Brazil Box Office for Hellboy (2019)

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Hellboy
Theatrical Performance (US$)
Brazil Box Office $627,494Details
Worldwide Box Office $53,956,480Details
Home Market Performance
North America DVD Sales $3,516,920 Details
North America Blu-ray Sales $8,666,082 Details
Total North America Video Sales $12,183,002
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.

Metrics

Movie Details

Production Budget:$50,000,000
Brazil Releases: May 24th, 2019 (Wide)
Video Release: July 23rd, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong bloody violence and gore throughout, and language
(Rating bulletin 2567 (Cert #52002), 2/27/2019)
Running Time: 120 minutes
Franchise: Hellboy
Keywords: Dark Horse Comics, Demons, Supernatural, Revenge, Shapeshifter, Witches, IMAX: DMR, Reboot, Action Horror
Source:Remake
Genre:Horror
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana
Production Countries: United States
Languages: English

Home Market Releases for July 23rd, 2019

July 24th, 2019

Nichijou: My Ordinary Life

We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

Hellboy Trailer

December 20th, 2018

Superhero action movie starring David Harbour opens April 12 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $57,719 139 139 172 $91,422 5/4/2019
Australia 4/12/2019 $553,564 287 287 748 $1,051,651 5/7/2019
Brazil 5/24/2019 $302,185 446 446 652 $627,494 6/8/2019
Bulgaria 4/12/2019 $26,672 0 0 0 $64,719 5/8/2019
China 11/7/2020 $130,000 409 55998 76483 $13,170,000 12/9/2020
Czech Republic 4/12/2019 $146,440 126 126 256 $268,625 5/6/2019
France 5/10/2019 $1,078,112 410 415 1174 $1,779,290 5/31/2019
Germany 4/12/2019 $559,728 0 0 0 $559,728 4/19/2019
Italy 4/11/2019 $858,614 0 4 4 $1,566,487 5/10/2019
Lithuania 4/12/2019 $19,370 93 93 112 $27,268 4/23/2019
Mexico 4/11/2019 $702,545 0 0 0 $1,562,208 4/22/2019
Netherlands 4/12/2019 $207,077 90 90 238 $395,474 4/30/2019
North America 4/12/2019 $12,045,147 3,303 3,303 7,839 $21,903,748
Poland 4/12/2019 $218,076 194 194 388 $364,510 4/27/2019
Portugal 4/12/2019 $180,205 76 76 202 $361,564 5/14/2019
Russia (CIS) 4/11/2019 $2,243,529 1578 1578 4389 $3,811,848 6/21/2019
Slovakia 4/12/2019 $76,756 67 67 123 $134,301 4/30/2019
South Korea 4/10/2019 $1,228,117 726 726 1243 $2,309,424 4/25/2019
Spain 5/17/2019 $563,057 342 342 870 $1,057,555 6/7/2019
Turkey 4/12/2019 $155,643 332 332 819 $376,195 5/24/2019
United Kingdom 4/11/2019 $1,294,899 480 490 1229 $2,472,969 5/23/2019
 
Worldwide Total$53,956,480 12/9/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

