Panama Box Office for Fifty Shades Darker (2017)

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Fifty Shades Darker
Theatrical Performance (US$)
Panama Box Office $2,561,367Details
Worldwide Box Office $381,367,046Details
Home Market Performance
North America DVD Sales $14,398,552 Details
North America Blu-ray Sales $17,308,753 Details
Total North America Video Sales $31,707,305
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determine to destroy their hopes for a future together.

Metrics

Movie Details

Production Budget:$55,000,000
Panama Releases: February 9th, 2017 (Wide)
Video Release: April 25th, 2017 by Universal Home Entertainment
MPAA Rating: R for strong erotic sexual content, some graphic nudity, and language.
(Rating bulletin 2450 (Cert #50775), 11/9/2016)
Running Time: 118 minutes
Franchise: Fifty Shades of Grey
Keywords: Romance, Relationships Gone Wrong, Exes in Love, Sexual Fetishism, The Past Catching up with You, Erotic Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Perfect World Pictures, Michael De Luca Productions
Production Countries: United States
Languages: English

Home Market Releases for May 9th, 2017

May 10th, 2017

Get Out

It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD. More...

Home Market Releases for April 25th, 2017

April 25th, 2017

Tanpopo

We are entering the worst time of year for the home market. The number of Oscar contenders have nearly dried up and there are more bombs than box office hits. As for the best of the new releases, The Criterion Collection release for Tampopo is the best and the only real choice for Pick of the Week. Meanwhile, the Mean Dreams DVD earns Puck of the Week, for the best Canadian release of the week. More...

International Box Office: Resident Evil here to Stay with $96.67 million

March 2nd, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market. More...

Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million

February 28th, 2017

Get Out

Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers. More...

Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million

February 25th, 2017

Get Out

As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish. More...

Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?

February 23rd, 2017

Get Out

There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close. More...

International Box Office: Grey Enters the Black with $276.2 million Worldwide

February 23rd, 2017

Fifty Shades Darker

Fifty Shades Darker remained in first place on the international chart with $44.5 million on 9,600 screens in 59 markets for totals of $187.2 million internationally and $276.2 million worldwide. The film had no major openings this past weekend, and won’t until it opens in Japan in June. The film’s best market over the weekend was Germany, where it earned $6.1 million on 736 screens for a total of $21.2 million after two weeks of release.

More...

Weekend Wrap-Up: New Releases Can’t Scale the Great Wall of Batman

February 22nd, 2017

The Lego Batman Movie

As expected, The Lego Batman Movie easily won the weekend box office race with $32.66 million over the weekend and $42.74 million including Monday. The biggest new release of the week was The Great Wall, which earned $18.47 million / $21.51 million during its opening weekend. Overall, the box office slumped by 21% from last weekend at $145 million. This is still 4.5% higher than the same weekend last year. Unfortunately, due to the misalignment in holidays, 2017 still lost ground over the full week. In fact, it is now a full $100 million behind 2016’s pace at $1.53 billion to $1.63 million. It is still too early to really tell where 2017 will end up, but we could really use some big wins right about now. More...

Weekend Estimates: Lego Batman Pieces Together Second Weekend Win

February 19th, 2017

The Lego Batman Movie

The Lego Batman Movie will secure another weekend at the top of the box office chart thanks to a modest 35% drop from its opening, and soft openings for all the new wide releases. The animated adventure will make $34.2 million over three days, and is expected to earn about $45 million when the President’s Day holiday numbers are added in. It will pass $100 million at the domestic box office tomorrow. More...

Friday Estimates: Batman Beats Up Competition with $7.6 million

February 18th, 2017

The Lego Batman Movie

It is a disappointing weekend for new releases, as only The Great Wall managed to match low expectations. This left The Lego Batman Movie cruising to first place on Friday with $7.6 million. It is on pace for $42 million over the four-day weekend and will crack $100 million sometime on Monday, which matches our predictions almost perfectly. If the film can make $150 million domestically and $200 million internationally, then it will break even before it reaches the home market. More...

Weekend Predictions: Can Wall be Great? Does Fist have any Fight?

February 16th, 2017

The Great Wall

There are three wide releases coming out this week, but none of them are expected to challenge for top spot. Although, there could be an interesting race between the two biggest releases, Fist Fight and The Great Wall. Sadly, this is because both have seen their box office potential fall over the past week. A Cure for Wellness never really had much box office potential. This will leave The Lego Batman Movie with an easy win over the Presidents’ Day long weekend, while we should have five films earning more than $10 million over the three-day portion of the weekend. This weekend last year, there were also three wide releases that struggled at the box office leaving Deadpool with an easy win. The Lego Batman Movie won’t match Deadpool at the top, but 2017 has much better depth, so that should help keep the year-over-year race close. More...

