Australia Box Office for Fatima (2020)

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Fatima
Theatrical Performance (US$)
Australia Box Office $103,105Details
Worldwide Box Office $585,082Details
Home Market Performance
North America DVD Sales $695,614 Details
Total North America Video Sales $695,614
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle. What they experience will transform their quiet lives and bring the attention of a world yearning for peace.

Metrics

Movie Details

Australia Releases: September 4th, 2020 (Wide)
Video Release: August 28th, 2020 by Picturehouse Entertainment
MPAA Rating: PG-13 for some strong violence and disturbing images.
(Rating bulletin 2623 (Cert #52666), 4/1/2020)
Running Time: 113 minutes
Keywords: 1910s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Picturehouse, Origin Entertainment, Elysia Productions, Rose Pictures
Production Countries: Portugal, United States
Languages: English

Weekend Estimates: New Mutants Posts $7 Million Opening

August 30th, 2020

The New Mutants

Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.

Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new). More...

Limited and Virtual Releases: Will Limited Releases Deliver?

August 28th, 2020

Fatima

It is a poor week generally for limited releases, with only a couple earning any real buzz: The Courier and Fatima. With actual wide releases this week, the competition is much greater than it’s been for months, which makes conditions challenging for these releases, to say the least. On the bright side, while things are still tough, this week sees a more typical mix of independent and genre films than we’ve seen recently. Here’s a rundown of the films that are doing their bit to help move the theatrical market back towards nomalcy. More...

Fatima Trailer

February 27th, 2020

Faith-based historical drama opens April 24 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/09/04 8 $26,912   37 $727   $26,912 1
2020/09/11 13 $21,573 -20% 54 $400   $65,513 2
2020/09/18 - $10,029 -54% 37 $271   $87,862 3
2020/09/25 27 $3,392 -66% 11 $308   $92,293 4
2020/10/09 - $894   2 $447   $100,185 6
2020/10/16 - $511 -43% 3 $170   $99,011 7
2020/10/23 - $298 -42% 3 $99   $100,138 8
2020/10/30 - $267 -10% 5 $53   $101,681 9
2020/11/06 - $630 +136% 7 $90   $105,991 10
2020/11/27 - $1,510   2 $755   $109,058 13
2023/02/24 - $1,384   1 $1,384   $103,105 130

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/4/2020 $26,912 37 54 162 $103,105 2/27/2023
Mexico 10/7/2021 $39,299 0 0 0 $92,900 10/20/2022
New Zealand 9/3/2020 $2,554 14 30 179 $46,170 10/19/2022
North America 8/28/2020 $0 0 0 0 $0
Russia (CIS) 9/4/2020 $1,461 34 34 55 $3,706 10/19/2022
Slovakia 8/14/2020 $60,072 61 61 216 $207,444 10/13/2020
South Korea 12/3/2020 $45,148 160 160 290 $122,627 1/6/2021
United Kingdom 6/25/2021 $9,130 36 36 36 $9,130 6/30/2021
 
Worldwide Total$585,082 2/27/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Stephanie Gil    Lucia
Alejandra Howard    Jacinta
Jorge Lamelas    Francisco

Supporting Cast

Joaquim de Almeida    Father Ferreira
Goran Visnjic    Arturo
Lucia Moniz    Maria
Marco D’Aleida    António
Joana Ribeiro    Virgin Mary
Sonia Braga    Sister Lucia
Harvey Keitel    Professor Nichols
Carla Chambel    Olimpia
Elmano Sancho    Ti Manuel
Joâo D’Avila    Monsenhor Quaresma
Iris Cayatte    Adelina
Joao Luis Arrais    Manuel Santos
Simão Cayatte    Captain Ribeiro
Ivo Alexandre    Doctor Andrade
Filipa Aerosa    Pretty Fiance
João Bandeira    Toninho
Alba Baptista    Senhora Lopes Daughter
Enrique Bejan    Diogo Lima
Zé Bernardino    Reporter
Margarida Cardeal    Skeptic Woman
Joana Cavaco    Carolina
Figueira Cid    Doctor Ramires
Maria de Aires    Mother
Gonçalo Diniz    GNR Guard
Vitor Emanuel    Silvio
Gabrielle Fleck    Maria dos Anjos
Hugo Franco    Corporal GNR
Eduardo Frazão    Vendor
Laura Frederico    Daughter
Paula Garcia    Senhora Lopes
Lourenço Henriques    Mauricio
Ivone Fernandes-Jesus    Angel of Peace
Alexandra Leite    Fernanda
João Lobo    Tradesman
Maribel Lopera Sierra    Benedita Diogo’s Mother
André Mendes    Victor
Beatriz Mendes    Republica
Catarina Mira    Tradeswoman
Tobias Monteiro    Arthur’s Assistant
Ana Moreira    Laic Nun
Manuel Moreira    Skeptic Man
Luisa Ortigoso    Amelia
Ângela Pinto    Carmelite Nun
João Maria Pinto    Avelino de Almeida
Fernando Rodrigues    Pope
Isabel Ruth    Old Woman
Carmen Santos    Dona Clara

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marco Pontecorvo    Director
Marco Pontecorvo    Screenwriter
Valerio D’Annunzio    Screenwriter
Barbara Nicolosi    Screenwriter
Rose Ganguzza    Producer
Natasha Howes    Producer
Frida Torresblanco    Executive Producer
David Fischer    Executive Producer
James Volk    Producer
Dick Lyles    Producer
Stefano Buono    Producer
Maribel Lopera Sierra    Producer
Marco Pontecorvo    Producer
Jonas Barcellos    Executive Producer
Matthew Malek    Executive Producer
Marco Valerio Pugini    Executive Producer
Holly Carney    Executive Producer
David Nicksic    Co-Executive Producer
Ute Leonhardt    Co-Producer
Edoardo Ferretti    Co-Producer
Paolo Buonvino    Composer
Vincenzo Carpineta    Cinematographer
Melodie Caudal    Assistant Editor
Alessio Doglione    Editor
Cristina Onori    Production Designer
Daniela Ciancio    Costume Designer
Alessandra Perpignani    Sound Designer
Carlos Alberto Lopez    Sound Mixer
Camilla Valentine Isola    Casting Director
Lucy Hellier    Casting Director
Jemima McWilliams    Casting Director
Ute Leonhardt    Line Producer
Gerardo Fernandes    Production Manager
Edoardo Ferretti    First Assistant Director
Giovanni Arcadu    Music Supervisor
Jake Alden Falconer    Associate Producer
Augusto Mayer    Supervising Art Director
Silvia Colafranceschi    Art Director
Martina Monicelli    Script Supervisor
Chiara Milani    Script Supervisor
Manuel Rebelo    Location Manager
Eduardo Araújo    Location Manager
Luís Oliveira    Location Manager
Filipe Pereira    Special Effects Supervisor
Pasquale Di Viccaro    Visual Effects Supervisor
Riccardo Micalizio    Visual Effects Producer
Fabrizio Pistone    Visual Effects Producer
Cristiano Ciccone    Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.