Poland Box Office for The Favourite (2018)

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The Favourite
Theatrical Performance (US$)
Poland Box Office $672,351Details
Worldwide Box Office $95,829,459Details
Home Market Performance
North America DVD Sales $1,418,027 Details
North America Blu-ray Sales $1,332,704 Details
Total North America Video Sales $2,750,731
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne and her close friend Lady Sarah governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

Metrics

Movie Details

Production Budget:$15,000,000
Poland Releases: February 8th, 2019 (Wide)
Video Release: February 12th, 2019 by Fox Home Entertainment
MPAA Rating: R for strong sexual content, nudity and language.
(Rating bulletin 2509 (Cert #51403), 1/10/2018)
Running Time: 119 minutes
Keywords: 1700s, Royalty, Set in England, LGBTQ+, Cross-Dressing, Romance, 2019 Oscars Best Picture Nominee, Black Comedy
Source:Based on Real Life Events
Genre:Black Comedy
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Element Pictures, Scarlet Films, Film4, Waypoint Entertainment, Fox Searchlight Pictures, TSG Entertainment
Production Countries: Ireland, United Kingdom, United States
Languages: English

Home Market Releases for March 5th, 2019

March 6th, 2019

The Favourite

It’s a weird week at the box office. There are no massive releases; Creed II, is by far the biggest release of the week. However, there are a ton of releases that would make the regular list in a normal week, but have been pushed into the Secondary Blu-ray list, mainly because I have nothing to say about them. There are some contenders for Pick of the Week, including The Favourite on Blu-ray Combo Pack and Liz and the Blue Bird on Blu-ray. It came down to a literally coin-toss here and The Favourite won. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Highlight: Best Picture

February 21st, 2019

Roma

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We end with the biggest award of the night: Best Picture. I don’t know who’s going to win. I think I know who the favorite is, but there are five films here that could win and I wouldn’t really be surprised. More...

2018 Awards Season: Oscar Highlight: Best Director

February 21st, 2019

Roma

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Director, which is not exactly competitive, but it is yet another category where we have a favorite, but where an upset wouldn’t be too shocking. More...

2018 Awards Season: Oscar Highlight: Best Original Screenplay

February 19th, 2019

The Favourite

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, ending with with Best Original Screenplay. This category is actually competitive with three films I can see winning. More...

2018 Awards Season: Oscar Highlight: Best Leading Actress

February 14th, 2019

The Wife

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we look at the four acting categories, ending with Best Lead Actress. In this category, there is an overwhelming favorite without an obvious runner up. More...

Theater Averages: Everybody Knows it’s a Slow Time for the Theater Average Chart

February 14th, 2019

Everybody Knows

There was only one new release in the $10,000 club this week, Everybody Knows, which earned an average of $17,802 in four theaters. Last week’s winner, Never Look Away, expanded into three theaters earning an average of $12,942. The 2019 Oscar Shorts didn’t make the $10,000 club, but it did earn nearly $1 million in 270 theaters for an average of $3,476, which is a better than 30% increase compared to the previous installment and easily the best of the franchise. Granted, it was also the widest release in the franchise, but this is still a start worth celebrating. More...

Home Market Releases for February 12th, 2019

February 13th, 2019

Shoplifters

It’s a shallow week on the home market. That said, Bohemian Rhapsody was a monster hit, especially internationally. It isn’t a Pick of the Week contender, but we do have a trio of contenders: At Eternity’s Gate, Audition, and Shoplifters. It’s a close race, but Shoplifters came out on top. More...

2018 Awards Season: Oscar Highlight: Best Supporting Actress

February 12th, 2019

Vice

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we look at the four acting categories, starting with Best Supporting Actress. In this category, there is not an overwhelming favorite this year, which is a bit of a change, as the acting categories haven’t been particularly competitive the past few years. More...

