Thailand Box Office for Dolittle (2020)

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Dolittle
Theatrical Performance (US$)
Thailand Box Office $978,432Details
Worldwide Box Office $251,509,294Details
Home Market Performance
North America DVD Sales $8,260,336 Details
North America Blu-ray Sales $10,760,312 Details
Total North America Video Sales $19,020,648
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After losing his wife seven years earlier, the eccentric Dr. John Dolittle, famed doctor and veterinarian of Queen Victoria’s England, hermits himself away behind the high walls of Dolittle Manor with only his menagerie of exotic animals for company. But when the young queen falls gravely ill, a reluctant Dolittle is forced to set sail on an epic adventure to a mythical island in search of a cure, regaining his wit and courage as he crosses old adversaries and discovers wondrous creatures.

Metrics

Movie Details

Production Budget:$175,000,000
Thailand Releases: January 16th, 2020 (Wide)
Video Release: March 24th, 2020 by Universal Home Entertainment
April 7th, 2020 by Universal Pictures UK
MPAA Rating: PG for some action, rude humor and brief language.
(Rating bulletin 2607 (Cert #52492), 12/4/2019)
Running Time: 103 minutes
Keywords: IMAX: DMR, Talking Animals, Family Movie, Family Adventure, Remake, Veterinarian, Scene in End Credits, 1800s
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Team Downey, Universal Pictures, Perfect World Pictures, Roth Kirschenbaum Films
Production Countries: United States
Languages: English

DEG Watched At Home Chart: Trolls Tower over the Rest

July 16th, 2020

Trolls World Tour

The pandemic continues to impact the DEG Watched at Home chart, which is little changed from last week. Trolls World Tour remains in first place on the chart and Universal is the top studio, this time with six entries in the top 20, up from five last week. More...

International Round Up: It’s Alive! The Box Office is Alive!

July 2nd, 2020

Innocence

For the first time in months, there is a real reason to be optimistic about the box office, at least internationally. South Korea became the first market to have an unqualified success since the beginning of the pandemic. Several other markets saw increased box office at the weekend, including France, Spain, Japan, Australia, and New Zealand. Here are all the details. More...

International Round Up: Progress Slows on International Front

June 25th, 2020

Innocence

We had some hopeful signs on the international box office over the past couple of weeks, but the progress has greatly slowed down. This is in part due to the lack of major releases in most markets, but also due in part to theater owners not opening as quickly as some governments are allowing. For example, cinemas in Italy were allowed to open on June 15th, but the vast majority of them remain closed. Furthermore, we are solidly in a feedback loop where the lack of new releases is hurting the box office and the weak box office means studios will be unwilling to release major movies. There are still a few pieces of good news to report around the world though. More...

DEG Watched At Home Chart: Skywalker Remains Top Draw

April 23rd, 2020

Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker remained on top of the chart on this week’s DEG Watched at Home Chart. In fact, the top five were nearly identical to the top five from last week, so we are going to spend some more time looking lower down the list. More...

DEG Watched At Home Chart: Skywalker Rides High

April 16th, 2020

Star Wars: The Rise of Skywalker

With Covid-19 still running high, and the industry’s focus shifted to what people are watching at home, we’re please to announce the launch of a new chart here at The Numbers. The DEG Watched at Home Top 20 chart, produced by our friends at the Digital Entertainment Group, looks at the most popular films being watched at home each week. This includes traditional DVD and Blu-ray sales, digital sales (“EST”), and digital rentals (“tVOD”), with rankings based on the total consumer spending for a given title across those four categories. Note that it does not currently include PVOD releases, like the recent debut of Trolls: World Tour. The weekly chart will be published each Thursday for the week ending the previous Saturday.

This week, Star Wars: The Rise of Skywalker led the way, as it did last week. This shouldn’t come as too much of a surprise, because even though the film earned the weakest reviews of the live-action Star Wars films, it is still a Star Wars film. More...

Home Market Releases for April 7th, 2020

April 6th, 2020

Little Women

The movie industry is still reacting to the ongoing Covid-19 outbreak and the changing release schedule has resulted in not a lot coming out this week. Even worse, there are only three first-run releases on the main list and two of them are serious bombs. Fortunately, the third first-run release, Little Women, is an easy Pick of the Week winner. In fact, it’s only competition is the Slings & Arrows: Complete Series DVD, a Canadian TV show that most people reading this have never even heard of. More...

