Croatia Box Office for The Invisible Man (2020)

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The Invisible Man
Theatrical Performance (US$)
Croatia Box Office $92,187Details
Worldwide Box Office $139,011,965Details
Home Market Performance
North America DVD Sales $6,793,047 Details
North America Blu-ray Sales $6,745,751 Details
Total North America Video Sales $13,538,798
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia’s abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.

Metrics

Movie Details

Production Budget:$7,000,000
Croatia Releases: February 27th, 2020 (Wide)
Video Release: March 20th, 2020 by Universal Home Entertainment
June 29th, 2020 by Universal Pictures UK
MPAA Rating: R for some strong bloody violence, and language.
(Rating bulletin 2611 (Cert #52535), 1/8/2020)
Running Time: 124 minutes
Keywords: Psychological Horror, Development Hell, Suicide, Faked Suicide, Relationships Gone Wrong, Domestic Abuse, Inheritance, Stalker
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Goalpost Pictures, Blumhouse, Nervous Tick , Universal Pictures
Production Countries: Australia, United States
Languages: English

Weekend estimates: Croods still rule

December 13th, 2020

The Croods: A New Age

The Croods: A New Age continues to dominate at the box office (relatively speaking) this weekend, with Universal projecting a weekend box office of $3.01 million for a total of $24.26 million to date. Half Brothers is outperforming expectations in second place with a projected $490,000 sophomore weekend, down just 30% from its last outing. More...

Weekend estimates: Croods leads another dismal weekend

December 6th, 2020

The Croods: A New Age

The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home. More...

DEG Watched At Home Chart: Trolls Tower over the Rest

July 16th, 2020

Trolls World Tour

The pandemic continues to impact the DEG Watched at Home chart, which is little changed from last week. Trolls World Tour remains in first place on the chart and Universal is the top studio, this time with six entries in the top 20, up from five last week. More...

DEG Watched At Home Chart: Yellowstone is Far from Mellow

July 2nd, 2020

Yellowstone

Yellowstone led the way on the DEG Watched at Home chart last week. In fact, the show had three of the top five spots, with season three earning first spot and seasons one and two in third and fourth places respectively. More...

DEG Watched At Home Chart: Invisible Man Outruns Sonic The Hedgehog

June 25th, 2020

The Invisible Man

We have a new champ on the DEG Watched at Home chart, as The Invisible Man finally pushed Sonic the Hedgehog out of first place. That wasn’t the only change in the top five. More...

DEG Watched At Home Chart: Hunting for New Entries

June 19th, 2020

Sonic the Hedgehog

There were some changes on the DEG Watched at Home chart this week; however, the top film was the same. Sonic the Hedgehog earned first place for the fourth week in a row, taking full advantage of the pause in new movies caused by the COVID-19 pandemic. There are still rumors that Netflix is looking to buy Paramount. Maybe this success is enough to keep Paramount where it is, or perhaps it just increases the asking price. More...

DEG Watched At Home Chart: Déjà Vu for the DEG

June 11th, 2020

Sonic the Hedgehog

There were no new releases in the top five of the DEG Watched at Home Chart this week. In fact, the top five were exactly the same as they were last week, right down to the order the were in. This isn’t a huge shock, as the new DVD / Blu-ray releases and VOD releases were far from stellar, so there wasn’t anything new to challenge those at the top of the chart. Sonic the Hedgehog remains one of the few bright spots in a movie industry that has been hit hard by the pandemic. More...

DEG Watched At Home Chart: Invisible Man Avoids the Spotlight

June 4th, 2020

The Invisible Man

The Invisible Man came out on DVD / Blu-ray / 4K last week, but that wasn’t enough to overtake Sonic the Hedgehog on the DEG Watched at Home chart this week. Sonic the Hedgehog has done so well at the box office and now on the home market that I wouldn’t be surprised if there was an army of interns at Paramount Pictures going over every Sega video game ever made to see what else can be turned into a movie. My top three choices are, in alphabetical order, Altered Beast, Arabian Fight, and Golden Axe. Streets of Rage did just get a new installment, so the property could be hot. I could see that video game franchise successfully turned into a Rumble in the Bronx-style film. More...

