Portugal Box Office for O Informador (2019)

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The Informer
Theatrical Performance (US$)
Portugal Box Office $224,208Details
Worldwide Box Office $3,377,027Details
Home Market Performance
North America DVD Sales $766,987 Details
North America Blu-ray Sales $636,197 Details
Total North America Video Sales $1,403,184
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Honorably discharged Special Ops soldier Pete Koslow’s world is turned upside-down when he is jailed after a fight to protect his wife. He’s given a chance for early release by becoming an informant for the FBI and using his covert skills in an operation to take down The General, the most powerful crime boss in New York. But when the FBI sting meant to finally earn Koslow his freedom results in the death of an undercover NYPD cop, Koslow finds himself caught in the crossfire between the mob and the FBI.

Metrics

Movie Details

Production Budget:$60,000,000
Portugal Releases: January 10th, 2020 (Wide), released as O Informador
Video Release: December 30th, 2019 by Warner Home Video
November 6th, 2020 by Vertical Entertainment
MPAA Rating: R for strong violence and pervasive language.
(Rating bulletin 2611 (Cert #51925), 1/8/2020)
Running Time: 113 minutes
Keywords: Set in New York, Ex-soldier, Confidential Informant, Prison, Gangs, Crime Boss, FBI, Criminals Working With Cops
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Thunder Road Film, Aviron Pictures, The Fyzz Facility, Maddem Films Limited
Production Countries: United Kingdom, United States
Languages: English

Limited and Virtual Releases: The Box Office Won’t Die this Weekend

July 30th, 2020

She Dies Tomorrow

No less than 15 films are debuting in theaters around the country this weekend, which makes this the biggest weekend for new releases since March 13. Eight of the new films are earning decent pre-release buzz, and all but one of those are earning good reviews. I think She Dies Tomorrow has the best shot at earning some measure of box office success, but as a Canadian, it is my patriotic duty to support Gordon Lightfoot: If You Could Read My Mind. More...

Limited and VOD Releases: Prospects for Limited Releases are Never, Rarely this Dire

March 13th, 2020

Never, Rarely, Sometimes, Always

The COVID-19 outbreak hangs heavily over the film business this weekend, and raises a lot of questions about how much business we will see at the box office. It is going to affect family films most of all, because families are more likely to stay home than adults when it comes to diseases like this. However, the second group to be affected could be art house films, because these tend to only play in large cities, and large cities have been hit harder by the outbreak so far. The advise is to stay three feet away from anyone else, which is impossible if you are using the New York City subway system, for example. I don’t think any of the films on this week’s list are going to thrive, at least not in theaters. That’s too bad, because there are several that deserve audiences, including Big Time Adolescence, Never, Rarely, Sometimes, Always, and others. More...

2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

The Informer Trailer

February 4th, 2019

Thriller starring Joel Kinnaman opens March 22 ... Full Movie Details.

Honorably discharged Special Ops soldier Pete Koslow’s world is turned upside-down when he is jailed after a fight to protect his wife. He’s given a chance for early release by becoming an informant for the FBI and using his covert skills in an operation to take down The General, the most powerful crime boss in New York. But when the FBI sting meant to finally earn Koslow his freedom results in the death of an undercover NYPD cop, Koslow finds himself caught in the crossfire between the mob and the FBI. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/10 3 $100,916   57 $1,770   $100,916 1
2020/01/17 6 $48,786 -52% 59 $827   $174,349 2
2020/01/24 13 $16,873 -65% 31 $544   $218,328 3
2020/01/31 30 $576 -97% 5 $115   $224,208 4

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/2/2020 00$0
Italy 10/17/2019 $133,590 0 0 0 $133,590 10/22/2019
Lithuania 9/27/2019 $11,374 11 11 17 $20,986 10/16/2019
Netherlands 1/3/2020 $181,665 53 53 189 $520,934 10/19/2022
North America 11/6/2020 $133,475 283 283 542 $300,460 7/16/2024
Portugal 1/10/2020 $100,916 57 59 152 $224,208 2/5/2020
Russia (CIS) 10/24/2019 $98,588 406 406 595 $159,436 10/19/2022
South Korea 4/15/2020 $48,331 200 200 328 $124,944 5/7/2020
Turkey 10/25/2019 $7,429 25 25 32 $15,160 10/19/2022
United Kingdom 8/30/2019 $366,696 450 450 858 $866,355 10/9/2019
 
Rest of World $1,010,954
 
Worldwide Total$3,377,027 7/16/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Joel Kinnaman    Pete Koslow
Rosamund Pike    Wilcox
Common    Grens
Ana de Armas    Sofia Hoffman
Clive Owen    Montgomery

Supporting Cast

Edwin De La Renta    Smiley Phelps
Sam Spruell    Slewitt
Aylam Orian    Andrzej Dziedzic
Karma Meyer    Anna Koslow
Mateusz Kosciukiewicz    Stazek
Peter Mensah    Officer Franklin
Arturo Castro    Daniel Gomez
Abdul-Ahad Patel    Vermin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrea Di Stefano    Director
Matt Cook    Screenwriter
Rowan Joffe    Screenwriter
Andrea Di Stefano    Screenwriter
Börge Hellström    Based on the novel “Three Seconds” by
Anders Roslund    Based on the novel “Three Seconds” by
Wayne Marc Godfrey    Producer
Erica Lee    Producer
Basil Iwanyk    Producer
James Harris    Producer
Mark Lane    Producer
Robert Jones    Producer
Ollie Madden    Producer
John Fuhrman    Executive Producer
Alex Walton    Executive Producer
Ollie Madden    Executive Producer
Anders Erden    Executive Producer
Andrea Scarso    Executive Producer
Simon Williams    Executive Producer
Jeff Rice    Executive Producer
Gabriel Napora    Executive Producer
Yas Taalat    Executive Producer
Rowan Joffe    Executive Producer
Lee Broda    Executive Producer
Shaun Sanghani    Executive Producer
Vishal Rungta    Executive Producer
Shelly Browning    Executive Producer
William Sadleir    Executive Producer
David Dinerstein    Executive Producer
Jason Resnick    Executive Producer
Arnaud Lannic    Co-Producer
Babak Eftekhari    Co-Producer
Daniel Katz    Director of Photography
Mark Scruton    Production Designer
Job Ter Berg    Editor
Molly Emma Rowe    Costume Designer
Will Blair    Composer
Brooke Blair    Composer
Chris Piccaro    Music Supervisor
Marshall Leviten    Line Producer
Colin Jones    Casting Director