VOD Releases: Will these VOD Releases Rescue the Movie Industry?

March 26th, 2020

Banana Split

With the COVID-19 outbreak causing mass shutdowns of non-essential businesses in a lot of places, theatrical releases are, for the most part, non-existent. However, the movie industry is trying to rapidly adapt to this and so are we. They are fast-tracking lots of theatrical releases to VOD and we will be expanding our coverage of VOD releases. Like last week, there are a lot of fast-tracked theatrical releases coming out this week, but we also have the more typical VOD premieres to talk about. Of the former category, Bad Boys for Life is clearly leading the way, although Birds of Prey is coming out on Friday rather than Tuesday, so it gets a jump on the action. Of the latter category, Banana Split is the film that I’m most interested in seeing. Sadly, there are so many major VOD releases this week that I fear it will slip between the cracks. More...

Home Market Releases for March 24th, 2020

March 23rd, 2020

Leave Her to Heaven

The COVID-19 outbreak had basically ended the theatrical market with most theaters closed. Only drive-ins are showing any signs of life. Unfortunately, this is having an effect on the home market as well, some of it positive, some of it very negative. There is a rush to get movies from theaters to the home market and that’s helping improve the list this week. On the other hand, uncertainty with supply chains and stores being open means we could have a very short list next weekend, and next month. There are some big releases this week, including 1917, while Birds of Prey leads the VOD list. However, for Pick of the Week, I went with a much older film, Leave Her to Heaven, which is getting a Criterion Collection release this week. More...

International Box Office: Sonic Completes Threepeat

March 5th, 2020

Sonic The Hedgehog

Sonic The Hedgehog is unstoppable on the international chart earning first place for the third weekend in a row. This past weekend, it pulled in $26.8 million in 62 markets for totals of $137.2 million internationally and $265.8 million worldwide. The film had no major market openings, but did open very well in both Indonesia and Poland at $2 million and $1.1 million respectively. The film has already earned enough to break even and it is quickly becoming one of Paramount’s biggest hits in the last few years. More...

International Box Office: Sonic Runs Another Lap in First Place

February 27th, 2020

Sonic The Hedgehog

Sonic The Hedgehog remained in first place on the international chart this past weekend earning $38.3 million in 56 markets for totals of $96.5 million internationally and $203.0 million worldwide. It’s only major market opening of the weekend came in Russia where the film earned fourth place with $3.84 million on 2,042 screens over the weekend for a total opening of $6.62 million. I think Paramount would have been relatively happy had the film finished with just over $200 million worldwide, so this is a fantastic run so far. More...

Thursday Night Previews: Sonic Speeds its way to $3 million

February 14th, 2020

Sonic the Hedgehog

Sonic the Hedgehog started its box office run with $3 million in midnight previews on Thursday. This is twice as much as The Lego Movie 2: The Second Part earned during its Thursday previews last year. I’m not saying Sonic will open with twice as much as that film did during its opening weekend, but there are reasons to be optimistic that it will top our predictions. Its reviews remain solid and there is a lack of direct competition with Dolittle slipping out of the top five this weekend. We will have a better idea where it is heading tomorrow, but so far I’m pleased. More...

International Box Office: Prey for Birds’ International Chances

February 13th, 2020

Birds of Prey

Birds of Prey debuted in first place on the international chart with $46.5 million on 23,010 screens in 78 markets. This includes some impressive openings, like its first place debuts in Mexico, where it earned $4.18 million on 3,915 screens. It also earned first place in Russia with $3.81 million on 1,881 screens and in Brazil with $2.8 million on 1,506. On the other hand, the film had to settle for second place in the U.K. with $3.7 million on 1,260 screens and in South Korea with $1.30 million on 946 screens over the weekend for a total opening of $1.98 million. The film could still break even, if it has long legs in some of the major markets, and if it can increase the home market revenue of some of its other D.C.E.U. films. More...

Weekend Wrap-Up: 2020 Suffers Its First Loss

February 11th, 2020

Birds of Prey

It was bound to happen, I was just hoping it wouldn’t happen this soon, but 2020 suffered its first loss in the year-over-year comparison. Birds of Prey failed to live up to the very low end of expectations opening with just $33 million. On the positive side, the holdovers held on really well and that helped limit losses. In fact, the overall box office was $95 million this weekend, up 18% from last weekend. That said, this is still down 16% from the same weekend last year and this number is a lot more important. Year-to-date, 2020 is still ahead of 2019 by $62 million or 6.2% at $1.07 billion to $1.01 billion, so we clearly shouldn’t be panicking this early on, but there are some troubling signs at the box office. More...

