Poland Box Office for The Forest (2016)

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The Forest poster
Theatrical Performance (US$)
Poland Box Office $579,728Details
Worldwide Box Office $40,749,230Details
Home Market Performance
North America DVD Sales $2,133,646 Details
North America Blu-ray Sales $961,169 Details
Total North America Video Sales $3,094,815
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A young American woman, Sara, goes in search of her twin sister, who has mysteriously disappeared in the legendary Aokigahara Forest at the base of Mt. Fuji in Japan. Despite everyone’s warnings to “stay on the path,” Sara enters the forest determined to discover the truth about her sister’s fate—only to be confronted by the angry and tormented souls of the dead that prey on anyone who wanders into the forest.

Metrics

Movie Details

Production Budget:$10,000,000
Poland Releases: January 8th, 2016 (Wide)
Video Release: April 12th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for disturbing thematic content and images.
(Rating bulletin 2399 (Cert #49865), 11/11/2015)
Running Time: 93 minutes
Keywords: Set in Japan, Suicide, Death of a Sibling, Missing Person, Twins, Same Actor, Multiple Roles, Set in Mount Fuji, Haunting, Supernatural, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lava Bear Films, Phantom Four, AI Film
Production Countries: United States
Languages: English

Home Market Releases for April 12th, 2016

April 13th, 2016

The Lady in the Car with Glasses and a Gun

It is a very slow week on the home market. The only first-run release is The Forest, which earned a single-digit Tomatometer Score. The best-selling release of the week is Justice League vs. Teen Titans which continues to prove animated D.C. is better than live-action D.C. As far as Pick of the Week contenders are concerned, there are a few releases that interest me, including Suspicion on Blu-ray. However, I went with The Lady in the Car with Glasses and a Gun on Blu-ray. I will admit it dances deep into the Style over Substance territory, but it's a style I have really got into. More...

Friday Estimates: New Releases Struggle as Revenant Hangs Tough

January 23rd, 2016

The Revenant

While some are blaming the storm for hurting Friday night box office numbers, I think it is wiser to point the finger at the reviews instead. So far, The Boy has earned the best reviews, but with a Tomatometer Score of just 23% positive, that's damning it with faint praise. At the box office, Dirty Grandpa did the best of the new releases, earning second place with $4.2 million. It's early in the year, but it is safe to say its 7% positive reviews will be among the worst of any 2016 release when the year is over. Its CinemaScore was just a B, which is bad. Remember, CinemaScore is based on ratings given to a movie by people who were interested enough to see it on opening day. Anything less than a B+ suggests poor word-of-mouth. It did earn about about 10% more than That Awkward Moment's opening day. Additionally, That Awkward Moment had to deal with The Super Bowl on Sunday, so Dirty Grandpa should have better legs and should pull in $11 million. More...

Weekend Predictions: Will Fifth Wave Open in the Top Five?

January 21st, 2016

The Fifth Wave

Three wide releases are coming out this week, all of which are expected to earn similar openings. None of which are expected to compete for the top five. The 5th Wave is the latest Young Adult Adaptation and as I'm writing this at about 10 am on Thursday, it is still the only new release with any reviews. Dirty Grandpa is the widest release of the week, but with no reviews, it is hard to judge how well it will do. Finally there's The Boy. If it can match The Forest, I'm sure STX Entertainment will be happy. The weakness in the new releases doesn't mean we won't have a new number one film, as The Revenant seems poised to climb to first place over the weekend. This weekend last year, American Sniper remained dominant with nearly $65 million. It's a near certainty that all three new releases won't make that much this year. There's a chance the top five combined won't make that much this year. 2016 is going to lose in the year-over-year comparison. More...

Weekend Wrap-Up: Ride Along Rides the Wave to the Top with $41.01 Million

January 20th, 2016

Ride Along 2

As anticipated, Ride Along 2 earned first place over the long weekend earning more than it cost to make in just four days. The other two wide releases were less successful. Despite costing more to make, 13 Hours earned less than half Ride Along 2 opened with, while the less said about Norm of the North, the better. Star Wars: The Force Awakens was pushed into third place over the three-day weekend, but it rose to first place on the daily chart on Monday. It is not done yet. The overall, the three-day weekend was up 4.2% from last weekend; however, it was down 18% from last year. This is not surprising, as this weekend last year, American Sniper set the record for biggest January weekend. Year-to-date, 2016 has pulled in $693 million, giving 2016 an early lead over 2015. That lead was cut to 5.9% or $39 million and will likely be cut further next weekend. Hopefully it won't be entirely gone. More...

Contest: Don't Go Into the Woods: Winning Announcement

January 14th, 2016

The Forest

The winners of our Don't Go Into the Woods contest were determined and the entrants with the closest predictions for The Forest opening weekend were... More...