International Box Office: Fifty Opens a Shade Below $100 million

February 16th, 2017

Fifty Shades Darker

Fifty Shades Darker earned first place on the international chart during it opening weekend, pulling in $97.78 million on 9,726 screens in 57 markets. This is the biggest international weekend of the year so far, so that’s reason for the studio to celebrate. The film’s biggest market was Germany, where it made $10.5 million, while the U.K. and Ireland were close behind with $9.4 million. The film cracked $5 million in France ($8.3 million); Brazil ($7.3 million); Italy ($6.9 million); Russian ($6.5 million); Australia ($5.8 million); and Spain ($5 million). The film has yet to open in Japan, but that’s the only major market left. By the end of the first weekend of release, the film had made enough worldwide to cover its entire production budget. By the end of the second, it will likely come completely in the black. By the time it makes its initial push into the home market, it will likely have paid for the production budget of Fifty Shades Freed as well.

More...

Theater Averages: Kedi is the Cat’s Meow earning $40,103

February 15th, 2017

Kedi

Kedi became the first movie released in 2017 to hit the $40,000 mark on the per theater chart earning $40,103 in its lone theater. A United Kingdom was next with an average of $16,628 in four theaters. This is enough to suggest it will expand, but not enough to think it will earn a significant measure of mainstream success. The only other two films in the $10,000 club were the top two films on the overall weekend chart. The Lego Batman Movie earned an average of $12,966, putting it just ahead of Fifty Shades Darker, which earned an average of $12,563. More...

Weekend Wrap-Up: Lego Batman Begins with $53.00 million

February 14th, 2017

The Lego Batman Movie

As expected, it was a big weekend at the box office with three massive hits. The Lego Batman Movie did earn first place, but not with as much as predicted at just $53.00 million. Fifty Shades Darker wasn’t that far behind with $46.61 million. Meanwhile, John Wick: Chapter Two just cracked $30 million, which is one of the ten best third place openings of all time. Week-over-week, the box office nearly doubled growing 90% from last weekend. Sadly, it was down 22% from last year. Granted, Valentine’s Day landed on a Sunday last year, so that boosted the weekend box office and 2017 should make some of that decline back on Tuesday. Year-to-date, 2017 has pulled in $1.28 billion, putting it $40 million or 3.0% behind 2016’s pace. It is still way too soon to tell how 2017 will finish in the end, but hopefully things will turn around soon. More...

Weekend Estimates: Batman Shades Fifty

February 12th, 2017

The Lego Batman Movie

A slighty-worse-than-expected performance from The Lego Batman Movie and a slightly-better-than-expected weekend for Fifty Shades Darker is creating a close race at the top of the box office chart this weekend. Lego Batman will win in the end, with Warner Bros. projecting $55.6 million for the weekend, but Fifty Shades Darker won on Friday, and won’t be far behind in the end. Universal pegs the film at $46.8 million over three days. More...

Friday Estimates: Fifty Leads Fantastic Friday with $21.5 million

February 11th, 2017

Fifty Shades Darker

Fifty Shades Darker led the way on Friday with $21.5 million. Earning first place is both expected and a little troubling, but more on the latter below. The film’s legs will be shorter over the weekend than its predecessor’s were, because it doesn’t have Valentine’s Day to boost its Saturday numbers. However, despite earning much worse reviews than the original film, its CinemaScore is a B plus, up from the C plus that the original managed. This could help its overall legs. Look for $48 million over the weekend and a total of over $100 million. More...

Thursday Night Previews: New Releases earn Fifty Shades of Green

February 10th, 2017

Fifty Shades Darker

Fifty Shades Darker dominated the Thursday previews earning $5.72 million. This is more than the other two new releases earned combined. On the other hand, it is significantly less than the $8.6 million the original made two years ago. Additionally, its reviews are significantly weaker than its predecessors’ reviews were. This will lead to shorter legs and an opening that is closer to $40 million than $50 million. More...

Weekend Predictions: Will Batman Become a Billionaire?