Weekend Estimates: Harley Quinn Can’t Lead Her Film to Box Office Success

February 9th, 2020

Birds of Prey

Birds of Prey is missing even the very low end of expectations with an estimated opening weekend of $33.25 million. The film is earning good reviews and a decent B plus rating from CinemaScore, and it is also the cheapest installment in the D.C.E.U., so this start isn’t disastrous. On the other hand, it is struggling more internationally with just $48 million on 22,362 screens in 78 markets. Part of this has to do with the coronavirus, which has caused major disruptions in many Asian countries. And I’m not just talking about the entertainment industry. So far close to 1,000 people have died, which is a major disaster. Although to put this into perspective, this flu season, about 10,000 people have died in the United States alone. More...

Friday Estimates: Are We Witnessing 2020’s First Loss?

February 8th, 2020

Birds of Prey

Ouch. Birds of Prey only managed $13.03 million on Friday, putting it on pace for just $32 million to $33 million over the full weekend. This is miles below expectations; it’s even lower than projections based on Thursday’s previews. However, it isn’t a bad opening for a film that cost $75 million to make. Add in the film’s reviews and its B plus from CinemaScore and it should have decent legs, especially with the holiday next weekend. It will be the weakest installment in the D.C.E.U. and I think this is clear evidence that making the film R-rated was a mistake. More...

Weekend Predictions: Can Quinn Capture Audience’s Attention?

February 7th, 2020

Birds of Prey

It’s the first weekend of February and the only wide release is Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn), the latest installment in the D.C.E.U. There is no question that it will earn first place over the weekend. There is some question about how well it will do during its opening weekend, as ticket pre-sales have been weaker than anticipated. This weekend last year, The Lego Movie 2: The Second Part opened with $34.12 million. Birds of Prey will top that; however, it needs to come close to matching the combined openings of last year’s top two films, The Lego Movie 2 and What Men Want, in order to have a real shot at leading 2020 to a victory in the year-over-year competition. That doesn’t seem as likely as it did last week. More...

International Box Office: Bad Boys Battle in Brazil

February 6th, 2020

Bad Boys for Life

Bad Boys for Life remained in first place on the international box office chart, again, this time earning 31.21 million on 13,180 screens in 81 markets for totals of $143.09 million internationally and $291.15 million worldwide. The film has now made more internationally than the first film in the franchise earned worldwide. The film’s biggest new release of the weekend came in Brazil where it earned first place with $1.71 million on 810 screens. The film’s biggest holdover was France where it was down just 39% to $2.75 million on 614 screens over the weekend for a two-week total of $8.10 million. More...

Weekend Wrap-Up: Bad Boys Still Feeling Good, New Releases are Bad and Worse

February 4th, 2020

Bad Boys for Life

The Super Bowl turned out to be a good game, at least according to the score sheet. This perhaps hurt the box office over the weekend, as Bad Boys for Life fell a little faster than expected. That said, it still dominated the box office with a huge lead over the second place film, 1917. Meanwhile, the two new releases, Gretel and Hansel and The Rhythm Section, both bombed to varying degrees. The overall box office fell 33% from last weekend, hitting $81 million; however, an extreme decline like this is to be expected on Super Bowl weekend. More importantly, this is 11% higher than the same weekend last year and that helped 2020 extend its lead over 2019 to 8.9% / $77 million at $945 million to $868 million. A few more weeks like this and I’ll actually become optimistic about the year’s box office chances. More...

Weekend Estimates: Bad Boys Enjoy Life at the Top

February 2nd, 2020

Bad Boys for Life

Bad Boys for Life is extending its run at the top of the chart the weekend with Sony projecting a total of $17.675 million as of Sunday morning. That’s down 48% from last weekend, which is another solid hold, and takes the film to the brink of $150 million at the domestic box office—it’s expected to have around $148 million by close of business. The studio is baking in a big 71% drop today thanks to competition with the Super Bowl, so it may end up doing just a little better than predicted. More...