DVD and Blu-ray Releases for May 26th, 2020

May 26th, 2020

The Invisible Man

The main list of DVD and Blu-ray releases is much shorter than usual, but the hit-to-miss ratio is amazing as there are no real duds. Solid Metal Nightmares has the smallest target audience, but even then, it will be loved by fans. As for Pick of the Week contenders, The Invisible Man and Konosuba were the two best bets. I went with The Invisible Man, as you need to be a fan of isekai anime to really get Konosuba. You also need a higher tolerance of pervvy humor. Although that might be a selling point for some. More...

DEG Watched At Home Chart: Preying for a Miracle

May 21st, 2020

Birds of Prey

Birds of Prey hit DVD / Blu-ray / 4K last week, and that helped it shoot up the DEG Watched at Home chart from eighth place last week to land in first place. It looks like Warner Bros. should break even on this film before too long. On the downside, the studio only had two other entries in the top twenty, leaving Sony in first place in that regard with five releases in the top twenty this week. More...

Limited and VOD Releases: In the Land of Quarantines, VOD is the King

March 20th, 2020

Onward

The COVID-19 outbreak has hit all 50 states and in many of them it is a state of emergency. Mass theater closings hasn’t stopped all limited releases, but I assume Video on Demand will generate a lot more business this weekend. Because of the COVID-19 outbreak, there are so few theatrical releases that, starting this week, I am including made-for-VOD and streaming releases, including some original TV shows. We are also going to include theatrical releases that were fast-tracked to VOD this week. If you don't want to / can't hit theaters this week (and the overwhelming advice coming from the professionals is not to), you can watch some big movies early on the home market, including The Invisible Man, Onward, and others. Stay safe! More...

International Box Office: One Last Shot at the Box Office

March 18th, 2020

Bloodshot

The COVID-19 outbreak has been causing major closures of theater chains both domestically and internationally, which means this could be the last meaningful box office report for weeks, if not months. Bloodshot led the way with $12.47 million on 10,443 screens in 59 markets for an early international total of $14.59 million. The film is playing in most major markets, but it only cracked $1 million in three of them, led by Russia at $2.47 million on 1,665. Indonesia isn’t considered a major market, but the film earned $1.72 million on 868 screens there. The film topped the charts in both of those markets, but had to settle for second place in Mexico with $1.13 million on 1,510 screens in that market. More...

Weekend Wrap-Up: COVID-19 Scare Results in Worst Weekend in Decades

March 16th, 2020

Onward

The weekend broke a record, one that I thought would never be broken. Ticket price inflation means the smallest overall weekend record looked unbreakable, but this weekend only managed $53.50 million, although that number should be adjusted up as some indie films report numbers later in the week. This is down 47% from last weekend and down 61% from the same weekend last year. Only one film managed to top $10 million, Onward, while the total box office was less than what Captain Marvel earned this weekend last year. This is easily the worst weekend since I’ve been in the business, but I fear it will get worse before it gets better. Year-to-date is, to be blunt, a disaster. 2020 is already $100 million behind 2019’s pace and 2019 was not a good year at the box office. Furthermore, the $1.76 billion box office is only 195 million tickets sold, meaning we are on pace for the lowest ticket sales since the turn of the century. More...

Weekend Estimates: Onward Hit by Box Office Shutdown

March 15th, 2020

Onward

People are clearly taking the concept of social distancing seriously and this is causing a massive drop at the box office. Onward is going to lead the way at the box office this weekend, but with just $10.53 million. This is down 73% from its opening weekend, which is the worst in the top ten. Granted, it is a family film during its sophomore stint, so it would naturally be affected the most by social distancing. Internationally, things were much worse as some markets were shutting down theaters entirely. The film is only earning $6.8 million in 47 markets for totals of $41.4 million internationally and $101.7 million worldwide. On the positive side, its reviews are really strong, so it should find a second life on the home market. More...

Friday Estimates: COVID-19 Outbreak Takes Out Box Office

March 14th, 2020

I Still Believe

I Still Believe debuted in first place with $4.0 million on Friday, putting it on pace for close to $11 million over the full weekend. On the positive side, this is what was predicted, so at least it is matching lowered expectations. On the negative side, it won’t be enough to remain in first place for long. Its reviews are mixed, but it did earn an A-rating from CinemaScore, which is easily the best of the three new releases that came out this week. More...