David Harbour    Hellboy

Supporting Cast

Milla Jovovich    Nimue/The Blood Queen
Ian McShane    Professor Broom
Sasha Lane    Alice Monaghan
Daniel Dae Kim    Ben Daimio
Thomas Haden Church    Lobster Johnson
Mark Stanley    Arthur
Brian Gleeson    Merlin
Nadya Keranova    Sister
Mariya Tepavicharova    Sister
Ana Tabakova    Sister
Penelope Mitchell    Ganeida
Terry Randal    Priest
Mario De La Rosa    Esteban Ruiz/Camazotz
Christopher Mata    Referee
Atanas Srebrev    Agent Madison
Dawn Sherrer    Agent Strode
Michael Heath    Butler
Alistair Petrie    Lord Adam Glaren
Rick Warden    Dr. Edwin Carp
Nitin Ganatra    August Swain
Sophie Okonedo    Lady Hatton
Markos Rounthwaite    Grigori Rasputin
Ilko Iliev    Professor Doctor Karl Ruprect Kroenen
Joel Harlow    Von Krupt
Dimiter Banekin    Leopold Kurtz
Vanessa Eichholz    Ilsa Hepstein
Kristina Klebe    Leni Riefenstahl
Charles Shannon    Sgt. Whitman
Carl Hampe    Sir Malcom Frost
Tony Van Silva    Abbot
Josh Finan    Novice
Stephen Graham    Gruagach
Jonathan Steele    Huntsman
Simon Feek    M-11 Operative
Ava Brennan    Alice’s Mother
Anthony Delaney    Alice’s Father
Jasmine Audoux-Prevot    Baby Alice
Meglena Karalambova    Leprous Hag
Anna Bankina    Leprous Hag
Ruth Rafailova    Leprous Hag
Laila Morse    Mrs. Harker
Peter Oxley    Gunsmith
Nikolay Stanoev    Monk
Troy James    Baby Yaga
Emma Tate    Baby Yaga
Manal El-Feitury    Mother
Elizabeth Mehari Kahsai    Child in Parking Lot
Said Barry Abdulai    Child in Parking Lot
Katya Peneva    Sarah Bethany Hughes
Natasha Kaplinsky    Anchorman
Valentin Stoyanov    Man 1
Viktor Rangelov    Man 2
Vasil Tsvetkov    Man 3
Joshua Samuel Hector    Man 4

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Neil Marshall    Director
Andrew Cosby    Screenwriter
Mike Mignola    Story based on the Dark Horse Comic Book Created by
Lawrence Gordon    Producer
Lloyd Levin    Producer
Mike Richardson    Producer
Philip Westgren    Producer
Carl Hampe    Producer
John Thompson    Producer
Matt O'Toole    Producer
Les Weldon    Producer
Yariv Lerner    Producer
Mike Mignola    Executive Producer
Marc Helwig    Executive Producer
Avi Lerner    Executive Producer
Trevor Short    Executive Producer
John Thompson    Executive Producer
Lati Grobman    Executive Producer
Christa Campbell    Executive Producer
Jeffrey Greenstein    Executive Producer
Lorenzo Senatore    Director of Photography
Martin Bernfeld    Editor
Paul Kirby    Production Designer
Stephanie Collie    Costume Designer
Benjamin Wallfisch    Composer
Steve Begg    Visual Effects Supervisor
Joel Harlow    Creature Designer
Joel Harlow    Special Make-up Effects
Dan Hubbard    Casting Director
Elena Melamed    Line Producer
Elena Melamed    Unit Production Manager
Neil Wallace    First Assistant Director
Helen Fraser    Second Assistant Director
Markos Rounthwaite    Stunt Coordinator
Lonnie Ramati    Co-Executive Producer
Martin Bernfeld    Co-Producer
Danail Hadzhiyski    Visual Effects Producer
Anna V. James*    Visual Effects Producer
Janet Muswell    Visual Effects Producer
Michael Solinger    Post-Production Supervisor
Selena Arizanovic    Music Supervisor
Tony Lewis    Supervising Music Editor
Luke Clare    First Assistant Editor
Gemma Bourne    Assistant Editor
Amar Ingreji    Assistant Editor
Matthew Collinge    Sound Supervisor
Andrew Stirk    Re-recording Mixer
Matthew Collinge    Re-recording Mixer
Rob Prynne    Sound Designer
Paul Carter    Sound Designer
Martin Cantwell    Sound Designer
Rob Turner    Sound Effects Editor
Matt Davies    Dialogue and ADR Supervisor
Lilly Blazewicz    Foley Editor
Ivan Rangelov    Supervising Art Director
Adriano Giombini    Art Director
Alessandro Troso    Art Director
Alexei Karaghiaur    Art Director
Andrew Ackland-Snow    Art Director
Vladimir Kaloyanov    Sound Mixer
Stefania Velichkova    Script Supervisor
Yosif Mladenov    Set Designer
Stefan Manchev    Set Designer
Valentina Mladenova*    Set Decorator
Anna Gelinova    Costume Supervisor
Ivo Jivkov    Special Effects Supervisor
Diyan Hristov    Second Unit Director
Benjamin Wallfisch    Music Producer
Arabella Winter    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.