Lebanon Box Office for Kin (2018)

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Kin
Theatrical Performance (US$)
Lebanon Box Office $14,244Details
Worldwide Box Office $10,383,524Details
Home Market Performance
North America DVD Sales $47,529 Details
North America Blu-ray Sales $52,645 Details
Total North America Video Sales $100,174
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Chased by a vengeful criminal, the feds and a gang of otherworldly soldiers,​ a recently released ex-con and his adopted teenage brother are forced to go on the run with a weapon of mysterious origin as their only protection.

Metrics

Movie Details

Production Budget:$30,000,000
Lebanon Releases: August 30th, 2018 (Wide)
Video Release: November 6th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for gun violence and intense action, suggestive material, language, thematic elements and drinking
(Rating bulletin 2516 (Cert #51272), 2/28/2018)
Running Time: 102 minutes
Keywords: Alien Encounters, Gangs, Life on the Outside, Young Child Dealing with the Death of a Parent, Fugitive / On the Run, Death of a Sibling, Revenge, Money Troubles, FBI, Strippers / Stripping, Adopted Family, IMAX: DMR, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: 21 Laps Entertainment, No Trace Camping, Summit Entertainment
Production Countries: United States
Languages: English

Home Market Releases for November 20th, 2018

November 20th, 2018

Crazy Rich Asians

This Friday is Black Friday, one of the biggest shopping days of the year. However, while there will be tons of sales, DVDs and Blu-rays that come out on Tuesday tend not to be part of the sales, because they have only been out for a few days. Because of this, it is usually a slow week on the home market. This is certainly true this year, as there’s only one significant first-run release, Crazy Rich Asians (Buy from Amazon). On the positive side, it is a pick of the week contender. Its only competition for that title is the Criterion Collection release for Some Like it Hot (Buy from Amazon). It was close, but in the end I went with Crazy Rich Asians. On a side note, both are lucky they are in competition for Pick of the Week, as it was going to be K-ON Complete Collection Premium Box Set, but it got pushed back from this week till February. I pre-ordered it in July and I’ve been waiting a long, long time for this box set. More...

Home Market Releases for November 6th, 2018

November 6th, 2018

Incredibles 2

This is either an amazing week or a terrible week, depending on how you look at things. It is amazing, because there is a trio of releases I was really looking forward to reviewing: BlacKkKlansman, Incredibles 2, and Christopher Robin. It’s a terrible week, because none of those screeners showed up. I normally don’t like giving the Pick of the Week when I’m still waiting for the screener, but that’s not an option this week, so Incredibles 2 wins. More...

Weekend Wrap-Up: The Nun Stuns, Box Office Still Falls

September 11th, 2018

The Nun

The Nun topped expectations with $53.81 million over the weekend. Peppermint was well back in second place with $13.42 million, which is an acceptable debut for this time of year. Crazy Rich Asians was in a close third place and overall the box office was quite strong. The total box office was $121 million, which is 23% better than last weekend. Granted, this is 26% lower than the same weekend last year. Normally a drop this severe would be troubling, but this isn’t a normal situation. Firstly, this weekend last year was the weekend It debuted and rewrote the record book. Secondly, 2018 is still ahead of 2017 by 10% or $770 million at $8.36 billion to $7.59 billion. This means 2018’s gains during the weekdays almost made up for its losses over the weekend. More...

Weekend Wrap-Up: Summer Ends on a Sweet Note with Crazy Rich Asians Crossing $100 million

September 5th, 2018

Crazy Rich Asians

Crazy Rich Asians came close enough to our predictions over the weekend that I’m willing to call it a victory. The only other film to earn more than $10 million over the three-date weekend was The Meg. This wasn’t enough to help the overall box office grow, but the overall box office only fell 3.6% when compared to last weekend earning $99 million. It is a little disappointing to drop below the $100 million mark, but it could have been much worse. Speaking of much worse, this weekend last year, the overall box office was just $76 million, meaning 2018 improved on the three-day mark by 29% and stretched its year-to-date lead. 2018 now sits 10.6% or $790 million ahead of 2017 at $8.22 billion to $7.43 million. The lead won’t remain this large for long, not with It’s opening on the horizon. That said, it would take a spectacular collapse for 2018 to completely lose this lead. More...

Weekend Estimates: Labor Monday Update

September 3rd, 2018

Crazy Rich Asians

We have some Monday morning updates for the weekend box office and as expected, Crazy Rich Asians continued to dominate at the box office. It earned $6.21 million on Monday for a four-day total of $28.31 million and a three-week total of $117.04 million. It became just the fourth film released by Warner Bros. this year to get to the century mark and it will quickly become the studio’s biggest hit of the year so far, as it will overtake Ocean’s 8 shortly. More...