Weekend Predictions: Trio of Films Opening Wide could be Last Wide Releases for Weeks

March 12th, 2020

I Still Believe

Wash your hands. This could be the worst weekend of the year at the box office, perhaps even the worst weekend of the past several years. COVID-19 has caused the suspension of the NBA and NHL seasons, while practically every wide release for the next several weeks has been pushed back indefinitely. This news is very likely going to hurt ticket sales as people are taking the concept of “self isolation” seriously. Last weekend, Onward and Sonic the Hedgehog were hit the hardest, which makes sense, as families would be the first to avoid going out because of a pandemic, but now I think general audiences will also avoid crowds. Worse still, none of the three wide releases were expected to be anything more than midlevel hits at the best of times. Now, I wouldn’t be surprised if none of Bloodshot, The Hunt, and I Still Believe hit $10 million over the weekend. This weekend last year, Captain Marvel earned $67.99 million during its second weekend of release. That will be more than the three new releases will open with combined. It could be more than their combined domestic totals. More...

International Box Office: Onward Starts On Top, but it could have a Short Journey in Theaters

March 12th, 2020

Onward

Onward opened in first place internationally with just $28.0 million in 47 markets during its opening weekend. Worse still, the film has opened in most major markets and it wasn’t a serious hit in any of them. Its biggest market was the U.K., where it did open in first place with $4.45 million on 632 theaters. It also earned first place in France ($3.5 million) and in Mexico ($2.84 million). On the other hand, it had to settle for second place in Russia ($2.99 million on 1,631 screens) and Germany ($1.7 million). More...

Weekend Wrap-Up: Onward on the Outs

March 10th, 2020

Onward

It was a bad weekend at the box office. There’s really no way to spin this in a positive way. Onward opened just below the low end of predictions with just $39.12 million. The Way Back couldn’t make up the difference, as it only managed $8.17 million. The overall box office was up 2.0% from last weekend at just over $100 million. Sadly, this was 52% lower than the same weekend last year when Captain Marvel debuted. I don’t think anyone truly thought 2020 would win this weekend in the year-over-year competition. However, I don’t think many thought it would lose this badly. In fact, 2020 has slipped below 2019’s pace by 1.3% or $22 million at $1.68 billion to $1.70 billion. This is a disaster. More...

Weekend Estimates: Onward Hits $40 million, Maybe

March 8th, 2020

Onward

According to Disney, Onward will earn $40.0 million during its opening weekend. I strongly suspect they rounded up to get to that number, because opening below $40 million would have been a lot harder to spin in a positive way and they wanted to delay that admission one more day. Or maybe the final weekend number will be higher and I will have egg on my face. If it does match its estimates, it will still be on the lower end of expectations, but it will at least have a very healthy internal multiplier, meaning its reviews and its A minus from CinemaScore are helping its box office numbers. The film’s demographics were evenly split with 52% of the audience being female and 42% being general audiences vs. 58% families. Internationally, the film really struggled with just $28.0 million in 47 markets. The film opened in most major markets and this includes first place debut in the U.K. ($4.4 million); France ($3.3 million); and Mexico ($3.0 million). On the other hand, it had to settle for second place in both Russia ($2.1 million) and Germany ($1.9 million). The film is going to need very long legs or a massive home market run to break even any time soon. More...

Friday Estimates: Onward is Off the Pace

March 7th, 2020

Onward

It looks like March will start slower than anticipated, as Onward only managed $12.1 million on Friday, putting it on pace for just under $40 million during its opening weekend. If it does miss $40 million by any real degree, then it will be Pixar’s worst wide opening since Toy Story. Even if it avoids that fate, it is on pace to have the worst three-day opening for a Pixar film since The Good Dinosaur, and that film opened on a Wednesday. I’m not sure how to explain this other than look at the COVID-19 outbreak. Granted, its reviews are strong, but well below average for the studio. Likewise, its CinemaScore is a mere A minus, which isn’t great for a family film. It’s still good, but not great, certainly better than its box office numbers would indicate. More...

Weekend Predictions: Onward and Upward?

March 6th, 2020

Onward

The first weekend of March should be much better than the last weekend of February was, as Onward is widely expected to be a much bigger hit than The Invisible Man was. Unfortunately, it is also widely expected to not be enough to compete with what Captain Marvel made this weekend last year. In fact, it isn’t expected to make as much during its opening weekend as Captain Marvel made during its opening day. 2020 is going to get destroyed in the year-over-year comparison. More...

