Indonesia Box Office for Charlie’s Angels (2019)

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Charlie’s Angels
Theatrical Performance (US$)
Indonesia Box Office $4,799,167Details
Worldwide Box Office $73,235,048Details
Home Market Performance
North America DVD Sales $1,168,644 Details
North America Blu-ray Sales $1,453,754 Details
Total North America Video Sales $2,622,398
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The Angels are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.

Metrics

Movie Details

Production Budget:$48,000,000
Indonesia Releases: November 13th, 2019 (Wide)
Video Release: February 18th, 2020 by Sony Pictures Home Entertainment
April 6th, 2020 by Sony Pictures
MPAA Rating: PG-13 for action/violence, language and some suggestive material.
(Rating bulletin 2596 (Cert #51938), 9/18/2019)
Running Time: 119 minutes
Franchise: Charlie's Angels
Keywords: Reboot, Kidnap, Delayed Sequel, Special Ops, Corporate Malfeasance, Action Comedy, Whistleblowers, Scene in End Credits
Source:Based on TV
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: 2.0 Entertainment, Brownstone, Cantillon Company, Columbia Pictures, Perfect World Pictures
Production Countries: United States
Languages: English

Home Market Releases for March 10th, 2020

March 11th, 2020

Love Chunibyo and Other Delusions

It’s another terrible week on the home market. There are a couple of Oscar-bait releases to talk about, but neither are Pick of the Week contenders, at least in my opinion. There are no movies that are anything more than midlevel hits. The best new release of the week, at least in my opinion, is Love, Chunibyo & Other Delusions: Ultimate Collector’s Edition Blu-ray. More...

Home Market Releases for February 18th, 2020

February 19th, 2020

Jojo Rabbit

There are not a lot of major releases on this week’s list, but what we lack in quantity, we more than make up for in quality. In fact, there are five contenders for Pick of the Week and a couple of other smaller releases that might end up in my collection soon. It is going to be a rough week on my wallet. These include a couple of Oscar contenders, A Beautiful Day in the Neighborhood and Jojo Rabbit; a couple of animated releases, The Point! and Tex Avery: Screwball Classics: Volume 1; and a TV on DVD Megaset, Unbreakable Kimmy Schmidt: The Complete Series. All five releases are worth picking up, but I’m going with Jojo Rabbit as this week’s Pick of the Week. More...

Weekend Wrap-Up: Frozen has Fantastic Opening with $130.26 million

November 26th, 2019

Frozen II

Frozen II beat expectations over the weekend, and earned several records along the way. In fact, its three-day opening of $130.26 million is better than the previous 5-day Thanksgiving weekend for an animated film, a record previously held by Frozen. The other two new releases, A Beautiful Day in the Neighborhood and 21 Bridges, missed expectations, but were close enough that the overall box office was very healthy. In fact, the box office rose 89% from last weekend to $204 million. This was 5.7% lower than the same weekend last year, but this weekend last year was Thanksgiving, so being down by 5.7% during a holiday misalignment is a fantastic result. We did lose the weekday holidays, so year-over-year, 2019 lost a lot of ground to 2018 and is now behind last year’s pace by 7.4% or $770 million at $9.71 billion to $10.48 billion. We should gain a lot next weekend, thanks to Thanksgiving, and by the first weekend of December, things will settle down. More...

International Box Office: Ford v Ferrari has a Closer Race Internationally

November 20th, 2019

Ford v Ferrari

Ford v Ferrari opened in top spot on the international chart, just like it did domestically. However, it wasn’t nearly as dominant earning $21.4 million in 41 markets. The film wasn’t nearly as strong internationally as it was domestically in most markets, but it did do really well in Russia with an opening of $3.33 million on 1,044 screens, easily earning first place in that market. It’s wasn’t as successful in either the U.K. or France, earning $2.3 million each. On the other hand, the film wasn’t even able to crack $1 million in Spain. This is surprising, as the box office results of sports movies tend to be proportional to their popularity and this kind of auto racing is more popular internationally than it is domestically. More...