Weekend Estimates: Crazy Killing it at the Box Office with $28 million

September 2nd, 2018

Crazy Rich Asians

Crazy Rich Asians is just destroying the competition over the weekend and should pull in an estimated $22.24 million over the three days. We won’t have a Monday estimate from Warner Bros. until Monday, but I would imagine the four-day weekend would be about $28 million, giving the film a running tally of $117 million after 20 days of release. This is a little lower than our weekend prediction, but close enough that I’m calling it a victory. Internationally, the film made $10.4 million on 1,565 screens in 24 markets for an early total of $19.9 million. The film opened in Australia with $5.4 million on 447 screens, which is better than its opening here, relative to the size of the two markets. More...

Friday Estimates: Crazy Matches Expectations with $5.87 million

September 1st, 2018

Crazy Rich Asians

Crazy Rich Asians will easily remain on top of the chart this weekend, as it earned $5.87 million on Friday. Depending on when you are reading this, it might have already crossed $100 million domestically, a milestone it will certainly reach by the end of business on Saturday. The film is on pace for $24 million over the three-day weekend and $30 million over four, matching our prediction perfectly. More...

Thursday Night Previews: Searching begins to Spread Out with $425,000

August 31st, 2018

Searching

Searching started its semi-wide run with $425,000 during its Thursday previews. It is really had to find a film to compare this to, as it was playing in limited release, while its “midnight” previews began at 5 pm. That said, we predicted $6 million over the four-day weekend and this result isn’t going to change my mind, at least not yet. We will need to wait till tomorrow to see if its reviews are going to give it long legs over the weekend. More...

Weekend Predictions: Will the Box Office Relax Over Labor Day?

August 31st, 2018

Operation Finale

The last weekend of summer is a slow weekend. There’s only one true wide release, Kin, and it’s not expected to open in the top five. Operation Finale is opening in just over 1,800 theaters, but it should open in the top five, even though it is a Wednesday release. Searching is expanding into 1,200 theaters this weekend and that should get it into the top ten. Meanwhile, Crazy Rich Asians should complete the threepeat without any real competition. This weekend last year, The Hitman’s Bodyguard was the only film to earn more than $10 million. More...

Kin Trailer

August 5th, 2018

Sci-fi action movie starring Myles Truitt and Jack Reynor opens August 31 ... Full Movie Details.

The story of an unexpected hero destined for greatness. Chased by a vengeful criminal, the feds and a gang of otherworldly soldiers,​ a recently released ex-con and his adopted teenage brother are forced to go on the run with a weapon of mysterious origin as their only protection. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/08/31 - $6,386   9 $710   $6,386 1
2018/09/07 - $1,898 -70% 0     $12,726 2
2018/09/14 - $949 -50% 0     $14,244 3

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 8/30/2018 $3,860 0 0 0 $10,164 1/1/2019
Australia 8/31/2018 $90,238 147 147 544 $159,914 10/12/2018
Bangladesh 8/31/2018 $4,776 0 2 3 $8,597 1/1/2019
Belgium 9/19/2018 $75,737 30 30 50 $124,960 10/26/2018
Brazil 9/6/2018 $13,227 26 26 30 $17,442 9/28/2018
Cambodia 9/11/2018 $6,484 16 16 16 $8,559 1/1/2019
Croatia 9/20/2018 $8,981 30 30 41 $18,586 1/1/2019
Curacao 8/30/2018 $2,367 0 0 0 $5,240 1/1/2019
Ecuador 10/26/2018 $0 0 7 7 $18,835 11/20/2018
Egypt 9/5/2018 $10,082 0 0 0 $18,147 1/1/2019
Estonia 9/7/2018 $3,973 10 10 16 $7,494 10/12/2018
France 8/31/2018 $1,283,861 394 394 1525 $2,702,645 10/20/2018
Hong Kong 9/6/2018 $110,174 35 35 52 $153,725 10/12/2018
Iceland 8/31/2018 $7,189 6 23 29 $14,859 1/1/2019
Indonesia 10/26/2018 $0 0 0 0 $113,997 11/16/2018
Israel 8/30/2018 $15,375 16 16 22 $28,002 1/1/2019
Italy 8/15/2019 $43,355 0 9 12 $250,880 10/19/2022
Kuwait 8/30/2018 $7,636 1 1 1 $6,711 1/1/2019
Latvia 9/7/2018 $2,520 7 7 10 $4,648 1/1/2019
Lebanon 8/30/2018 $6,386 9 9 9 $14,244 1/1/2019
Lithuania 9/7/2018 $4,200 65 65 68 $6,408 10/12/2018
Malaysia 9/6/2018 $48,579 0 0 0 $85,858 10/12/2018
Mexico 12/7/2018 $7,297 32 32 32 $7,297 12/14/2018
Mongolia 8/31/2018 $5,075 0 0 0 $9,098 1/1/2019
Netherlands 9/21/2018 $28,904 28 28 36 $55,052 10/19/2018
North America 8/31/2018 $3,035,618 2,141 2,141 4,475 $5,718,096 8/12/2019
Oman 8/30/2018 $1,909 4 4 4 $5,683 1/1/2019
Pakistan 8/31/2018 $3,712 11 11 11 $6,681 1/1/2019
Philippines 8/29/2018 $16,816 17 17 17 $16,816 1/1/2019
Portugal 9/7/2018 $11,466 25 25 52 $25,666 10/22/2018
Russia (CIS) 9/6/2018 $140,840 1008 1008 1923 $237,530 1/8/2019
Singapore 8/30/2018 $31,184 12 12 22 $54,579 10/12/2018
South Korea 10/4/2018 $0 0 167 223 $135,676 11/8/2018
Spain 6/14/2019 $20,052 79 79 111 $35,823 7/16/2019
Suriname 9/6/2018 $5,449 0 0 0 $10,676 1/1/2019
Switzerland (French Speaking) 8/29/2018 $34,137 18 18 40 $69,625 10/12/2018
Thailand 9/6/2018 $27,059 85 85 124 $40,535 10/22/2018
Turkey 9/20/2019 00$0
Ukraine 9/13/2018 $17,012 122 122 122 $42,529 1/1/2019
United Arab Emirates 8/30/2018 $53,287 36 36 37 $66,765 1/1/2019
United Kingdom 11/9/2018 $1,981 21 21 21 $3,846 11/22/2018
Vietnam 9/14/2018 $8,095 57 57 57 $14,360 1/1/2019
West Indies 8/29/2018 $27,161 0 0 0 $47,276 10/12/2018
 