2018 - Awards Season: BAFTA - Winners

February 11th, 2019

The Favorite

The BAFTA winners were announced and The Favorite led the way with 7 wins. Like I mentioned before, understandably, the BAFTAs tend to favor British films and this can lessen their ability to predict Oscar winners and The Favorite is such a British Film that they managed to spell the word correctly. That doesn’t mean there are no lessons we can learn from these results. More...

Theater Averages: Most Films were Never Looked At

January 31st, 2019

Never Look Away

Never Look Away was the only film to earn a spot in the $10,000 club, as it earned $25,789 in its lone theater. It did earn an Oscar Nod for Best Foreign-Language Picture, so it could do very well in limited release. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

Theater Averages: New Releases are Left in the Cold

January 17th, 2019

Cold War

There were no films in the $10,000 club with Cold War coming the closest with $9,751 in ten theaters. The best new release was Touch Me Not, which opened with $7,903 in one theater. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

2018 - Awards Season: Golden Globes - Winners

January 7th, 2019

Spider-Man: Into The Spider-Verse

The Golden Globes were the first major Awards Season ceremony this year handing out the hardware on Sunday night. Are last night’s events a strong indicator for the Oscars? I hope not! Certainly not in all categories, as there were some puzzling results last night. More...

2018 - Awards Season: PGA - Nominations

January 4th, 2019

Black Panther

The Producers Guild of America announced their nominations in the theatrical categories today and there are some trends building. However, there are also some questions generated after these nominations were announced. More...

Theater Averages: This Week’s Chart is Feeling Sexy

January 2nd, 2019

On the Basis of Sex

It was a busy week on the theater average chart, as there were three new releases and three holdovers in the $10,000 club. On the Basis of Sex led the way with an average of $20,799 in 33 theaters. That’s an excellent start for a limited release playing in that many theaters. Second place went to Destroyer with an average of $18,449 in three theaters. The final new release in the $10,000 club was Stan and Ollie, which earn an average of $15,935 in five theaters. Cold War held on really well earning an average of $14,777 in three theaters. The overall box office leader, Aquaman, was next with an average of $12,634. If Beale Street Could Talk rounded out the $10,000 with an average of $11,788, and it managed this despite expanding its theater count to 65. More...

Theater Averages: Box Office Feels the Winter Chill

December 27th, 2018

Cold War

There were not many new limited releases releases, which let If Beale Street Could Talk remain on top with an average of $21,853 in five theaters. Cold War was the best of the new releases with an average of $18,118 in three theaters. The only other film in the $10,000 club over the weekend was Aquaman with an average of $16,485. Two films had averages of over $10,000 during their Christmas Day debuts, On the Basis of Sex (average of $14,483 in 33 theaters) and Destroyer (average of $10,246 in three). More...

Theater Averages: Everyone is Talking about Beale Street

December 19th, 2018

If Beale Street Could Talk

There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide. More...

Theater Averages: Mary Reigns over the Competition

December 12th, 2018

Mary Queen of Scots

Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations. More...

2018 - Awards Season: SAG - Nominations

December 12th, 2018

A Star is Born

The Screen Actors Guild were the third group to announce their nominations for this awards season. There’s not a lot of surprises on this week’s list. A Star is Born led the way with four nominations, while The Favourite was right behind with three. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Theater Averages: The Favourite Lives Up to Its Name

November 29th, 2018

The Favourite

The Favourite had the best theater average, not only of the weekend, but of the year. It pulled in $422,000 in 4 theaters for an average of $105,603, putting it ahead of the previous leader for 2018, Suspiria. It is a lot more mainstream and shouldn’t have a problem expanding significantly beyond this point. Shoplifters was well back with an average of $17,853 in five theaters. The overall box office leader, Ralph Breaks The Internet, was next with an average of $14,000. The World Before Your Feet was the latest documentary to open in the $10,000 club earning an average of $11,241 in two theaters. The final film in the $10,000 club was also a wide release, Creed II, which earned an average of $10,338. More...