Friday Estimates: Bad Boys Beat Up Newcomers

February 1st, 2020

Bad Boys for Life

If Friday’s estimates are any indication, then the weekend will be a little weaker than anticipated. Bad Boys for Life will easy lead the way after pulling in $5.19 million on Friday. Sony is projecting $17 million based on this result, which is a little lower than our $19 million to $20 million prediction, but still a great hold for a mainstream action film on Super Bowl weekend. This won’t be enough to get the movie to $150 million by the end of the weekend and it likely ends the film’s chances at $200 million domestically. That said, it is still going to be the biggest hit in the franchise by the end of Saturday, so there’s still plenty of reasons to celebrate. More...

Weekend Predictions: The Box Office Looks far from Super

January 31st, 2020

Gretel and Hansel

It is Super Bowl weekend, which is one of the biggest media events of the year. Even people who have no interest in the NFL tend to at least pay attention to the game. Because of that, no studio wants to release a typical film this time of year and instead focus on counter-programming, usually female-led counter-programming. Neither The Rhythm Section nor Gretel and Hansel are expected to challenge Bad Boys for Life for first place, but the pair could be in a close race with each other. This weekend last year, no movie earned $10 million or more, while Miss Bala opened with less than $10 million. 2020 should end the month on a huge winning note. More...

International Box Office: Bad Boys can’t Be Beat

January 30th, 2020

Bad Boys for Life

Bad Boys for Life remained in first place on the international box office chart with $44.04 million on 12,933 screens in 76 markets for totals of 96.5 million internationally and $217.33 million worldwide. This is already more than the first film in the franchise earned in total. However, before we get too excited, it did come out 25 years ago and not only does this film have 25 years of inflation behind it, it had huge growth in the international market to help it out as well. The film’s biggest new market was Russia, where it earned $5.02 million in 1,466 theaters, but it also had an impressive debut in France with $4.53 million on 619 screens. The film earned first place in both markets. As far as holdovers are concerned, the movie has already earned $10.82 million in the U.K., including $3.59 million in 559 theaters this past weekend. It is doing even better in Germany, if you take into account the relative size of the two markets, with $3.30 million on 669 screens over the weekend for a two-week total of $9.55 million. On the downside, the film is rapidly running out of markets to open in, so it won’t remain in the top five for too much longer, but it has already earned enough to ensure a healthy profit in the end. More...

Weekend Wrap-Up: Bad Boys’ Box Office Boon Balances Mixed Opening Results

January 28th, 2020

Bad Boys for Life

Bad Boys for Life saved the box office this weekend earning $34.01 million, which was more than The Gentlemen and The Turning earned combined. Granted, the overall box office was still down 27% from last weekend, but it is a post-holiday weekend, so this decline was expected. More importantly, it was 23% higher than the same weekend last year and this helped 2020 continue its early winning streak. 2020 is now ahead of 2019’s early pace by 8.2% / $63 million at $828 million to $765 million. It is still way to early to make any projections for the end of the year, but any lead 2020 can build up now will help it during the slower stretches of the year. More...

Weekend Estimates: Bad Boys are Doing Well

January 26th, 2020

Bad Boys for Life

Bad Boys for Life will remain in first place on the weekend chart with an estimated $34.0 million, which is down just 46% from the film’s opening weekend. This amazing hold not only beat predictions by a significant margin, it helped the film blow past $100 million yesterday. Its running tally will sit at $120.0 million at the end of the weekend, assuming the estimate holds. Internationally, the film held even better, earning $42 million on 12,700 screens in 58 markets for a total of $95 million so far. This includes a $4.7 million debut in Russia, as well as a $3.5 million hold in the U.K. The film is already ahead of the franchise average, both domestically and globally, while it is rapidly approaching first place in both. At this rate, not only will there be yet another sequel, I could see a spin-off happening as well. More...

Friday Estimates: Audiences Turn Away from New Releases

January 25th, 2020

Bad Boys for Life

Bad Boys for Life remained in first place earning $8.93 million on Friday, down 62% from its opening Friday. This is significantly better than anticipated and it means the film could fall less than 50% during the full weekend. Regardless, the film will reach $100 million domestically tonight, becoming the first film released in 2020 to get to that milestone. Obviously it won’t be the last. More...

