Spain Box Office for Let Him Go (2020)

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Let Him Go
Theatrical Performance (US$)
Spain Box Office $299,352Details
Worldwide Box Office $10,773,007Details
Home Market Performance
North America DVD Sales $2,466,767 Details
North America Blu-ray Sales $1,986,906 Details
Total North America Video Sales $4,453,673
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Following the loss of their son, retired sheriff George Blackledge and his wife Margaret leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas, headed by matriarch Blanche Weboy. When they discover the Weboys have no intention of letting the child go, George and Margaret are left with no choice but to fight for their family.

Metrics

Movie Details

Spain Releases: May 28th, 2021 (Wide)
Video Release: November 24th, 2020 by Universal Home Entertainment
MPAA Rating: R for violence.
(Rating bulletin 2642 (Cert #52208), 8/12/2020)
Running Time: 113 minutes
Keywords: Crime Thriller, Death of a Son or Daughter, Rescue, 1960s
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Mazur/Kaplan Company, Focus Features
Production Countries: United States
Languages: English

Weekend predictions: Nobody’s business

March 26th, 2021

Nobody

Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured. More...

Weekend estimates: Croods leads another dismal weekend

December 6th, 2020

The Croods: A New Age

The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home. More...

Weekend estimates: Freaky fails to deliver

November 15th, 2020

Freaky

Going into the weekend, hopes were high that Freaky could post the kind box office numbers needed to show momentum in the theatrical market. Instead, it’s falling well short of our prediction, and numbers from the rest of the films in the top six, including a sharp 55% decline by last week’s winner Let Him Go, are also mostly disappointing. Instead of an increase in top six box office this weekend, we’re looking at a market that’s still flat, or even declining. What went wrong? More...

Weekend predictions: Freaky could be a pandemic-sized hit

November 13th, 2020

Freaky

One of the curiosities since theaters started to reopen in the late Summer and early Fall is that the movies being released have not really targeted the demographic one would expect to be most likely to actually go to theaters: people in their teens and twenties. Instead, we’ve mostly seen thrillers, which tend to skew older, and family movies, which obviously skew younger. The most obvious exception to this rule is The New Mutants, which opened with $7 million back in August. This weekend, Freaky is looking to pull off a similar result. If it over-performs, it has a shot at beating Mutants, and having the second-best opening of the pandemic era. More...

Weekend estimates: Let Him Go tops expectations with $4 million opening

November 8th, 2020

Let Him Go

Let Him Go is pulling off a comfortable win at the box office this weekend, according to studio projections released on Sunday morning. Its $4.1-million opening is the third-best result during the pandemic, behind Tenet’s $20.2 million and The New Mutants’s $7.0 million, and slightly ahead of Unhinged’s $4.0 million, assuming the final numbers hold on Monday. While this is undoubtedly good news, which pushes the total for the top six close to $10 million for the first time in a while, the evidence points towards this being more a case of one film connecting with audiences rather than a significant market improvement. More...

Weekend predictions: can Let Him Go topple Come Play?

November 6th, 2020

Come Play

The race to be elected the top film at the box office this weekend is too close to call, according to our model, although the odds favor Let Him Go, which opens in 2,454 theaters, and has enough buzz to probably pull off a victory. Come Play would have to enjoy an unusually strong hold coming off Halloween weekend to secure a surprise win. More...

November preview: Universal keeps the industry alive

November 5th, 2020

The Croods: A New Age

The country might be distracted by a drawn-out election right now, but the movie business soldiers on this month, even though recovery from the pandemic looks as far away as ever. While theatrical grosses remain tiny, Universal is currently planning to try its luck with three new wide releases, two from the studio itself and one from its specialty division Focus Features.

At least, that’s their current plan. Two of the films seem certain to roll out, but their Thanksgiving release of The Croods: A New Age has to come with an asterisk attached. Perhaps this release will be an olive branch to theater operators after the studio caused controversy in March by pulling Trolls World Tour from theaters and sending it direct to PVOD. Universal is maybe taking this opportunity to look they’re supporting the theatrical business, and their case is made more convincing by the fact that every other major studio is sitting out November. Even looking beyond the end of the month, 20th Century Studios is the only other distributor that looks like it’ll have a wide release between now and Christmas, with Free Guy on December 11 and Death on the Nile on December 18. (Universal has another film, All My Life slated for December 4.)

If Universal sticks to its plans, and a couple of other expected changes (Coming 2 America going direct to Amazon Prime, and Wonder Woman 1984 getting pushed back again) happen, it’ll be the only studio offering real support to the theatrical business between now and the end of the year. Maybe everyone will let bygones be bygones, and we can at least point to that as a ray of hope for the industry going in Holiday Season. More...