Weekend Wrap-Up: The Schwartz is still Strong with Star Wars as it Earns $42.35 Million

January 12th, 2016

Star Wars: The Force Awakens

Star Wars: The Force Awakens earned first place on the weekend chart for the fourth time and likely the last time. It was a close race, as The Revenant beat expectations; meanwhile, The Forest was very solid as counter-programming. The overall box office was $159 million, which is 28% less than last weekend, but 26% more than the same weekend last year. After just two weeks, 2016 is 19% / $70 million above 2015's pace. Granted, it is way too early to make any long terms predictions and next weekend will be brutal for 2016 in the year-over-year comparison, but every little bit now will help at the end of the year. More...

Weekend Estimates: Star Wars tops $800 million, Revenant impressive on debut

January 10th, 2016

Star Wars: The Force Awakens

The Force Awakens will become the first movie to hit $800 million at the domestic box office today, according to Disney’s estimates released on Sunday. With a $41.6 million weekend, the film moves to $812 million in total domestically, becoming the second-highest-grossing Star Wars movie adjusted for inflation, ahead of The Empire Strikes Back’s inflation-adjusted $808 million. It should pass Avatar’s inflation-adjusted $826 million this week. Perhaps the biggest news of the weekend, however, comes from overseas. More...

Friday Estimates: Revenant Mauls Star Wars

January 9th, 2016

The Revenant

The Revenant earned first place on Friday with $14 million at the box office, well ahead of Star Wars: The Force Awakens’s daily haul of $11 million. The Revenant did have two weeks of limited release and that might have a small positive effect on its internal multiplier this weekend. However, The Force Awakens is a true holdover and holdovers tend to climb much more on Saturday than new releases do. Both films should earn about the same over the three day weekend with $35 million to $38 million. More...

Weekend Predictions: How will Revenant and Forest Weather the Star Wars Storm?

January 7th, 2016

Star Wars: The Force Awakens

The big news this week was Star Wars: The Force Awakens being officially crowned the All-Time Domestic Box Office champion. It should follow-up that news with yet another first place finish on the weekend box office. There are two films trying to take its crown: The Forest and The Revenant. The Revenant is a very likely Oscar winner and has performed phenomenally well in limited release, so it has a real shot at box office success this weekend. On the other hand, The Forest is a low-budget horror film that is just hoping to land in the top five. This weekend last year was led by Taken 3 with just under $40 million over the weekend, while Selma earned second place with $11 million. The Force Awakens might make more than those two films combined, but even if it doesn't, the one-two punch of The Force Awakens plus The Revenant will give 2016 an easy win in the year-over-year comparison. More...

Contest: Don't Go Into the Woods

January 1st, 2016

The Forest

The only true wide release next week is The Forest, which will have to deal with competition from The Revenant, as well as Star Wars: The Force Awakens. However, it is the only true wide release of the week, so it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Forest.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two DVDs. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/01/08 1 $214,417   74 $2,898   $214,417 1
2016/01/15 - $132,088 -38% 74 $1,785   $422,909 2
2016/01/22 - $45,446 -66% 70 $649   $527,845 3
2016/01/29 - $12,639 -72% 26 $486   $566,892 4
2016/02/12 - $2,284   5 $457   $579,728 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/25/2016 $186,233 52 52 116 $492,622 4/5/2016
Austria 2/5/2016 $150,368 26 31 138 $409,086 6/9/2016
Belgium 3/2/2016 $39,095 11 11 27 $86,351 6/9/2016
Central America 3/10/2016 $0 0 10 11 $86,163 3/29/2016
Croatia 1/14/2016 $12,486 14 14 43 $30,349 12/31/2018
Czech Republic 1/7/2016 $52,629 42 42 178 $173,774 12/31/2018
Ecuador 3/4/2016 $0 0 23 54 $386,735 12/31/2018
Germany 2/4/2016 $521,681 117 150 692 $1,547,469 6/9/2016
Greece 2/25/2016 $37,879 30 30 30 $38,170 6/9/2016
Indonesia 1/8/2016 $327,429 154 156 451 $950,275 12/31/2018
Italy 9/29/2017 $339,663 0 0 0 $833,704 10/18/2017
Latvia 1/8/2016 $0 0 4 4 $19,115 12/31/2018
Lebanon 1/7/2016 $4,562 1 1 2 $6,671 12/31/2018
Lithuania 1/8/2016 $0 0 10 10 $37,611 6/9/2016
Malaysia 1/7/2016 $257,362 132 144 413 $568,911 6/9/2016
Mexico 2/19/2016 $347,144 0 6 6 $1,156,436 9/8/2018
Netherlands 3/17/2016 $87,822 33 51 132 $258,363 4/12/2016
North America 1/8/2016 $12,741,176 2,451 2,509 8,042 $26,594,261 11/29/2016
Oman 1/7/2016 $0 0 1 1 $6,176 12/31/2018
Peru 3/31/2016 $0 0 73 73 $403,033 12/31/2018
Philippines 2/17/2016 $146,711 99 99 107 $183,607 12/31/2018
Poland 1/8/2016 $214,417 74 74 249 $579,728 12/31/2018
Portugal 2/18/2016 $34,476 16 16 55 $98,124 6/9/2016
Romania 1/8/2016 $89,212 42 42 137 $195,199 12/31/2018
Russia (CIS) 1/15/2016 $284,533 551 551 551 $459,548 12/31/2018
Singapore 1/7/2016 $198,860 26 26 85 $427,674 6/9/2016
Slovakia 1/7/2016 $41,641 45 45 108 $94,266 6/9/2016
South Africa 4/15/2016 $21,964 22 23 48 $59,219 6/9/2016
South Korea 3/30/2016 $209,978 312 312 344 $339,205 6/9/2016
Spain 2/26/2016 $669,905 257 257 999 $1,883,999 6/9/2016
Sweden 1/15/2016 $68,196 27 27 94 $206,463 6/9/2016
Ukraine 1/14/2016 $10,137 47 47 84 $17,599 12/31/2018
United Arab Emirates 1/7/2016 $69,198 14 14 26 $146,609 12/31/2018
United Kingdom 2/26/2016 $621,631 344 344 903 $1,427,175 6/9/2016
Uruguay 4/14/2016 $7,838 5 5 5 $7,838 12/31/2018
Vietnam 1/22/2016 $177,236 87 87 210 $537,702 12/31/2018
 