Weekend Predictions: The Box Office will have a Gentle Weekend

January 23rd, 2020

The Gentlemen

It is a post-holiday weekend and the weekend before the Super Bowl. Needless to say, there are no prime releases coming out in theaters. The Gentlemen is the widest release of the week a should open in the top five, even if it doesn’t compete for top spot. The Turning is a low-budget horror movie, and we’ve already had one of those struggle at the box office this year. There’s little hope this one will be better. Finally, there’s The Last Full Measure, which is only opening nationwide, not even semi-wide. It’s not even going to make the top ten, so we will talk about that film with the other limited releases. This leaves Bad Boys for Life as the only real contender for first place this weekend. The question is more about how far it falls from last weekend. As for this weekend last year, we were in a similar situation with the two new releases, The Kid Who Would Be King and Serenity, failing to make any real impact, leaving Glass in first place for the second weekend in a row. The Upside was the only other film to earn more than $10 million that weekend, while this weekend we will have four, perhaps even five films above $10 million. 2020 should walk away with an easy win. More...

International Box Office: Bad Boys Bounces Star Wars Out of Top Spot

January 22nd, 2020

Bad Boys for Life

Bad Boys for Life took over top spot with $37.50 million on 8,945 screens in 54 international markets over the three-day weekend and $38.96 million including previews and non-standard days, as Sony puts it. The film’s biggest market was arguably Germany where it earned $4.71 million on 661 screens over the weekend for a total opening of $5.14 million. However, the film made more money over the three-day weekend in the U.K., $4.93 million in 535 theaters, to be more precise. The film earned strong openings in Australia with $3.97 million on 259 and in Mexico with $3.88 million on 2,242 screens. More...

Weekend Wrap-Up: Bad Boys Gives the Box Office Life

January 22nd, 2020

Bad Boys for Life

The first long weekend of the year was fantastic at the box office as Bad Boys for Life set a number of box office records, including MLK Long Weekend Opening Record, which is arguably the most prestigious of the records it set. Dolittle, on the other hand, managed to avoid embarrassing itself, which is about as good as it was going to get after its troubled production. Overall, the box office had amazing growth from last weekend, improving by 25% to $166 million. More importantly, this is 28% higher than the same weekend last year. Year-to-date, 2020 is ahead of 2019 by 10.5% or $63 million at $666 million to $602 million; however, every little bit helps. We don’t have an Endgame this year, so getting off to a fast start will be more important than usual. More...

Weekend Estimates: Bad Boys Blow Up Record Book

January 19th, 2020

Bad Boys for Life

The weekend estimates are a little more estimated than usual, because it is a long weekend, so studios are predicting Monday’s results the day before they happen, and there’s a larger margin of error than usual. That said, Bad Boys for Life is going to have no trouble topping the old MLK long weekend opening record, as it is projected to earn $59.2 million / $68.1 million over the weekend. Its three-day figure is almost $10 million more than the previous record holder, Ride Along, earned over three days. And yes, it has the opening weekend record. American Sniper was a December release that expanded wide on MLK weekend. On another positive note, the film’s reviews have risen to 76% positive, which is enough to earn a Certified Fresh rating from Rotten Tomatoes, although the site appears to be slow on awarding that. Additionally, the film earned an A-rating from CinemaScore, so audiences liked the film even more than critics did. The audience was 39% African-Americans, compared to 33% Caucasian, while it was 61% male. No real surprises there. The film is earning $38.6 million on 8,200 screens in 39 markets during its international debut, including stellar openings in Germany ($5.1 million) and the U.K. ($5.0 million). More...

Friday Estimates: Bad Boys Sets January Opening Day Record with $23.5 million

January 18th, 2020

Bad Boys for Life

Bad Boys for Life earned $23.5 million on Friday, which is the biggest opening day in January, breaking the previous record of $17.16 million set by Cloverfield back in 2008. It is also way more than anticipated, and puts it on pace to crush the opening weekend record for MLK weekend, and all of the associated records. In fact, Sony is projecting a $66 million four-day debut as a result of this start. There are reasons to be bullish, including the film’s solid reviews and its A-rating from CinemaScore. The film is already the biggest hit released in 2020 and if this is a sign of things to come, then we are in for a good year. More...

Thursday Night Previews: Bad Boys has Record MLK Start with $6.36 million

January 17th, 2020

Bad Boys for Life

Bad Boys for Life had the best MLK weekend previews earning $6.36 million on Thursday. Granted, best MLK weekend previews don’t even make the top 50 all-time previews, but it is still a good sign going forward. Given the film’s reviews, this should translate into a record opening for MLK long weekend of over $50 million, maybe even $60 million. It depends on the film’s legs and how much the Sequel Effect shortens its legs. I remain cautiously optimistic about the film’s chances. More...

Weekend Predictions: Will Bad Boys do a Good Job at the Box Office?

