Netherlands Box Office for Freaky (2020)

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Freaky
Theatrical Performance (US$)
Netherlands Box Office $606,953Details
Worldwide Box Office $18,073,433Details
Home Market Performance
North America DVD Sales $1,590,426 Details
North America Blu-ray Sales $1,604,059 Details
Total North America Video Sales $3,194,485
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Seventeen-year-old Millie Kessler is just trying to survive the bloodthirsty halls of Blissfield High and the cruelty of the popular crowd. But when she becomes the newest target of The Butcher, her town’s infamous serial killer, her senior year becomes the least of her worries. When The Butcher’s mystical ancient dagger causes him and Millie to wake up in each other’s bodies, Millie learns that she has just 24 hours to get her body back before the switch becomes permanent and she’s trapped in the form of a middle-aged maniac forever. The only problem is she now looks like a towering psychopath who’s the target of a city-wide manhunt while The Butcher looks like her and has brought his appetite for carnage to Homecoming. With some help from her friends—ultra-woke Nyla, ultra-fabulous Joshua and her crush Booker—Millie races against the clock to reverse the curse while The Butcher discovers that having a female teen body is the perfect cover for a little Homecoming killing spree.

Metrics

Movie Details

Production Budget:$6,000,000
Netherlands Releases: November 20th, 2020 (Wide)
Video Release: December 4th, 2020 by Universal Home Entertainment
MPAA Rating: R for strong bloody horror violence, sexual content, and language throughout.
(Rating bulletin 2647 (#52895), 9/16/2020)
Running Time: 101 minutes
Keywords: Horror Comedy, High School, Serial Killer, Body Swap
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Blumhouse, Divide/Conquer
Production Countries: United States
Languages: English

Weekend estimates: Croods still rule

December 13th, 2020

The Croods: A New Age

The Croods: A New Age continues to dominate at the box office (relatively speaking) this weekend, with Universal projecting a weekend box office of $3.01 million for a total of $24.26 million to date. Half Brothers is outperforming expectations in second place with a projected $490,000 sophomore weekend, down just 30% from its last outing. More...

Weekend predictions: have we reached rock bottom?

December 11th, 2020

The Croods: A New Age

In this week’s prediction column, we could focus on the wreckage of the current theatrical market, or look ahead to better times to come. Let’s look ahead, shall we?

More...

Weekend estimates: Croods leads another dismal weekend

December 6th, 2020

The Croods: A New Age

The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home. More...

Weekend estimates: Freaky top at the box office in an ailing theatrical market

November 22nd, 2020

Freaky

Freaky will remain top at the domestic box office this weekend in spite of a steep 66% decline from its opening weekend. Its win at the box office was practically guaranteed going into the weekend, with Vanguard, the only new wide release, playing in a more modest 1,375 theaters for indie distributor Gravitas Ventures (it is now projected to open with $400,000). Freaky’s steep decline was also expected, with our model predicting a $1.56 million weekend and a decline of 57%. The fact that it fell 20% short of that low figure is a measure of how audience attitudes are changing towards the theatrical experience as COVID-19 cases rise steeply across the United States. More...

Weekend predictions: Freaky set to stay top as theaters suffer from new pandemic shutdowns

November 20th, 2020

Freaky

Vanguard will attempt to dislodge Freaky from its perch atop the domestic box office chart this weekend. Even though the new release stars Jackie Chan and earned around $45 million in its native China, our model thinks it’ll struggle to do so. But that skirmish is a sideshow this weekend as theaters are taking another blow from the surging pandemic and related lockdowns. More...

Weekend estimates: Freaky fails to deliver

November 15th, 2020

Freaky

Going into the weekend, hopes were high that Freaky could post the kind box office numbers needed to show momentum in the theatrical market. Instead, it’s falling well short of our prediction, and numbers from the rest of the films in the top six, including a sharp 55% decline by last week’s winner Let Him Go, are also mostly disappointing. Instead of an increase in top six box office this weekend, we’re looking at a market that’s still flat, or even declining. What went wrong? More...

Weekend predictions: Freaky could be a pandemic-sized hit

November 13th, 2020

Freaky

One of the curiosities since theaters started to reopen in the late Summer and early Fall is that the movies being released have not really targeted the demographic one would expect to be most likely to actually go to theaters: people in their teens and twenties. Instead, we’ve mostly seen thrillers, which tend to skew older, and family movies, which obviously skew younger. The most obvious exception to this rule is The New Mutants, which opened with $7 million back in August. This weekend, Freaky is looking to pull off a similar result. If it over-performs, it has a shot at beating Mutants, and having the second-best opening of the pandemic era. More...