Weekend Estimates: Ralph Wrecks Predictions, Technically Sets Record

November 25th, 2018

Ralph Breaks the Internet

While Thanksgiving long weekend wasn’t as lucrative as earlier figures suggested, estimates are still better than our predictions. For example, Ralph Breaks the Internet should open with $55.67 million over the three-day weekend for a five-day opening of $84.47 million. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Internationally, the film reportedly made $41.5 million during its opening weekend. This doesn’t sound like a lot, but it is only playing in about a third of international markets, and only three major markets. It opened with an estimated $19.5 million in China, while it was also dominant in Mexico ($6.3 million) and Russia ($5.7 million). Overall, the film nearly tripled Wreck-it Ralph’s openings in the same markets. The film won’t have the same legs, as sequels almost never do, but this is still an amazing start and it is clearly on pace for $600 million worldwide. More...

Friday Estimates: Ralph Slips Below Moana’s Pace, Still a Monster Hit

November 24th, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet again led the way on Friday with $21.74 million for a three-day total $50.54 million. Good news: It is still on pace to top our prediction; in fact, depending on when you read this on Saturday, it might have already done so. At this point, a five-day opening of $85 million seems like a safe bet. Bad news: it has fallen behind Moana’s daily pace, despite a much faster start, so it will definitely have weaker legs. It should still have no problem getting to $200 million domestically and still is in a race with Dr Seuss’ The Grinch for biggest hit of November. It’s just no longer a record-setting opening. More...

Limited and VOD Releases: Limited Releases are Asking for a Favor

November 22nd, 2018

Roma

Thanksgiving is a great weekend for wide releases, but a terrible one for limited releases. That said, while there are almost no films on this week’s list, two of them are earning Award-worthy reviews: The Favourite and Roma. However, Roma is playing on Netflix, so its box office chances are nearly zero. More...

2018 - Awards Season: Independent Spirit Awards - Nominations

November 17th, 2018

We The Animals

The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio. More...

The Favourite Trailer

July 9th, 2018

Historical drama starring Olivia Colman, Emma Stone, and Rachel Weisz opens November 23 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/8/2019 $112,118 100 100 214 $294,406 4/27/2019
Australia 12/21/2018 $0 0 143 1153 $3,898,225 6/30/2020
Brazil 1/25/2019 00$0
Bulgaria 2/8/2019 $20,436 0 0 0 $90,716 3/27/2019
Czech Republic 1/25/2019 $54,881 104 104 231 $194,038 3/19/2019
France 2/8/2019 $915,000 0 333 1373 $3,843,641 3/30/2019
Germany 1/24/2019 $489,000 0 196 368 $1,298,627 2/16/2019
Italy 1/24/2019 $1,207,462 0 28 119 $3,338,268 7/12/2019
Japan 2/15/2019 $482,000 0 117 117 $1,241,454 3/5/2019
Lithuania 1/18/2019 $18,425 55 55 142 $68,559 8/7/2019
Mexico 2/1/2019 $243,033 0 0 0 $779,860 2/18/2019
Netherlands 1/4/2019 $327,155 38 119 918 $2,463,046 3/25/2019
New Zealand 12/26/2018 $0 0 7 14 $619,173 1/4/2024
North America 11/23/2018 $422,410 4 1,554 9,593 $34,366,783 5/5/2020
Poland 2/8/2019 $140,374 83 83 166 $672,351 3/5/2019
Portugal 2/8/2019 $120,811 46 46 221 $471,481 5/7/2019
Russia (CIS) 1/31/2019 $505,195 388 393 1125 $1,386,473 3/30/2019
Slovakia 1/25/2019 $18,161 46 46 101 $62,928 3/8/2019
South Korea 2/22/2019 $11,837 11 384 877 $1,210,921 8/23/2023
Spain 1/18/2019 $662,424 193 243 1636 $3,957,122 3/29/2019
Taiwan 1/25/2019 $102,798 28 28 28 $102,798 2/2/2019
Turkey 2/8/2019 $49,071 103 103 238 $152,093 10/19/2022
United Kingdom 1/1/2019 $5,063,034 538 617 4625 $24,900,000 8/2/2023
 