Worldwide Total$40,749,230 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Natalie Dormer    Sara/Jess Price

Supporting Cast

Taylor Kinney    Aiden
Yukiyoshi Ozawa    Michi
Eoin Macken    Rob
Stephanie Vogt    Valerie
Tanpopo Osamu    Homeless Man
Yasuo Tobishima    Sushi Chef
Ibuki Kaneda    Mei (Schoolgirl)
Akiko Awase    Head Teacher
Kikuo Ichikawa    Businessman
Noriko Sakura    Mayumi
Yozef Aoki    Visitor Center Morgue Man
Yuho Yamashita    Sakura
Gen Seto    Narusawa Bartender
Terry Diab    Grandma
Nada Mazalica    Sara/Jess (Age 6)
Lidija Antonic    Mother of Sara/Jess
Takako Akashi    Ubasute Old Woman #1
Yuriri Naka    Narusawa Young Woman
Nemanja Naumoski    Pillowcase Man
Tales Yamamoto    Blue Tent Man
Meg Kubota    Ubasute Old Woman #2
Mieko Wertheim    Ubasute Old Woman #3
Rina Takasaki    Hoshiko
Carni Deric    Father of Sara/Jess
Yoshio Hasegawa    Aokigahara Police Sergeant

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jason Zada    Director
Ben Ketai    Screenwriter
Sarah Cornwell    Screenwriter
Nick Antosca    Screenwriter
Tory Metzger    Producer
David Linde    Producer
David S. Goyer    Producer
Len Blavatnik    Executive Producer
Aviv Giladi    Executive Producer
Lawrence Bender    Executive Producer
Andrew Pfeffer    Executive Producer
Mattias Troelstrup    Director of Photography
Kevin Phipps    Production Designer
Jim Flynn    Editor
Bojana Nikitovic    Costume Designer
Elaine Grainger    Casting Director
Bear McCreary    Composer
Jennifer Semler    Co-Producer
James Ward Byrkit    Co-Producer
Aleksandar Tadic    Unit Production Manager
Christopher Landry    First Assistant Director
Maria Nitza    Second Assistant Director
Nancy Kirhoffer    Post-Production Supervisor
Jasna Dragovic    Art Director
Mina Buric    Set Decorator
Marina Lesic    Script Supervisor
Ben Cox    First Assistant Editor
Filip Dedic    Assistant Editor
Uros Lasic    Assistant Editor
Stanomir Dragos    Sound Mixer
Martina Dodocic Subic    Make up
Jovana Jovanovic    Hairstylist
Muhamed M'Barek Toske    Special Effects Coordinator
Emma Gunnery    Additional Casting-Casting Associate
Dusan Demic    Set Designer
Mihailo Radosevic    Set Designer
Tijana Durkovic    Set Designer
Kelly Cabral    Supervising Sound Editor
Myron Nettinga    Re-recording Mixer
Steven Ticknor    Re-recording Mixer
Jussi Tegelman    Sound Designer
Kimaree Long    Dialogue Editor
Bear McCreary    Score Producer
Steve Kaplan    Score Producer
Raoul Yorke Bolognini    Visual Effects Supervisor
Raoul Yorke Bolognini    Visual Effects Producer
Richard Ivan Mann    Visual Effects Producer
Jeff Goldman    Visual Effects Supervisor
Rif Dagher    Visual Effects Supervisor
Rob Mayor    Prosthetics Designer
Slavisa Ivanovic    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.