Worldwide Total$10,383,524 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jack Reynor    Jimmy
Zoë Kravitz    Milly
James Franco    Taylor
Myles Truitt    Eli

Supporting Cast

Carrie Coon    FBI Agent Morgan Fields
Romano Orzari    Lee Jacobs
Ian Matthews    Snick
Dennis Quaid    Hal
Gavin Fox    Dutch Balik
Stephane Garneau-Monten    Remy
Lukas Penar    Big Man
Carleigh Beverly    Audrey
Lily Gao    Female Cleaner
Milton Barnes    Guidance Counselor
Michael Grisley    School Bully
Khalid Klein    Hasan
Sean Fowler    Dying Cleaner
Carson Manning    On Site Guard #1
Dave Lewis    On Site Guard #2
Bree Wasylenko    Venus
Mike Chute    Lee’s Heavy
Neil Davison    Lee’s Heavy
Peter Schindelhauer    Lee’s Heavy
Madelyn Grace    Dancer
Kevan Kase    Bouncer
Sarah Dodd    Motel Cashier
Steve John Whistance-Smith    Gas Station Cashier
Ivan Sherry    Bartender
Eli Ham    Casino Security Guard
Trent Pardy    Young Officer
Jonathan Cherry    Police Clerk
Anita Nittoly    Dispatch Officer
Jarrod Maclean    County Sheriff
Shawn Hamilton    TAC Leader
Amos Stern    TAC Sniper

Cameos

Michael B. Jordan    Male Cleaner

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jonathan Baker    Director
Josh Baker    Director
Daniel Casey    Screenwriter
Jonathan Baker    Story based on the short film ‘Bag Man’ by
Josh Baker    Story based on the short film ‘Bag Man’ by
Shawn Levy    Producer
Dan Cohen    Producer
Jeff Arkuss    Producer
David Gross    Producer
Michael B. Jordan    Executive Producer
Jesse Shapira    Producer
Whitney Brown    Line Producer
Larkin Seiple    Director of Photography
Mark Day    Editor
Ethan Tobman    Production Designer
Lea Carlson    Costume Designer
Mogwai*    Composer
Mogwai*    Composer
Mogwai*    Composer
Mogwai*    Composer
Rori Bergman    Casting Director
Sara Kay    Casting Director
Jenny Lewis    Casting Director
Gina Fowler    Production Manager
Andrew Robinson    First Assistant Director
Aric Dupere    Second Assistant Director
Jamie Jones    Stunt Coordinator
Chantelle Kadyschuk    Associate Producer
Eric Bodge    Associate Producer
Jamie Jones    Second Unit Director
Jonathan Matthews    Location Manager
Carolyn Arbuckle    Script Supervisor
Cory Siddall    Sound Mixer
Mark Ahee    Special Effects Coordinator
Mary Kirkland    Set Decorator
Dennis Davenport    Art Director
Zinka Tuminski    Hairstylist
Gregor Hutchison    Post-Production Supervisor
Michael Louis Hill    Additional Editor
Dawn M. Stoliar    Additional Editor
Joseph Fraioli    Sound Designer
Joseph Fraioli    Supervising Sound Editor
David McCallum    Supervising Sound Editor
Dave Rose    Sound Effects Editor
Paul Germann    Sound Effects Editor
Krystin Hunter    Dialogue Editor
Claire Dobson    Dialogue Editor
Frank Morrone    Re-recording Mixer
Brad Zoern    Re-recording Mixer
Maarten Hofmeijer    Music Editor
Philip Tallman    Music Editor
Richard Henderson    Music Editor
Kevin Banks    Music Editor
Erik Culp    Foley Recordist
Rebecca Ramsey    Visual Effects Producer
Dave Morley    Visual Effects Supervisor
Tara Conley    Visual Effects Producer
Shawn Walsh    Visual Effects Executive Producer
Chad Shattuck    Animation Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.