Russia (CIS) Box Office for The Little Things (2021)

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The Little Things
Theatrical Performance (US$)
Russia (CIS) Box Office $3,000,000Details
Worldwide Box Office $29,735,222Details
Home Market Performance
North America DVD Sales $1,537,062 Details
North America Blu-ray Sales $1,580,515 Details
Total North America Video Sales $3,117,577
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.

Metrics

Movie Details

Production Budget:$30,000,000
Russia (CIS) Releases: January 29th, 2021 (Wide)
Video Release: January 29th, 2021 by Max
MPAA Rating: R for violent/disturbing images, language and full nudity.
(Rating bulletin 2643 (Cert #52861), 8/19/2020)
Running Time: 127 minutes
Keywords: Serial Killer, Crime Thriller, Crime, LAPD, Film Noir, Development Hell, 1990s, Prologue
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Gran Via
Production Countries: United States
Languages: English

Weekend estimates: Nobody maintains market momentum

March 28th, 2021

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Weekend predictions: Nobody’s business

March 26th, 2021

Nobody

Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured. More...

Weekend estimates: Raya stays top with good second-week hold

March 14th, 2021

Raya and the Last Dragon

A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market. More...

Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend predictions: Croods looking likeliest winner in a close race

February 19th, 2021

The Croods: A New Age

With no new releases this weekend, the race for number one at the box office comes down to which film among the top three last weekend has the best legs. The overwhelmingly likely answer to that question is The Croods: A New Age, which enters its lucky 13th week in release doing almost exactly the same business as it was two months ago. The only unknown is how well Judas and the Black Messiah will do in its second weekend. More...

Weekend estimates: a 3-way tie for number one

February 14th, 2021

The Croods: A New Age

The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)

Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news… More...

Weekend predictions: Judas and the Black Messiah should win the weekend

February 12th, 2021

The Little Things

The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.

More...

Weekend estimates: The Little Things stays top on a sluggish weekend

February 7th, 2021

The Little Things

Today’s Super Bowl might be causing some caution among the studios as they compile their weekend projections, but whichever way you cut it, we’re looking at another slow weekend in theaters. The Little Things will come out on top with around $2.1 million, according to Warner Bros.. That’s down a steep 56% from its opening weekend, and 9% below our model’s prediction. In general, almost all films are falling a little shy of the model’s numbers, suggesting that we’re still not seeing real growth in the market. More...

Weekend predictions: The Little Things set to win Superbowl weekend

February 5th, 2021

The Little Things

With no new wide releases, there can really be only one winner at the box office this weekend. Last week’s champ, The Little Things earned more than twice as much as second-place The Croods: A New Age last weekend, and will stay top even with a steep drop.

The performance of The Croods, which is a bellweather for the strength of the theatrical market as a whole, is probably of more interest this weekend. More...

Weekend estimates: The Little Things launches with $4.8 million

January 31st, 2021

The Little Things

Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long. More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

January preview: 2021 starts with the quietest month since July

January 5th, 2021

The Little Things

There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.

The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January… More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/01/29 3 $1,015,829   655 $1,551   $1,015,829 1
2021/02/05 2 $704,031 -31% 661 $1,065   $2,090,471 2
2021/02/12 5 $354,522 -50% 563 $630   $2,692,700 3
2021/02/19 12 $91,234 -74% 307 $297   $2,915,914 4
2021/02/26 18 $29,928 -67% 135 $222   $2,989,510 5

Box Office Summary Per Territory

$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/18/2021 $1,074,058 276 277 1595 $4,305,512 10/19/2022
Colombia 1/29/2021 $0 0 0 0 $190,000 10/19/2022
Croatia 1/29/2021 $0 0 0 0 $255,000 10/19/2022
Egypt 2/12/2021 $0 0 0 0 $60,000 2/16/2021
Germany 1/28/2021 00$0
Iceland 1/29/2021 $0 0 0 0 $58,000 2/16/2021
India 1/29/2021 $18,000 0 0 0 $18,000 10/19/2022
Italy 5/6/2021 $10,781 0 2 2 $34,800 10/20/2022
Kazakhstan 1/29/2021 $0 0 0 0 $137,000 3/8/2021
Mexico 3/11/2021 $33,749 0 0 0 $554,000 10/19/2022
New Zealand 2/19/2021 $95,692 79 84 423 $351,173 10/19/2022
North America 1/29/2021 $4,705,527 2,171 2,206 16,378 $15,342,746
Qatar 1/29/2021 $0 0 0 0 $144,000 3/22/2021
Russia (CIS) 1/29/2021 $1,015,829 655 661 2321 $3,000,000 10/20/2022
Saudi Arabia 1/29/2021 $893,000 35 35 85 $2,000,000 10/19/2022
Serbia and Montenegro 1/29/2021 $0 0 0 0 $42,000 2/16/2021
Singapore 1/29/2021 $67,000 33 33 33 $119,000 10/19/2022
Spain 2/26/2021 $154,000 134 174 773 $669,000 10/20/2022
Taiwan 1/29/2021 $177,000 110 110 110 $383,000 10/19/2022
Ukraine 2/5/2021 $181,000 267 267 442 $411,000 10/19/2022
United Arab Emirates 1/29/2021 $322,000 103 103 208 $821,000 3/29/2021
United Kingdom 2/12/2021 00$0
 