February 9th, 2017

The Lego Batman Movie

This should be the biggest weekend of the month with three potential hits, all of which are sequels. Of the three, The Lego Batman Movie is widely expected to be the biggest hit of the weekend. In fact, it is widely expected to become the biggest hit of the year so far. Fifty Shades Darker could be one of those rare sequels that earns less in total than the original made during its opening weekend. However, I’m not that pessimistic. On the other hand, John Wick: Chapter Two should open significantly better than its predecessor opened with, but it is still aiming to become a midlevel hit, nothing more. This weekend last year, Deadpool opened with $132 million. That could be more than the top two films open with this weekend. Even though 2017 does have better depth, I think it will lose in the year-over-year comparison. More...

2017 Preview: February

February 1st, 2017

The Lego Batman Movie

January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/02/17 - $468,168   141 $3,320   $2,405,017 2
2017/02/24 - $37,618 -92% 0     $2,442,635 3
2017/03/03 - $78,925 +110% 81 $974   $2,470,552 4
2017/03/10 - $23,854 -70% 37 $645   $2,551,444 5
2017/03/17 - $5,616 -76% 13 $432   $2,561,367 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/9/2017 $2,238,126 0 187 444 $4,904,897 1/1/2019
Australia 2/10/2017 $4,739,919 612 612 2013 $13,795,064 4/20/2017
Austria 2/10/2017 $0 0 83 541 $4,475,655 7/1/2020
Belgium 2/8/2017 $0 0 103 511 $4,668,680 5/4/2017
Brazil 2/9/2017 $7,428,179 0 613 2231 $21,207,467 8/26/2020
Bulgaria 2/10/2017 $172,689 0 0 0 $627,501 2/26/2019
Chile 2/9/2017 $0 0 62 236 $2,273,168 12/20/2018
Colombia 2/9/2017 $0 0 171 391 $2,009,784 12/20/2018
Croatia 2/9/2017 $0 0 22 83 $520,005 1/1/2019
Czech Republic 2/10/2017 $902,132 152 152 488 $2,147,627 1/1/2019
Denmark 2/9/2017 $0 0 100 385 $4,421,943 4/27/2017
Finland 2/10/2017 $0 0 84 315 $1,620,781 5/4/2017
France 2/8/2017 $8,272,719 0 593 2114 $24,892,867 6/26/2018
Germany 2/9/2017 $8,529,213 0 735 4689 $32,709,880 6/29/2018
Greece 2/9/2017 $0 0 114 239 $1,683,339 4/5/2017
Hong Kong 2/9/2017 $0 0 39 111 $1,845,927 4/27/2017
Hungary 2/9/2017 $0 0 76 214 $1,227,665 1/1/2019
Israel 2/9/2017 $0 0 30 188 $2,502,149 1/1/2019
Italy 2/9/2017 $6,836,672 0 182 218 $15,987,384 3/16/2017
Japan 6/23/2017 $91,605 15 15 44 $315,625 7/20/2017
Lithuania 2/10/2017 $157,242 190 190 445 $571,903 3/21/2017
Mexico 2/10/2017 $2,683,437 0 203 233 $6,354,100 3/28/2017
Netherlands 2/8/2017 $1,365,781 133 134 1083 $6,308,107 5/12/2017
New Zealand 2/10/2017 $373,181 103 103 500 $1,345,992 4/5/2017
North America 2/10/2017 $46,607,250 3,710 3,714 15,139 $114,434,010
Norway 2/10/2017 $0 0 101 250 $3,533,340 5/4/2017
Panama 2/9/2017 $0 0 141 272 $2,561,367 1/1/2019
Peru 2/9/2017 $0 0 75 118 $1,000,327 12/20/2018
Philippines 2/8/2017 $0 0 82 188 $3,400,064 12/20/2018
Poland 2/10/2017 $2,703,921 0 286 898 $7,391,149 1/1/2019
Portugal 2/10/2017 $716,100 112 112 488 $2,750,562 4/27/2017
Russia (CIS) 2/10/2017 $6,513,766 1336 1348 4937 $13,377,712 1/1/2019
Singapore 2/9/2017 $0 0 24 71 $1,034,536 4/27/2017
Slovakia 2/10/2017 $496,563 79 79 221 $1,106,718 3/23/2017
Slovenia 2/9/2017 $127,751 29 29 152 $520,117 11/17/2017
South Africa 2/10/2017 $0 0 112 534 $2,548,196 5/19/2017
South Korea 2/8/2017 $648,176 435 435 585 $1,387,772 3/21/2017
Spain 2/10/2017 $5,226,292 804 804 3004 $13,745,107 2/17/2021
Sweden 2/10/2017 $0 0 126 488 $5,397,377 5/4/2017
Switzerland 2/8/2017 $0 0 88 369 $4,235,301 4/27/2017
Taiwan 2/10/2017 $0 0 90 264 $2,798,012 3/21/2017
Thailand 2/9/2017 $0 0 88 135 $768,880 3/9/2017
Turkey 2/10/2017 $552,881 249 249 820 $1,786,141 2/26/2019
United Kingdom 2/10/2017 $9,448,037 604 604 2825 $28,591,888 4/27/2017
Venezuela 2/10/2017 $0 0 73 356 $1,180,076 4/20/2017
 