Weekend estimates: Let Him Go tops expectations with $4 million opening

November 8th, 2020

Let Him Go

Let Him Go is pulling off a comfortable win at the box office this weekend, according to studio projections released on Sunday morning. Its $4.1-million opening is the third-best result during the pandemic, behind Tenet’s $20.2 million and The New Mutants’s $7.0 million, and slightly ahead of Unhinged’s $4.0 million, assuming the final numbers hold on Monday. While this is undoubtedly good news, which pushes the total for the top six close to $10 million for the first time in a while, the evidence points towards this being more a case of one film connecting with audiences rather than a significant market improvement. More...

November preview: Universal keeps the industry alive

November 5th, 2020

The Croods: A New Age

The country might be distracted by a drawn-out election right now, but the movie business soldiers on this month, even though recovery from the pandemic looks as far away as ever. While theatrical grosses remain tiny, Universal is currently planning to try its luck with three new wide releases, two from the studio itself and one from its specialty division Focus Features.

At least, that’s their current plan. Two of the films seem certain to roll out, but their Thanksgiving release of The Croods: A New Age has to come with an asterisk attached. Perhaps this release will be an olive branch to theater operators after the studio caused controversy in March by pulling Trolls World Tour from theaters and sending it direct to PVOD. Universal is maybe taking this opportunity to look they’re supporting the theatrical business, and their case is made more convincing by the fact that every other major studio is sitting out November. Even looking beyond the end of the month, 20th Century Studios is the only other distributor that looks like it’ll have a wide release between now and Christmas, with Free Guy on December 11 and Death on the Nile on December 18. (Universal has another film, All My Life slated for December 4.)

If Universal sticks to its plans, and a couple of other expected changes (Coming 2 America going direct to Amazon Prime, and Wonder Woman 1984 getting pushed back again) happen, it’ll be the only studio offering real support to the theatrical business between now and the end of the year. Maybe everyone will let bygones be bygones, and we can at least point to that as a ray of hope for the industry going in Holiday Season. More...

Freaky Trailer

September 10th, 2020

Horror comedy starring Kathryn Newton and Vince Vaughn opens in theaters on November 13 ... Full Movie Details.

Seventeen-year-old Millie Kessler is just trying to survive the bloodthirsty halls of Blissfield High and the cruelty of the popular crowd. But when she becomes the newest target of The Butcher, her town’s infamous serial killer, her senior year becomes the least of her worries. When The Butcher’s mystical ancient dagger causes him and Millie to wake up in each other’s bodies, Millie learns that she has just 24 hours to get her body back before the switch becomes permanent and she’s trapped in the form of a middle-aged maniac forever. The only problem is she now looks like a towering psychopath who’s the target of a city-wide manhunt while The Butcher looks like her and has brought his appetite for carnage to Homecoming. With some help from her friends—ultra-woke Nyla, ultra-fabulous Joshua and her crush Booker—Millie races against the clock to reverse the curse while The Butcher discovers that having a female teen body is the perfect cover for a little Homecoming killing spree. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/11/20 3 $174,337   96 $1,816   $174,337 1
2020/11/27 5 $130,129 -25% 97 $1,342   $367,089 2
2020/12/04 6 $86,202 -34% 96 $898   $502,322 3
2020/12/11 11 $57,903 -33% 90 $643   $584,230 4
2021/06/04 13 $4,750   5 $950   $602,323 29
2021/06/11 - $5,954 +25% 7 $851   $606,953 30