International Box Office: Sonic Completes Threepeat

March 5th, 2020

Sonic The Hedgehog

Sonic The Hedgehog is unstoppable on the international chart earning first place for the third weekend in a row. This past weekend, it pulled in $26.8 million in 62 markets for totals of $137.2 million internationally and $265.8 million worldwide. The film had no major market openings, but did open very well in both Indonesia and Poland at $2 million and $1.1 million respectively. The film has already earned enough to break even and it is quickly becoming one of Paramount’s biggest hits in the last few years. More...

Weekend Wrap-Up: Invisible Man first Horror Film Truly Seen by Audiences

March 3rd, 2020

The Invisible Man

It has not been a good year for horror films so far, but The Invisible Man broke the slump by earning first place over the weekend with $28.21 million. It is already the biggest horror hit of the year after just three days of release. Unfortunately, this wasn’t enough, as the overall box office fell 4.2% from last weekend to $98 million. Worse still, this was 14% lower than the same weekend last year. Granted, 2020 is still ahead of 2019, so there is no reason to panic. In fact, thanks to weekday numbers, the lead has grown to $116 million / 8.1% at $1.55 billion to $1.43 billion. More...

Weekend Estimates: Invisible Man Appears at Top of Chart

March 1st, 2020

The Invisible Man

The Invisible Man will debut this weekend with $29 million, according to Universal’s Sunday morning projection. That’s enough to make it the highest-grossing horror movie of 2020 after just three days in release, and is well ahead of predictions. The result is helped considerably by strong reviews, with the film earning a B+ from CinemaScore, and a 90% critics’ score and 89% audience score from Rotten Tomatoes. More...

Friday Estimates: Invisible Man Makes Its Presence Felt

February 29th, 2020

The Invisible Man

The Invisible Man opened with $9.8 million on Friday, which means it is the sixth-biggest horror film released in 2020 so far after just one day in theaters. It is projected to be in first place by the end of the weekend with $26 million, topping predictions, albeit by a very small margin. The film’s reviews remain excellent and it earned a B plus from CinemaScore. That is stellar, for a horror movie. It would be okay for an action movie and terrible for a family film / faith-based release, but it is amazing for a horror film. More...

Thursday Night Previews: Invisible Man Makes a Showy Entrance

February 28th, 2020

The Invisible Man

The Invisible Man is easily the best-reviewed horror film released in 2020 so far. It also looks like it should be one of the highest grossing, as it pulled in $1.65 million in previews on Thursday. The current 2020 champ is Fantasy Island, which didn’t even have previews, so we can’t us that film as a comparison. However, both Gretel and Hansel and The Turning earned between $400,000 and $500,000, so this is a stellar debut in comparison. It is still too early to tell if it will match predictions, but I remain cautiously optimistic. More...

Weekend Predictions: Will the Invisible Man be Seen this Weekend?

February 28th, 2020

The Invisible Man

It is the final weekend of the month and there’s only one wide release, The Invisible Man, which is the eighth horror film released in 2020 so far. This is going to hurt its box office potential; however, its reviews will be a major selling point, assuming audiences like the movie as much as critics do. This weekend last year was the first weekend of March. The box office was led by How to Train Your Dragon: The Hidden World, while Tyler Perry’s A Madea Family Funeral made it a close race. Unless The Invisible Man is a surprise $40 million hit, 2020 has almost no chance of matching last year’s box office. More...

2020 Preview: February

February 1st, 2020

Birds of Prey

We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. More...

The Invisible Man Trailer

January 27th, 2020

Psychological horror starring Elisabeth Moss opens February 28 ... Full Movie Details.

Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia’s abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/03/06 - $28,498   21 $1,357   $80,127 2
2020/03/13 - $4,530 -84% 17 $266   $88,749 3
2020/06/19 - $43   1 $43   $90,943 17
2020/07/10 - $179   1 $179   $91,217 20
2020/07/17 - $404 +126% 2 $202   $91,790 21
2020/07/31 - $305   2 $153   $97,966 23