Weekend Wrap-Up: Ford v Ferrari has no Competition at the Box Office

November 18th, 2019

Ford v Ferrari

Ford v Ferrari had a good opening over the weekend, but unfortunately, it was only good and not great. Furthermore, it was the only film that had a good weekend. The other two new releases crashed and burned, while the holdovers couldn’t compensate for this weakness. The overall box office fell 11% from last weekend to just $108 million, which was 37% lower than the same weekend last year. The year-to-date numbers don’t look any better, as 2019 is now behind 2018’s pace by a margin of 6.5% or $660 million at $9.47 billion to $10.13 billion. Worse still, 2019 has fallen behind 2016’s pace. Things need to turn around and fast. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Friday Estimates: Ford v Ferrari Laps the Competition

November 16th, 2019

Ford v Ferrari

Ford v Ferrari is going to dominate the weekend chart. In fact, it earned more on Friday than the second place film is expected to earn during the full weekend. The film pulled in $10.94 million during its opening day, putting it on pace for $30 million over the full weekend, which is significantly ahead of our prediction. Its reviews and its A plus from CinemaScore should result in stellar word-of-mouth. It might even do well during Awards Season, although if it does win any Oscars, I think it will be limited to technical categories. More...

Thursday Night Previews: Ferrari gets off to a Fast Start

November 15th, 2019

Ford v Ferrari

Ford v Ferrari opened with $2.1 million from its Thursday previews, which is on par with predictions. Its prospects for the weekend still depend on how well its overwhelmingly positive reviews translate into long legs. It’s still too early to revise my $24 million prediction. More...

Weekend Predictions: Can Ford get the Pole Position on the Angels?

November 14th, 2019

Ford v Ferrari

There are three wide releases coming out this week and at the moment, all three of them have positive reviews. Unfortunately, that’s the end of the good news. Ford v Ferrari is the best new release of the week and should have no trouble earning first place on the box office. On the other hand, the film cost nearly $100 million to make, so it will likely struggle to break even any time soon. Charlie’s Angels cost half as much to make, but it is also on track to open with about half as much. The Good Liar is the smallest of the three new films and, with a more mature target audience, it is unlikely to have a big opening. Worse still, it is likely all three new releases this week will earn less than Fantastic Beasts: The Crimes of Grindelwald opened with this weekend last year. 2019 is going to take another beating in the year-over-year competition and it might even be worse than last weekend was. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Charlie’s Angels Trailer 2

October 11th, 2019

Action movie starring Naomi Scott, Ella Balinska, and Kristen Stewart, directed by Elizabeth Banks opens November 15 ... Full Movie Details.

The Angels are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere. More...