Rest of World $9,400,884
 
Worldwide Total$381,367,046 2/17/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Dakota Johnson    Anastasia Steele
Jamie Dornan    Christian Grey

Supporting Cast

Eric Johnson    Jack Hyde
Eloise Mumford    Kate Kavanagh
Bella Heathcote    Leila
Rita Ora    Mia Grey
Luke Grimes    Elliot Grey
Victor Rasuk    Jose
Max Martini    Taylor
Bruce Altman    Jerry Roach
Kim Basinger    Elena Lincoln
Marcia Gay Harden    Grace Trevelyan Grey
Andrew Airlie    Carrick Grey
Robinne Lee    Ros Bailey
Amy Price-Francis    Liz
Fay Masterson    Mrs. Jones
Ryker Brown    4-Year-Old Christian
Logan Brown    4-Year-Old Christian
John Callander    Pimp
Carmen Dollard    Christian’s Birth Mom
Ellen Ewusie    Gallery Guest
Elizabeth McLaughlin    Gallery Owner
Albert Nicholas    Waiter
Stephan Miers    Hairdresser
Michael Meneer    Auctioneer
Michael St. John Smith    Auction Bidder
Derek Green    Auction Bidder
Michelle Harrison    Auction Bidder
Mark DeCarlo    News Anchor
Bill Dow    Willis
Ashleigh Lathrop    Hannah
Stephanie Florian    News Reporter
Julia Dominczak    Gretchen
Shiraine Haas    Gwen
Colin Lawrence    Penthouse Restaurant Customer
Lucia Walters    Penthouse Restaurant Customer
Brooke Johnston    Whispering Gallery Lady
Paniz Zade    Salon Receptionist
Carmel Amit    Whispering Guest at Masked Party
Isaiah Dobbs    Flower Delivery Man
Jose James    Gala Crooner
Otis Brown    Band Member
Aaron Parks    Band Member
Josh Hari    Band Member
Rob Compton    Yacht Captain
Peter Boulanger    Fire Choreographer
Neezar Joseph Elferzeli    Fire Breather
Ryan Mellors    Juggler
Chris Murdoch    Juggler

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Foley    Director
Niall Leonard    Screenwriter
E.L. James    Based on the novel by
E.L. James    Producer
Dana Brunetti    Producer
Michael De Luca    Producer
Marcus Viscidi    Producer
Nelson Coates    Production Designer
Richard Francis-Bruce    Editor
Danny Elfman    Composer
John Schwartzman    Director of Photography
Shay Cunliffe    Costume Designer
Dana Sano    Music Supervisor
Laray Mayfield    Casting Director
Julie Schubert    Casting Director
Barbara Kelly    Unit Production Manager
Marcus Viscidi    Unit Production Manager
Paul Barry    First Assistant Director
Phil Nee Nee    Second Assistant Director
Jeremy Stanbridge    Supervising Art Director
Peter Bodnarus    Art Director
Craig Humphries    Art Director
Tara Arnett    Assistant Art Director
Jay Mitchell    Set Designer
Jim Ramsay    Set Designer
Kyle White    Set Designer
Carolyn Loucks    Set Decorator
Mark Noda    Sound Mixer
Janice Macisaac    Costume Supervisor
Evelyne Noraz    Make up
Rosalina Da Silva    Make up
Danna Rutherford    Hairstylist
Anna Rane    Script Supervisor
Kirk Johns    Location Manager
Graham Stumpf    Post-Production Supervisor
Angie Rubin    Music Editor
Bill Abbott    Music Editor
Dane A. Davis    Supervising Sound Editor
Stephanie L. Flack    Supervising Sound Editor
Robert Jackson    Dialogue Editor
Michele Perrone    Dialogue Editor
Eliza Pollack Zebert*    Dialogue Editor
Mary Jo Lang    Foley Mixer
Jon Taylor    Re-recording Mixer
Frank A. Montano    Re-recording Mixer
Alex Burdett    Special Effects Supervisor
Brittani Smith    Casting Associate
Paige Orr    Casting Assistant
Scott Ateah    Second Unit Director
Kevin Hahn    Visual Effects Supervisor
Tyler Kehl    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.