January 16th, 2020

Bad Boys for Life

It’s the first long weekend of the year and we have two films that are hoping to take advantage of MLK Day to get off to a fast start at the box office. Bad Boys for Life does have the advantage in terms of reviews and hype, not to mention a much more reasonable production budget. Dolittle is an early contender for worst movie of 2020. It also cost $175 million to make, so if it doesn’t make at least $100 million domestically, then it is practically guaranteed to lose a ton of money for Universal. This weekend last year, Glass earned first place with $40 million over the three-day weekend. I’ve seen some predictions that have Bad Boys for Life earning less than that over the four-day weekend, but I’ve also seen some predictions that would top the $48-million MLK long weekend opening record. 2020 does have better depth, so the year’s short winning streak shouldn’t come to an end just yet. More...

International Box Office: Star Wars Keeps Competition Away from Top Spot

January 15th, 2020

Star Wars: The Rise of Skywalker

As previously reported, Star Wars: The Rise of Skywalker entered the billion dollar club on Tuesday. Over the weekend, it earned $24.2 million in 55 markets for totals, as of the end of the weekend, of $511.4 million internationally and $989.6 million worldwide. It struggled in South Korea, earning second place with $2.16 million on 948 screens over the three-day weekend for a total opening of $3.09 million. I’ll talk about the film that beat it below. Rise of Skywalker did relatively better in the Philippines with an opening of $1.0 million over the weekend, and $3.0 million including previews. More...