Rest of World $9,459,945
 
Worldwide Total$95,829,459 1/4/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Olivia Colman    Queen Anne

Supporting Cast

Emma Stone    Abigail
Rachel Weisz    Lady Sarah
Nicholas Hoult    Robert Harley
Joe Alwyn    Masham
James Smith    Godolphin
Mark Gatiss    John Churchill, 1st Duke of Marlborough
Jenny Rainsford    Mae
Emma Delve    Queen’s Maid
Faye Dunaway    Sarah’s Maid
Paul Swaine    Wanking Man
Jennifer White    Mrs. Meg
Lilly-Rose Stevens    Sally
Denise Mack    Kitchen Servant
Willem Dalby    Central Tory Booker
Edward Aczel    Earl of Stratford
Carolyn Saint-Pe    Madam Tournee
John Locke    Eviction Courtier
Everal Walsh    Servant, Upstairs
Basil Eidenbenz    Footman #2
Dec Wyer    Footman #4
Anthony Dougall    Queen’s Doctor
James Melville    Footman #3
Timothy Innes    Footman #1
Ben English    Page #1
Wilson Radjou-Pujalte    Pigeon Boy
Peter Brookes    Page #2
Gavin Henderson    Music Teacher
Djordje Jovanovic    Child Orchestra
Sam Kemp    Child Orchestra
Hana McDowell    Child Orchestra
James Perrin    Child Orchestra
Luca Wiseman    Child Orchestra
Callum Lewin    Nude Pomegranate Tory
Liam Fleming    Kevin
Angela Hicks    Singing Woman
Martin Pemberton    Fire Eater

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Yorgos Lanthimos    Director
Deborah Davis    Screenwriter
Tony McNamara    Screenwriter
Ceci Dempsey    Producer
Ed Guiney    Producer
Lee Magiday    Producer
Yorgos Lanthimos    Producer
Andrew Lowe    Executive Producer
Daniel Battsek    Executive Producer
Rose Garnett    Executive Producer
Josh Rosenbaum    Executive Producer
Ken Kao    Executive Producer
Tony McNamara    Executive Producer
Deborah Davis    Executive Producer
Robbie Ryan    Director of Photography
Sandy Powell    Costume Designer
Fiona Crombie    Production Designer
Yorgos Mavropsaridis    Editor
Johnnie Burn    Sound Designer
Cait Collins    Line Producer
Dixie Chassay    Casting Director
Michelle Mullen    Production Manager
Atilla Salih Yucer    First Assistant Director
Deborah Harding    Post-Production Supervisor
Jo McLaren    Stunt Coordinator
Lynne Huitson    Supervising Art Director
Caroline Barclay    Art Director
Dominic Roberts    Art Director
Alice Felton    Set Decorator
Adam Byles    Second Assistant Director
Sylvia Parker    Script Supervisor
Sam Sneade    Additional Editor
James Panting    First Assistant Editor
Claudia Littlefield    Costume Supervisor
Samantha Denyer    Make-up and Hair Designer
Adam Richards    Supervising Location Manager
Ben Mangham    Location Manager
Daragh Coghlan    Location Manager
Bob Thorne    Special Effects Supervisor
Johnnie Burn    Supervising Sound Editor
Johnnie Burn    Re-recording Mixer
Simon Carroll    Sound Effects Editor
Max Behrens    Sound Effects Editor
Sarah Giles    Music Supervisor
Johnnie Burn    Music Editor
Simon Carroll    Music Editor
Michelle Fingleton    Dialogue Editor
Ed Bruce    Visual Effects Supervisor
Eric Kohler    Visual Effects Executive Producer
Kenneth Coyne    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.