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/9/2021 $19,000 52 52 52 $19,000 10/20/2022
Australia 11/12/2020 $425,381 266 266 1233 $1,525,982 9/22/2022
Brazil 12/11/2020 $73,000 285 285 285 $146,963 12/30/2020
Czech Republic 7/30/2021 $8,214 68 68 68 $8,214 10/20/2022
Finland 11/13/2020 $45,000 73 73 73 $45,000 10/19/2022
France 5/12/2021 $0 0 218 413 $444,071 7/9/2021
Germany 6/24/2021 $44,453 0 0 0 $44,453 7/6/2021
Hong Kong 11/13/2020 $88,000 55 55 55 $159,086 12/1/2020
Italy 5/27/2021 $53,774 0 7 7 $121,454 6/28/2021
Japan 4/9/2021 $318,000 207 207 207 $318,000 10/20/2022
Lithuania 4/30/2021 $5,073 12 12 32 $11,657 5/19/2021
Mexico 11/12/2020 $9,848 0 0 0 $344,741 12/1/2020
Middle East Region 11/13/2020 $287,000 32 32 32 $287,000 11/16/2020
Netherlands 11/20/2020 $174,337 96 97 391 $606,953 10/20/2022
New Zealand 11/12/2020 $39,698 75 75 243 $135,741 10/19/2022
North America 11/13/2020 $3,600,355 2,472 2,472 10,961 $9,030,855 9/22/2022
Russia (CIS) 11/13/2020 $320,194 881 881 2332 $755,092 10/19/2022
Singapore 11/13/2020 $61,000 32 32 32 $61,000 10/19/2022
Slovakia 7/30/2021 $8,956 47 47 47 $8,956 8/3/2021
South Korea 11/27/2020 $171,990 577 577 1092 $412,347 12/29/2020
Spain 5/14/2021 $0 0 174 174 $289,071 6/4/2021
Sweden 11/13/2020 $55,000 115 115 115 $55,000 10/19/2022
Taiwan 11/13/2020 $129,000 95 96 191 $251,000 12/1/2020
Trinidad 12/11/2020 $5,000 11 11 11 $5,000 12/14/2020
Turkey 11/13/2020 $7,892 136 136 221 $20,493 10/19/2022
United Arab Emirates 11/13/2020 $100,000 58 58 58 $100,000 11/16/2020
United Kingdom 6/25/2021 $0 0 522 995 $949,432 7/14/2021
Vietnam 11/27/2020 $63,000 0 0 0 $63,000 11/30/2020
 
Rest of World $1,853,872
 
Worldwide Total$18,073,433 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Vince Vaughn    The Butcher
Kathryn Newton    Millie Kessler

Supporting Cast

Katie Finneran    Coral Kessler
Celeste O’Connor    Nyla
Misha Osherovich    Josh Detmer
Alan Ruck    Mr. Bernardi
Uriah Shelton    Booker Strode
Dana Drori    Charlene Kessler
Emily Holder    Sandra
Nicholas Stargel    Isaac
Kelly Lamor Wilson    Ginny
Mitchell Hoog    Evan
Alonzo Ward    Mr. Daniels
Dustin Lewis    Ginny’s Dad
Jennifer Pierce Mathus    Ginny’s Mom
Melissa Collazo    Ryler
Zack Shires    Tim Turnipseed
Magnus Diehl    Phil
Dane Davenport    Deputy Parsons
Nick Arapoglou    Deputy Jim Hayworth
Charles Green    Frank
Michelle Ladd    Woman
Don Stallings    Cooter Scriggins
Brooke Jaye Taylor    Mrs. Detmer
Sarafina King    EMT
Timothy Luke Johnson    Squi
Carter Woodward Glade    Tobin
Ezra Jeb Sexton    Brett
Maria Sager    Señora Cayenes

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Christopher Landon    Director
Michael Kennedy    Screenwriter
Christopher Landon    Screenwriter
Jason Blum    Producer
Couper Samuelson    Executive Producer
Jeanette Volturno-Brill    Executive Producer
Laurie Rose    Director of Photography
Ben Baudhuin    Editor
Whitney Anne Adams    Costume Designer
Bear McCreary    Composer
Terri Taylor    Casting Director
Sarah Domeier Lindo*    Casting Director
Ryan Turek    Co-Producer
Frances Simonovich*    Co-Producer
Hillary Andujar    Production Designer
Rob Lowry    Music Supervisor
Jennifer Scudder Trent    Co-Producer
Franses Simonovich    Unit Production Manager
Fernando Altschul    First Assistant Director
Amir R. Khan    Second Assistant Director
Courtney Andujar    Associate Producer
Elizabeth Martins    Production Supervisor
Renee Minasian    Post-Production Supervisor
Melissa Brockman    Visual Effects Producer
Paul Hendricks    Art Director
Tim Pope    Set Decorator
Matthew Nicolay    Sound Mixer
Brendon McHale    Special Effects Coordinator
Kara Talley    Costume Supervisor
Micah Laine    Make up
Katelyn Barton    Make up
Jack Santry    Production Manager
Karyn Alexander Huston    Hairstylist
Christel Irick    Hairstylist
Christopher M. Searcey    Script Supervisor
Patrick Rofoli    Location Manager
Jeff Cummings    First Assistant Editor
Melanie Kuan Gutierrez    First Assistant Editor
Kali Kasashima    Assistant Editor
Trevor Gates    Supervising Sound Editor
Michael Baird    Supervising Dialogue Editor
Paul Knox    Sound Effects Editor
Ryan Briley    Dialogue Editor
Jo Caron    Foley Mixer
Jonathan Wales    Re-recording Mixer
Mark Rayner    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.