Charlie’s Angels Trailer

June 27th, 2019

Action movie starring Naomi Scott, Ella Balinska, and Kristen Stewart, directed by Elizabeth Banks opens November 15 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/15 - $2,875,361   1,122 $2,563   $2,875,361 1
2019/11/22 - $882,844 -69% 989 $893   $4,206,498 2
2019/11/29 - $341,554 -61% 368 $928   $4,717,385 3
2019/12/06 - $17,149 -95% 90 $191   $4,796,140 4
2019/12/13 - $721 -96% 5 $144   $4,799,167 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/28/2019 $67,294 109 109 245 $145,526 12/31/2019
Aruba 11/14/2019 $0 0 5 6 $8,614 12/4/2019
Australia 11/15/2019 $1,148,899 390 390 1416 $3,404,228 1/29/2020
Austria 1/2/2020 $167,044 68 69 285 $492,198 2/12/2020
Bahrain 11/14/2019 $70,688 12 12 25 $133,572 12/18/2019
Belgium 12/25/2019 $210,158 54 54 193 $577,028 2/4/2020
Bolivia 1/2/2020 $22,068 18 18 31 $49,842 1/22/2020
Brazil 11/14/2019 $738,708 650 650 1603 $1,685,265 10/19/2022
Cambodia 11/15/2019 $40,119 83 83 170 $74,076 12/18/2019
Central America 1/1/2020 $179,100 160 160 309 $504,944 1/29/2020
Chile 1/2/2020 $37,021 47 47 53 $54,443 1/15/2020
China 11/14/2019 $8,610,000 77884 77884 91014 $10,800,219 12/10/2019
Colombia 1/9/2020 $207,927 185 185 252 $359,586 1/29/2020
Curacao 11/14/2019 $3,614 6 6 12 $8,479 12/11/2019
Dominican Republic 1/2/2020 $25,110 32 32 62 $57,789 2/5/2020
East Africa 11/14/2019 $5,762 4 4 19 $15,227 1/8/2020
Ecuador 1/10/2020 $95,078 46 46 167 $250,337 2/12/2020
Egypt 11/14/2019 $52,346 34 34 108 $156,354 12/27/2019
Estonia 11/15/2019 $25,109 20 20 51 $73,011 12/31/2019
France 12/25/2019 $746,823 271 280 1086 $1,691,961 2/5/2020
Germany 1/2/2020 $600,792 224 251 865 $1,348,880 3/11/2020
Greece 11/21/2019 $50,018 65 65 99 $98,329 12/18/2019
Hong Kong 11/14/2019 $244,687 111 111 211 $455,435 12/18/2019
Hungary 11/28/2019 $60,354 57 60 156 $118,518 10/19/2022
India 11/15/2019 $231,616 875 875 892 $336,008 11/27/2019
Indonesia 11/13/2019 $2,875,361 1122 1122 2574 $4,799,167 12/18/2019
Iraq 11/14/2019 $11,603 8 8 23 $34,559 12/10/2019
Israel 11/14/2019 $161,673 31 32 175 $513,427 10/19/2022
Italy 3/12/2020 $0 0 0 0 $12,687 10/19/2022
Jamaica 11/13/2019 $15,106 6 6 7 $33,830 12/4/2019
Japan 2/21/2020 $495,659 306 306 1225 $2,057,250 3/24/2020
Jordan 11/14/2019 $26,148 6 6 20 $60,984 12/10/2019
Kenya 11/15/2019 $17,375 21 23 72 $53,449 1/15/2020
Kuwait 11/14/2019 $156,877 30 30 43 $261,215 12/10/2019
Latvia 11/22/2019 $10,004 9 9 21 $27,263 12/18/2019
Lebanon 11/14/2019 $43,033 20 20 54 $105,485 12/27/2019
Lithuania 11/15/2019 $13,236 14 14 22 $22,312 10/19/2022
Malaysia 11/14/2019 $666,222 370 370 873 $1,400,093 1/8/2020
Mexico 1/1/2020 $1,298,701 0 561 717 $4,132,466 10/19/2022
Middle East Region 11/14/2019 $449,806 11 11 40 $1,211,227 12/27/2019
Mongolia 11/15/2019 $9,442 9 9 29 $26,089 12/18/2019
Netherlands 1/10/2020 $308,578 92 93 434 $1,175,884 10/19/2022
New Zealand 11/14/2019 $138,229 84 84 330 $424,456 10/19/2022
Nigeria 11/15/2019 $31,249 49 49 173 $86,560 12/10/2019
North America 11/15/2019 $8,351,109 3,452 3,452 11,022 $17,801,306 9/1/2022
Oman 11/14/2019 $49,216 25 25 44 $88,722 12/10/2019
Pakistan 11/15/2019 $32,409 62 62 140 $71,689 12/18/2019
Paraguay 11/28/2019 $5,707 17 17 26 $13,109 12/18/2019
Peru 1/9/2020 $150,490 117 117 197 $294,535 1/29/2020
Philippines 11/13/2019 $985,746 284 284 660 $1,833,682 12/27/2019
Portugal 11/28/2019 $96,723 53 53 184 $361,455 1/29/2020
Qatar 11/14/2019 $160,723 25 25 51 $268,437 12/27/2019
Romania 11/29/2019 $97,390 79 79 251 $266,608 2/12/2020
Russia (CIS) 11/14/2019 $1,142,393 1300 1300 3410 $2,134,387 10/19/2022
Singapore 11/14/2019 $514,512 68 68 201 $1,118,933 12/27/2019
Slovakia 11/14/2019 $34,383 65 65 111 $62,405 12/18/2019
South Africa 11/15/2019 $133,201 114 114 562 $759,172 2/4/2020
Spain 12/5/2019 $591,937 329 375 1220 $1,166,259 1/22/2020
Suriname 11/14/2019 $713 1 1 5 $3,643 12/18/2019
Switzerland 12/25/2019 $46,177 17 67 192 $538,433 2/12/2020
Syria 11/14/2019 $7,865 2 2 6 $13,530 12/10/2019
Taiwan 12/27/2019 $276,490 93 94 365 $949,281 2/4/2020
Thailand 11/28/2019 $339,504 168 168 265 $1,086,224 10/19/2022
Trinidad 11/13/2019 $39,693 21 21 65 $106,810 12/18/2019
Turkey 11/29/2019 $161,959 229 229 465 $372,517 10/19/2022
Ukraine 11/14/2019 $357,212 341 341 788 $659,554 12/18/2019
United Arab Emirates 11/14/2019 $522,973 88 88 191 $953,152 12/18/2019
United Kingdom 11/29/2019 $707,729 488 488 1087 $1,483,398 1/22/2020
Uruguay 11/14/2019 $7,428 19 19 37 $19,714 12/31/2019
Venezuela 1/3/2020 $14,746 55 55 175 $52,094 2/5/2020
Vietnam 11/15/2019 $384,728 389 389 657 $837,992 12/10/2019
 
