will get there. Their buzz hasn’t grown as their release date has neared, which is troubling. This does mean Bohemian Rhapsody will very likely earn a solid second place, while The Nutcracker and the Four Realms has a shot at third. This weekend last year, Thor: Ragnarok earned more than $57 million during its second weekend of release, while the combined openings of Daddy’s Home 2 and Murder on the Orient Express were even better. 2018 should be better on top, but it won’t have the same depth leading to a loss in the year-over-year comparison. More...

International Box Office: Rhapsody Gets the Whole World Singing

November 7th, 2018

Bohemian Rhapsody

Bohemian Rhapsody rose to first place with $72.5 million in 64 markets for an early international total of $91.7 million. This week it opened in first place in both Mexico ($5.33 million) and Australia ($4.87 million). On the other hand, it only earned second place during its debut in South Korea with $4.40 million on 936 screens over the weekend for a total opening of $5.65 million. The film only fell 40% during its second weekend in the U.K. earning $7.56 million in 681 theaters for a two-week total of $26.88 million. More...

Weekend Estimates: Bohemian has a Bourgeoisie Debut with $50 million

November 4th, 2018

Bohemian Rhapsody

Fox is projecting a $50 million opening for Bohemian Rhapsody over the weekend. When I see a studio estimate a number like that, I always assume they overestimated, and not just because it topped predictions, because a “$50 million opening weekend” sounds a lot better than a “$49 million opening weekend” and getting that one day of extra hype could help its box office chances. It would require a 2.71 internal multiplier to get there, which would be a little high for a film like this. Its reviews are good, but not great, while audience scores are better at 4.5 out of 5 from PostTrak and an A from CinemaScore. More...

Friday Estimates: Bohemian Rhapsody makes the Box Office Sing

November 3rd, 2018

Bohemian Rhapsody

Bohemian Rhapsody dominated the Friday box office chart with $18.4 million. This is better than our prediction, but not quite as good as some were expecting after Thursday’s previews. Its reviews are good, but not great, while it earned an A from CinemaScore and a 4.5 out of 5 from PostTrak, so audiences clearly like the film more than critics did. The film could come close to $50 million over the weekend, but it probably won’t quite get there. More...

Thursday Night Previews: Queen has Star-Making Debut with $3.9 million

November 2nd, 2018

Bohemian Rhapsody

Bohemian Rhapsody started its domestic run with $3.9 million in previews, which is in line with our prediction, for the most part. Compared to A Star is Born, it is better or worse, depending on how you look at things. A Star is Born had three days of previews earning $4.5 million in total, but if you only look at Thursday night, its previews were $3.2 million. Had the film only had one day of previews, it would have earned somewhere in-between those two results. Additionally, Bohemian Rhapsody’s reviews are weaker than A Star is Born’s reviews are and its target demographic is more likely to rush out opening night, so its legs won’t be as long. That said, it has an excellent chance at earning more than our $36 million prediction over the full weekend. More...

Weekend Prediction: Queen Biopic Looks to Start the Holiday Season Rocking

November 1st, 2018

Bohemian Rhapsody

November is the start of the holiday blockbuster season and practically every week from now until after Christmas is an excellent weekend to release a film. (The weekend after Thanksgiving is the only real exception.) This year, things don’t get off to a tremendously fast start, as there are no monster hits. That said, Bohemian Rhapsody could be a $100 million hit domestically. The Nutcracker and the Four Realms has to deal with terrible reviews and a lot of direct competition from bigger family films coming out this month. Finally, Nobody’s Fool is the first Tyler Perry movie not released by Lionsgate. It is not being heavily advertised as a Tyler Perry movie either. This weekend last year, Thor: Ragnarok opened with $122 million. No film opening this year will match that. All three films combined won’t match that. 2018's winning streak will end. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Nutcracker and the Four Realms Trailer

September 5th, 2018

Adventure starring Mackenzie Foy opens November 2 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/2/2018 $217,918 0 0 0 $913,104 2/12/2019
Australia 11/23/2018 $691,290 312 312 1227 $2,358,525 2/16/2019
Brazil 11/2/2018 $1,700,000 0 0 0 $5,808,830 2/16/2019
Bulgaria 11/9/2018 $109,857 0 0 0 $415,113 2/26/2019
China 11/2/2018 $11,850,000 86702 86702 93667 $16,238,604 12/6/2018
Czech Republic 11/2/2018 $154,027 136 136 421 $365,519 1/1/2019
France 11/30/2018 $1,550,431 0 0 0 $5,811,692 4/7/2019
Germany 11/1/2018 $2,700,000 0 0 0 $10,263,271 3/15/2019
Indonesia 11/2/2018 $0 0 0 0 $1,818,120 12/16/2018
Italy 10/31/2018 $4,848,332 0 3 7 $10,540,240 1/10/2020
Japan 11/30/2018 $1,421,627 0 0 0 $7,406,962 2/16/2019
Lithuania 11/2/2018 $26,229 95 95 173 $56,654 1/3/2019
Mexico 11/2/2018 $2,237,965 0 0 0 $5,601,017 1/5/2019
Netherlands 11/2/2018 $355,764 102 102 587 $1,337,692 1/18/2019
North America 11/2/2018 $20,352,491 3,766 3,766 15,871 $54,858,851
Poland 11/2/2018 $616,683 0 0 0 $2,836,510 3/5/2019
Portugal 11/1/2018 $238,357 101 101 399 $687,087 12/27/2018
Russia (CIS) 12/6/2018 $2,866,901 1368 1368 5006 $8,045,678 3/5/2019
Slovakia 11/2/2018 $60,679 62 62 173 $124,810 1/4/2019
South Korea 12/6/2018 $1,456,368 294 294 772 $3,692,452 1/18/2019
Spain 11/2/2018 $1,508,160 400 400 1955 $5,695,947 4/6/2019
Taiwan 12/28/2018 $241,225 0 0 0 $752,475 3/9/2019
Turkey 11/2/2018 $76,857 199 199 328 $159,742 2/26/2019
United Kingdom 11/2/2018 $2,247,161 576 579 3071 $7,397,146 3/9/2019
 
Rest of World $16,838,259
 
Worldwide Total$170,024,300 1/10/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Keira Knightley    Sugar Plum Fairy
Mackenzie Foy    Clara
Misty Copeland    Ballerina Princess
Helen Mirren    Mother Ginger
Morgan Freeman    Godfather Drosselmeyer
Eugenio Derbez    Hawthorne
Richard E. Grant    Shiver
Jayden Fowora-Knight    Captain Philip Hoffman

Supporting Cast

Matthew MacFadyen    Mr. Stahlbaum
Miranda Hart    Dew Drop Fairy
Jack Whitehall    Harlequin
Ellie Bamber    Louise Stahlbaum
Lil Buck*    The Mouse King
Sergei Polunin    Sweet Cavalier
Tom Sweet    Fritz Stahlbaum
Anna Madeley    Marie Stahlbaum

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joe Johnston    Director
Ashleigh Powell    Screenwriter
Tom McCarthy    Screenwriter
Ashleigh Powell    Story by
Larry Franco    Producer
Mark Gordon    Producer
Lindy Goldstein    Executive Producer
Sara Smith    Executive Producer
Linus Sandgren    Director of Photography
Guy Hendrix Dyas    Production Designer
Stuart Levy    Editor
Jenny Beavan    Costume Designer
James Newton Howard    Composer
Rhys Ifan    Art Director
Chris Corbould    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.