Let Him Go Trailer

August 21st, 2020

Thriller starring Kevin Costner and Diane Lane coming to theaters on November 6 ... Full Movie Details.

Following the loss of their son, retired sheriff George Blackledge and his wife Margaret leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas, headed by matriarch Blanche Weboy. When they discover the Weboys have no intention of letting the child go, George and Margaret are left with no choice but to fight for their family. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/05/28 4 $101,901   205 $497   $101,901 1
2021/06/04 6 $62,940 -38% 201 $313   $213,220 2
2021/06/11 9 $32,512 -48% 178 $183   $268,185 3
2021/06/18 20 $9,922 -69% 97 $102   $287,266 4
2021/06/25 - $4,168 -58% 17 $245   $299,352 5

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/26/2020 $248,114 275 275 904 $717,235 6/11/2021
France 6/16/2021 $63,896 129 129 129 $63,896 6/28/2021
Germany 2/18/2021 00$0
Netherlands 12/4/2020 $36,368 29 30 59 $92,387 12/14/2020
New Zealand 11/27/2020 $19,171 58 63 228 $64,928 10/19/2022
North America 11/6/2020 $4,000,470 2,454 2,458 10,653 $9,358,025
Russia (CIS) 12/10/2020 $65,259 390 390 772 $110,308 10/19/2022
South Korea 11/5/2020 $17,517 37 37 62 $37,535 12/16/2020
Spain 5/28/2021 $101,901 205 205 698 $299,352 7/1/2021
Turkey 11/6/2020 $4,049 117 117 193 $11,920 10/19/2022
United Kingdom 12/18/2020 $17,421 106 106 106 $17,421 12/23/2020
 
Worldwide Total$10,773,007 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Diane Lane    Margaret Blackledge
Kevin Costner    George Blackledge

Supporting Cast

Lesley Manville    Blanche Weboy
Kayli Carter    Lorna Blackledge
Booboo Stewart    Peter Dragswolf
Jeffrey Donovan    Bill Weboy
Will Brittain    Donnie Weboy
Bruce Ryan    James Blackledge
Adam Stafford    Marvin Weboy
Bradley Stryker    Sheriff Nevelson
Will Hochman    Weboy cousin, a Tucker
Connor Mackay    Elton Weboy
Greg Lawson    Gladstone Sheriff
John Treleaven    Justice of the Peace
Heather Lea MacCallum    Landlady
Ryan Northcott    Doctor
Ravonna Dow    Nurse
Kira Bradley    Montgomery Ward Customer
Aidan Moreno    Montgomery Ward Manager
Judith Buchan    Ressler’s Waitress
Marilyn Potts    Ressler’s Cashier
Vanessa Holmes    Restaurant Mom
Tayden Marks    Bag Boy
Bryn Roy    Night Deputy
Fin Lee-Epp    Young James

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tom Bezucha    Director
Tom Bezucha    Screenwriter
Larry Watson    Story based on the novel by
Paula Mazur    Producer
Mitchell Kaplan    Producer
Tom Bezucha    Producer
Jeffrey Lampert    Executive Producer
Josh McLaughlin    Executive Producer
Kimi Armstrong-Stein    Executive Producer
Kevin Costner    Executive Producer
Guy Godfree    Director of Photography
Trevor Smith    Production Designer
Jeffrey Ford    Editor
Meg Reticker    Editor
Carol Case    Costume Designer
Michael Giacchino    Composer
Avy Kaufman    Casting Director
Linda A. Rogers-Ambury    Unit Production Manager
Jeffrey Lampert    Unit Production Manager
Mark Ambury    First Assistant Director
Christopher Cinnamon    Second Assistant Director
Steven McMichael    Stunt Coordinator
Cathy Cowan    Art Director
Amanda Nicholson    Set Designer
Evan Spence    Set Designer
Amber Humphries    Set Decorator
Michael Playfair    Sound Mixer
Jason Paradis    Special Effects Coordinator
Tannis Moore    Costume Supervisor
Samantha Rumball    Make up
Laura De Moissac    Hairstylist
Dave Trainor    Special Make-up Effects
Edsel Hilchie    Location Manager
Sandi Cameron    Script Supervisor
Jeff Robinson    Post-Production Supervisor
Robin Buday    First Assistant Editor
Charlie Greene    Assistant Editor
Skip Lievsay    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Wyatt Sprague    Sound Effects Editor
Lee Salevan    Sound Effects Editor
Jac Rubenstein    Dialogue Editor
Igor Nikolic    Foley Editor
Davi Aquino    Foley Editor
Jack Heeren    Foley Mixer
Kevin Schultz    Foley Mixer
Don White    Foley Mixer
Ken Bitz    Visual Effects Supervisor
Stephen Davis    Music Editor
Mark Jan Wlodarkiewicz    Music Editor
Nic Ratner    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.