2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

Dolittle Trailer

October 15th, 2019

Adventure starring Robert Downey, Jr. January 17 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/17 - $559,793   155 $3,612   $649,503 1
2020/01/24 - $145,114 -74% 103 $1,409   $878,570 2
2020/01/31 - $35,431 -76% 87 $407   $936,895 3
2020/02/07 - $12,087 -66% 50 $242   $960,080 4
2020/02/14 - $6,014 -50% 50 $120   $967,325 5
2020/02/21 - $3,004 -50% 24 $125   $978,432 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Albania 1/30/2020 $3,883 3 3 10 $14,327 3/11/2020
Argentina 1/23/2020 $196,000 200 200 394 $508,347 3/11/2020
Australia 1/17/2020 $2,336,968 331 331 2305 $8,957,582 1/4/2021
Austria 1/31/2020 $362,431 77 81 542 $1,499,976 10/7/2020
Belgium 1/29/2020 $415,548 93 93 564 $1,532,328 8/19/2020
Bolivia 1/16/2020 $126,472 23 23 115 $542,351 9/9/2020
Brazil 2/21/2020 $761,000 578 589 2121 $3,084,984 9/2/2020
Bulgaria 1/17/2020 $150,315 0 18 132 $515,777 10/7/2020
Central America 1/16/2020 $638,643 182 182 727 $1,737,008 10/7/2020
Chile 1/16/2020 $194,491 76 76 334 $731,888 3/11/2020
China 7/24/2020 $5,141,737 5262 25941 46806 $19,497,206 9/30/2020
Colombia 1/16/2020 $890,668 207 207 976 $2,602,074 11/18/2020
Croatia 1/16/2020 $54,627 55 55 202 $191,899 4/26/2023
Cyprus 1/16/2020 $20,627 14 14 72 $91,588 3/11/2020
Czech Republic 1/17/2020 $246,362 176 176 760 $1,135,734 10/20/2022
Denmark 1/23/2020 $131,577 72 72 247 $450,640 3/4/2020
Ecuador 1/17/2020 $281,700 49 49 331 $992,642 2/3/2021
Egypt 1/15/2020 $88,462 23 23 118 $409,306 8/12/2020
Estonia 1/17/2020 $53,753 31 31 108 $180,316 3/11/2020
Finland 1/17/2020 $99,592 77 77 237 $292,157 6/17/2020
France 2/5/2020 $2,526,548 576 650 3126 $9,668,559 7/24/2020
Germany 1/30/2020 $2,863,345 569 613 4153 $8,416,449 9/30/2020
Greece 1/16/2020 $155,225 124 124 523 $502,162 3/11/2020
Hong Kong 1/23/2020 $769,701 58 58 275 $1,848,900 2/24/2021
Hungary 1/16/2020 $203,987 0 70 291 $1,125,610 10/19/2022
Iceland 1/17/2020 $34,526 10 11 70 $133,106 6/10/2020
India 1/17/2020 $906,656 1032 1032 1453 $1,636,427 8/12/2020
Indonesia 1/15/2020 $2,125,100 365 365 1083 $4,289,593 2/26/2020
Israel 3/5/2020 $179,649 38 38 38 $361,982 10/19/2022
Italy 1/30/2020 $2,234,989 0 59 89 $5,080,453 10/19/2022
Japan 6/19/2020 $1,384,085 347 350 2065 $5,247,189 9/23/2020
Latvia 1/17/2020 $32,072 15 17 77 $159,923 3/18/2020
Lebanon 1/16/2020 $27,233 17 17 59 $111,577 7/8/2020
Lithuania 1/17/2020 $54,323 17 17 68 $159,682 6/24/2020
Macedonia 1/16/2020 $6,853 4 4 23 $27,475 3/11/2020
Malaysia 1/23/2020 $870,739 143 143 576 $2,118,872 7/15/2020
Mexico 1/31/2020 $3,493,912 0 163 256 $9,313,238 10/19/2022
Middle East Region 1/16/2020 $912,826 91 91 468 $3,181,400 8/26/2020
Mongolia 1/17/2020 $22,457 9 9 18 $32,012 1/29/2020
Netherlands 1/17/2020 $595,573 127 127 1003 $2,634,275 10/19/2022
New Zealand 1/16/2020 $204,904 97 107 776 $949,029 10/19/2022
North America 1/17/2020 $21,844,045 4,155 4,155 23,076 $77,047,065
Norway 1/17/2020 $329,894 157 157 577 $1,117,330 10/7/2020
Pakistan 1/17/2020 $24,910 48 48 167 $69,346 10/7/2020
Paraguay 1/16/2020 $19,425 16 16 49 $63,797 2/26/2020
Peru 1/16/2020 $636,508 104 104 339 $1,878,339 2/26/2020
Philippines 1/29/2020 $453,270 213 213 456 $862,536 3/11/2020
Poland 1/17/2020 $631,732 165 200 1132 $3,314,587 10/19/2022
Portugal 1/17/2020 $45,097 44 49 216 $166,509 3/10/2020
Romania 1/17/2020 $188,362 85 85 523 $668,092 10/20/2022
Russia (CIS) 2/20/2020 $4,208,463 1782 1802 6812 $9,130,209 10/19/2022
Serbia and Montenegro 1/9/2020 $46,692 82 82 322 $187,101 1/20/2021
Singapore 1/16/2020 $336,735 36 36 179 $971,529 3/25/2020
Slovakia 1/17/2020 $94,859 70 70 215 $265,487 7/14/2020
Slovenia 1/16/2020 $36,525 29 29 140 $145,245 10/7/2020
South Africa 1/10/2020 $239,224 134 134 736 $848,414 3/25/2020
South Korea 1/8/2020 $5,352,719 1290 1290 2954 $11,706,179 10/7/2020
Spain 1/24/2020 $1,920,999 342 385 2367 $6,937,188 4/28/2021
Sweden 1/24/2020 $281,393 184 184 633 $864,468 8/12/2020
Switzerland 1/30/2020 $414,345 77 95 570 $1,486,084 9/23/2020
Taiwan 1/24/2020 $833,000 0 203 535 $2,518,489 3/11/2020
Thailand 1/16/2020 $559,793 155 155 469 $978,432 2/26/2020
Trinidad 1/15/2020 $62,949 19 19 105 $287,567 3/18/2020
Turkey 1/17/2020 $201,559 154 202 595 $893,473 10/19/2022
Ukraine 1/9/2020 $1,189,842 199 199 873 $2,714,442 9/23/2020
United Arab Emirates 1/16/2020 $565,632 61 61 343 $1,580,898 9/16/2020
United Kingdom 2/7/2020 $6,564,502 600 678 3903 $20,733,602 10/14/2020
Uruguay 1/16/2020 $26,926 19 19 70 $84,363 3/11/2020
Venezuela 1/24/2020 $35,052 0 0 0 $110,353 3/11/2020
Vietnam 1/25/2020 $380,775 206 207 673 $1,912,127 2/26/2020
 
Worldwide Total$251,509,294 4/26/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Robert Downey, Jr.    Doctor John Dolittle
Emma Thompson    Polynesia
Rami Malek    Chee-Chee
John Cena    Yoshi
Kumail Nanjiani    Plimpton
Octavia Spencer    Dab-Dab
Tom Holland    Jip
Craig Robinson    Kevin
Ralph Fiennes    Barry
Selena Gomez    Betsy
Marion Cotillard    Tutu