Rest of World $839,991
 
Worldwide Total$29,735,222 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Denzel Washington    Deke
Rami Malek    Baxter
Jared Leto    Albert Sparma

Supporting Cast

Natalie Morales    Detective Jamie Estrada
Chris Bauer    Sal Rizoli
Michael Hyatt    Flo Dunigan
Terry Kinney    Captain Farris
Isabel Arraiza    Anna Baxter
Joris Jarsky    Detective Rogers
Glenn Morshower    Captain Henry Davis
Sofia Vassilieva    Tina Salvatore
Jason James Richter    Detective Dennis Williams
John Harlan Kim    Officer Henderson
Frederick Koehler    Stan Peters
Judith Scott    Marsha
Maya Kazan    Ronda Rathbun
Tiffany Gonzalez    Julie Brock
Anna McKitrick    Mary Roberts
Sheila Houlahan    Paige Callahan
Ebony N. Mayo    Tamara Ewing
Matthew Morrison    Guy Jogger
Olivia Washington    Amy Anders
Kiff VandenHeuvel    Tow Truck Driver
J. Downing    Flanders
Sean Spann    Ghoul Squad
Sophia Castro    Jennifer Baxter
Calliah Sophie Estrada    Chloe Baxter
Thomas Crawford    Burns
Eric Satterberg    LASD Tech
Ian Gary    LASD Tech
Linara Washington    Waitress
Jeff Corbett    Bill Rathbun
Stephanie Erb    Phyllis Rathbun
Samantha Cormier    Teenage Girl
Smalls    Truck Driver
Lee Garlington    Landlady
Dimiter D. Marinov    St. Agnes Hotel Manager
Julia Vera    ABC Appliance Owner
Jack Topalian    AAA Appliance Owner
Charlie Saxton    Felix
Justin Barnhill    Grunge Kid
Emil Beheshti    Lab Coat Tech
James Bradley    LAPD
Ben Kliewer    LAPD
Hank Northrop    LAPD
Bob Golub    Bum
Ben Sanders    Delinquent Kid
Adam Harrington    Greg Alberts
Neil Garcia    Pike’s Bartender

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Lee Hancock    Director
John Lee Hancock    Screenwriter
Mark Johnson    Producer
John Lee Hancock    Producer
Mike Drake    Executive Producer
Kevin McCormick    Executive Producer
John Schwartzman    Director of Photography
Michael Corenblith    Production Designer
Robert Frazen    Editor
Thomas Newman    Composer
Daniel Orlandi    Costume Designer
Denise Chamian    Casting Director
Leigh Shanta    Unit Production Manager
Donald L. Sparks    First Assistant Director
Donald L. Sparks    Co-Producer
Stephanie Tull    Second Assistant Director
Lauren Polizzi    Supervising Art Director
Samantha Avila    Art Director
Lorrie Campbell    Set Designer
Michael Budge    Set Designer
Dawn Gilliam    Script Supervisor
Erica Frauman    Post-Production Supervisor
Chris Jackson    First Assistant Editor
Susan Benjamin    Set Decorator
Edward Hanley    Costume Supervisor
Donald Mowat    Make up
Ruth Haney    Make up
Mark Nieman    Special Make-up Effects
Michael White    Hairstylist
Michael S. Ward    Hairstylist
Jose Antonio Garcia    Sound Mixer
Andrew Ullman    Supervising Location Manager
Michael Dunitz    Location Manager
Martin Allen    Key Location Manager
Pierce Nudd    Key Location Manager
Matthew Cassel    Key Location Manager
Mark Hawker    Special Effects Supervisor
Robert Malina    Assistant Editor
Jon Johnson    Supervising Sound Editor
Darren King    ADR Supervisor/Dialogue Editor
Jessie Spence    Dialogue Editor
Dan Gamache    Sound Effects Editor
Yann Delpuech    Sound Effects Editor
David E. Fluhr    Re-recording Mixer
Gregory King    Re-recording Mixer
Darrin Mann    Foley Mixer
Shinnosuke Miyazawa    Music Editor
Gabriel Sanchez    Visual Effects Supervisor
Tim LeDoux    Visual Effects Supervisor
Jason Sanford    Visual Effects Producer
Andrew Kalicki    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.