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Albania 2/27/2020 $0 0 2 2 $3,359 3/11/2020
Argentina 2/27/2020 $0 0 153 242 $325,895 2/10/2021
Australia 2/28/2020 $1,641,864 322 322 2035 $6,687,618 12/4/2020
Austria 2/28/2020 $0 0 65 197 $399,929 9/2/2020
Belgium 3/4/2020 $240,283 64 64 324 $529,095 10/7/2020
Bolivia 2/27/2020 $0 0 21 32 $72,213 1/20/2021
Brazil 2/28/2020 $813,411 592 592 1566 $2,208,719 9/30/2020
Bulgaria 2/28/2020 $37,251 0 14 83 $113,086 8/26/2020
Central America 2/27/2020 $0 0 138 266 $655,981 10/7/2020
Chile 2/27/2020 $0 0 67 126 $282,159 3/18/2020
China 12/4/2020 $1,381,543 5568 5568 11771 $3,951,730 3/3/2021
Colombia 2/27/2020 $0 0 189 327 $878,479 11/25/2020
Croatia 2/27/2020 $0 0 21 44 $92,187 9/9/2020
Cyprus 2/27/2020 $0 0 7 7 $19,141 3/18/2020
Czech Republic 3/6/2020 $123,756 138 138 380 $246,440 10/19/2022
Denmark 2/27/2020 $0 0 61 161 $502,585 8/12/2020
Ecuador 2/28/2020 $0 0 49 83 $239,046 8/6/2020
Egypt 2/26/2020 $0 0 25 213 $388,184 10/7/2020
Estonia 2/28/2020 $0 0 16 51 $101,532 7/29/2020
Finland 2/28/2020 $0 0 42 109 $290,654 9/9/2020
France 2/28/2020 $2,274,240 355 355 2356 $6,027,110 9/2/2020
Germany 2/27/2020 $1,239,880 411 461 2505 $3,756,584 9/30/2020
Greece 3/5/2020 $82,863 84 84 92 $145,541 7/29/2020
Hong Kong 2/27/2020 $0 0 56 225 $729,455 2/24/2021
Hungary 2/27/2020 $0 0 61 95 $499,489 10/19/2022
Iceland 2/28/2020 $0 0 7 17 $66,420 6/10/2020
India 2/28/2020 $0 0 30 80 $485,847 9/9/2020
Indonesia 2/26/2020 $0 0 300 639 $2,270,031 2/10/2021
Israel 2/27/2020 $0 0 26 26 $338,268 10/19/2022
Italy 6/15/2020 $0 0 8 29 $15,853 10/9/2020
Japan 7/10/2020 $431,902 176 176 782 $1,933,009 10/7/2020
Latvia 3/6/2020 $16,497 12 12 12 $27,291 3/18/2020
Lebanon 2/27/2020 $0 0 14 25 $53,688 10/7/2020
Lithuania 3/6/2020 $32,129 13 13 33 $60,314 11/13/2022
Macedonia 2/27/2020 $0 0 3 4 $4,076 10/7/2020
Malaysia 3/5/2020 $721,227 148 148 420 $1,050,972 10/7/2020
Mexico 2/28/2020 $1,794,222 0 31 167 $5,190,771 10/19/2022
Middle East Region 2/27/2020 $0 0 78 188 $2,657,745 11/18/2020
Mongolia 7/10/2020 $0 0 10 31 $48,962 9/2/2020
Netherlands 3/6/2020 $462,366 90 90 547 $1,147,511 10/19/2022
New Zealand 2/27/2020 $179,242 82 85 514 $818,714 10/19/2022
North America 2/28/2020 $28,205,665 3,610 3,636 10,856 $64,914,050
Norway 3/6/2020 $142,858 95 95 188 $323,890 8/26/2020
Pakistan 3/6/2020 $24,258 46 46 66 $60,177 10/20/2022
Paraguay 3/5/2020 $8,635 17 17 17 $9,544 3/11/2020
Peru 2/27/2020 $0 0 83 122 $605,273 12/9/2020
Philippines 2/26/2020 $0 0 154 207 $523,731 11/25/2020
Poland 3/6/2020 $166,270 106 106 638 $335,533 10/19/2022
Portugal 3/6/2020 $46,327 39 39 76 $74,684 3/25/2020
Romania 2/28/2020 $80,936 84 84 286 $245,636 10/20/2022
Russia (CIS) 3/5/2020 $1,534,317 1193 1199 3401 $3,550,940 10/19/2022
Serbia and Montenegro 3/5/2020 $26,668 40 40 98 $73,572 10/19/2022
Singapore 2/27/2020 $0 0 33 110 $545,571 7/29/2020
Slovakia 3/6/2020 $76,083 62 62 111 $109,093 8/14/2020
Slovenia 2/27/2020 $18,452 15 15 67 $52,537 9/30/2020
South Africa 2/28/2020 $0 0 71 160 $224,984 3/25/2020
South Korea 2/26/2020 $834,024 745 745 3790 $4,195,677 7/8/2020
Spain 2/28/2020 $1,109,254 327 436 1356 $2,818,697 9/2/2020
Sweden 2/28/2020 $0 0 87 313 $635,263 8/19/2020
Switzerland 2/26/2020 $0 0 45 218 $580,172 10/7/2020
Taiwan 2/28/2020 $0 0 117 488 $1,742,662 5/6/2020
Thailand 3/5/2020 $210,298 128 128 259 $325,141 6/24/2020
Trinidad 3/4/2020 $48,757 19 19 51 $93,958 8/19/2020
Turkey 2/28/2020 $122,762 215 215 671 $333,698 10/19/2022
Ukraine 2/27/2020 $0 0 187 298 $796,164 7/29/2020
United Arab Emirates 2/27/2020 $0 0 53 216 $937,337 9/2/2020
United Kingdom 2/28/2020 $2,764,884 580 580 2225 $8,831,811 9/30/2020
Uruguay 3/5/2020 $13,166 14 14 22 $22,164 3/24/2021
Venezuela 2/28/2020 $0 0 0 0 $23,885 3/11/2020
Vietnam 2/28/2020 $0 0 201 359 $710,438 5/20/2020
 