Supporting Cast

Antonio Banderas    King Rassouli
Michael Sheen    Dr. Blair Mudfly
Harry Collett    Tommy Stubbins
Jim Broadbent    Lord Thomas Badgley
Carmen Ejogo    Regine
Frances de la Tour    Ginko-Who-Soars
Jessie Buckley    Queen Victoria
Ralph Ineson    Arnall Stubbins
Kasia Smutniak    Lily Dolittle
Carmel Laniado    Lady Rose
Jason Mantzoukas    James
Oliver Chris    Sir Gareth
Clive Francis    Archbishop
Paul Holowaty    Navy Man
Elliot Barnes-Worrell    Captain William Derrick
Mark Umbers    Lieutenant
David Sheinkopf    Don Carpenterino
Sid Sagar    Jeff the Prisoner
Martin Pemberton    Postman
Tim Treloar    Humphrey the Whale
Nick A. Fisher    Mini the Sugar Glider
Jim Carretta    Beard Mouse and Leona
Matt King    Clyde
Ranjani Brow    Mouse
Kelly Stables    Mouse
Scott Menville    Mouse
Matthew Wolfe    Army Ant
Gia Davis    Baby Animal
Henry Holcomb    Baby Animal
Kyrie McAlpin    Baby Animal
Isley Zamora    Baby Animal
Stewart Scudamore    Pirate
Kayo Samson    Pirate
John-Luke Roberts    Pirate
Joseph Balderrama    Prisoner
Daniel Hoffmann-Gill    Prisoner

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Gaghan    Director
Stephen Gaghan    Screenwriter
Tom Shepherd    Screenwriter
Hugh Lofting    Story by
Joe Roth    Producer
Jeff Kirschenbaum    Producer
Susan Downey    Producer
Robert Downey, Jr.    Executive Producer
Sarah Bradshaw    Executive Producer
Zachary Roth    Executive Producer
Jonathan Liebesman    Executive Producer
Guillermo Navarro    Director of Photography
Dominic Watkins    Production Designer
Chris Lebenzon    Editor
Craig Alpert    Editor
Jenny Beavan    Costume Designer
Simon Crane    Second Unit Director
Sarah Bradshaw    Unit Production Manager
Simone Goodridge    Unit Production Manager
William M. Connor    First Assistant Director
Chris Castaldi    First Assistant Director
Matthew Haggerty    Second Assistant Director
Joey Coughlin    Second Assistant Director
William M. Connor    Co-Producer
John Dykstra    Visual Effects Supervisor
Tim Keene    Visual Effects Producer
Matt Gray    Supervising Art Director
Gary Tomkins    Senior Art Director
Paul Laugier    Senior Art Director
Tom Whitehead    Art Director
Tom Weaving    Art Director
Will Coubrough    Art Director
Peter Dorme    Art Director
Alex Smith    Art Director
Lee Sandales    Set Decorator
Marco Scotti    Costume Supervisor
Jo Beckett    Script Supervisor
Dominic Tuohy    Special Effects Supervisor
Rachel Korn    Associate Producer
Mark Layton    Production Supervisor
Bill Darby    Location Manager
Tom Crooke    Location Manager
Lisa Rodgers    Post-Production Supervisor
Conrad Buff    Editor
Nick Moore    Editor
Billy Rich    Editor
Jim Carretta    Additional Editor
Jon Taylor    Re-recording Mixer
Frank A. Montano    Re-recording Mixer
Julian Andraus    First Assistant Editor
Brandon Cano-Erecart    Assistant Editor
Daniel Laurie    Supervising Sound Editor
J.R. Grubbs    Supervising Sound Editor
Al Nelson    Supervising Sound Designer
Ben Burtt    Sound Effects Editor
Qianbaihui Yang    Sound Effects Editor
Jack Whittaker    Sound Effects Editor
Jacob Riehle    Dialogue Editor
Brad Semenoff    Dialogue Editor
Andre Fenley    Foley Editor
Simon Crane    Stunt Coordinator
Glenn Foster    Stunt Coordinator
Anita Burger    Make-up and Hair Designer
Bill Abbott    Music Editor
Oliver Hug    Music Editor
Danny Elfman    Score Producer
Chris Bacon    Additional Music
Noah Snyder    Score Recordist
Noah Snyder    Score Mixer
Cecilia Marin    Visual Effects Executive Producer
Christina Wise    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.