Worldwide Total$139,011,965 11/13/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Elisabeth Moss    Cecilia Kass
Oliver Jackson-Cohen    Adrian Griffin

Supporting Cast

Aldis Hodge    James Lanier
Storm Reid    Sydney
Harriet Dyer    Emily Kass
Michael Dorman    Tom Griffin
Benedict Hardie    Marc (Architect)
Renee Lim    Doctor Lee
Brian Meegan    Lyft Driver
Nick Kici    Taylor (Waiter)
Vivienne Greer    Screaming Woman
Nicholas Hope    Head Doctor
Cleave Williams    Orderly
Cardwell Lynch    Police Officer
Sam Smith    Detective Reckley
Zara Michales    Nurse
Serag Mohammed    Strike-Stun Guard
Nash Edgerton    Security Guard
Anthony Brandon Wong    Accident Victim
Xavier Fernandez    Detective

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Leigh Whannell    Director
Leigh Whannell    Screenwriter
H.G. Wells    Story Based on the Novel by
Jason Blum    Producer
Kylie du Fresne    Producer
Leigh Whannell    Executive Producer
Couper Samuelson    Executive Producer
Beatriz Sequeira    Executive Producer
Jeanette Volturno-Brill    Executive Producer
Rosemary Blight    Executive Producer
Ben Grant    Executive Producer
Alex Holmes    Production Designer
Andy Canny    Editor
Benjamin Wallfisch    Composer
Stefan Duscio    Director of Photography
Emily Seresin    Costume Designer
Megan Wynn    Line Producer
Jonathan Dearing    Visual Effects Supervisor
Terri Taylor    Casting Director
Sarah Domeier Lindo*    Casting Director
Nikki Barrett    Casting Director
Jennifer Scudder Trent    Co-Producer
Deborah Antoniou    First Assistant Director
Killian Maguire    Second Assistant Director
Alice Lanagan    Art Director
Katie Sharrock    Set Decorator
Prue Parsons    Set Designer
Matt Hatton    Story Artist
Dan Oliver    Special Effects Supervisor
Harry Dakanalis    Stunt Coordinator
Elly Kamal    Costume Supervisor
Aria Harrison    Script Supervisor
Edward Donovan    Location Manager
Brad Kennerley    Location Manager
Jeremy Peek    Location Manager
Samantha Keough    Assistant Editor
Kali Kasashima    Assistant Editor
Melissa Brockman    Visual Effects Producer
Will Files    Supervising Sound Editor
P.K. Hooker    Supervising Sound Editor
P.K. Hooker    Sound Designer
Ryan Cole    Dialogue Editor
Chris Terhune    Sound Designer
Christopher Bonis    Sound Effects Editor
Matt Yocum    Sound Effects Editor
Goeun Lee    Sound Effects Editor
Andrew Twite    Sound Effects Editor
Will Files    Re-recording Mixer
Ryan Collison    Foley Mixer
Connor Nagy    Foley Mixer
Nick Seaman    Foley Editor
Laura Heinzinger    Foley Editor
Benjamin Wallfisch    Music Producer
Brett Pierce    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.