Rest of World $579,735
 
Worldwide Total$73,235,048 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kristen Stewart    Sabina Wilson
Naomi Scott    Elena Houghlin
Ella Balinska    Jane Kano

Supporting Cast

Elizabeth Banks    Bosley
Djimon Hounsou    Bosley
Sam Claflin    Bosley
Noah Centineo    Langston
Nat Faxon    Peter Fleming
Patrick Stewart    Bosley
Chris Pang    Jonny Smith
Jonathan Tucker    Hodak
Luis Gerardo Mendez    The Saint
David Schütter    Ralph
Hannah Hoekstra    Ingrid (Angel)
Jane Chirwa    Passing Woman (Angel)
Emre Kentmenoglu    Prince Alim Hassan
Murali Perumal    Pradeep Prasad
Sebastian Kroehnert    Sven Ludwig
Franz Xaver Zach    Watchmaker Schmidt
Andreas Schroders    The Accountant
Marie-Lou Sellem    Fatima Ahmed
Batur Belirdi    Bettor
Anna Drexler    Susan Olson
Tanem Calbayram    Istanbul Ferry Girl
Neil Malik Abdullah    LA Bosley
Nick Dong-Sik    LA Bosley
Dennenesch Zoudé    LA Bosley
Peter Sikorski    Brok Lobby Security
Frederic Böhle    Level 4 Guard
Marco Grahl    Cyclist
Livia Matthes    Model
Tessa Achtermann    Dancer
Jabar Maurice Werner    Dancer
Daria Nowak    Dancer
Kiani del Valle    Dancer
Jakob Yaw Yeboah    Dancer
Helen Aschauer    Dancer
Robert Clotworthy    Charlie

Cameos

Michael Strahan    NY Bosley
Jaclyn Smith    Kelly Garrett
Danica Pantic    Driving Instructor
Ronda Rousey    Fight Instructor
Laverne Cox    Bomb Instructor
Hailee Steinfeld    Angel Recruit
Chloe Kim    Angel Recruit
Lili Reinhart    Angel Recruit
Aly Raisman    Angel Recruit
Huda Kattan    Angel Recruit

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Elizabeth Banks    Director
Elizabeth Banks    Screenwriter
Evan Spiliotopoulos    Story by
David Auburn    Story by
Elizabeth Banks    Producer
Max Handelman    Producer
Doug Belgrad    Producer
Elizabeth Cantillon    Producer
Nancy Juvonen    Executive Producer
Drew Barrymore    Executive Producer
Leonard Goldberg    Executive Producer
Matthew Hirsch    Executive Producer
Bill Pope    Director of Photography
Aaron Haye    Production Designer
Mary Jo Markey    Editor
Debra Zane    Casting Director
Dylan Jury    Casting Director
Simone Bar    Casting Director
Alexandra Montag    Casting Director
Kym Barrett    Costume Designer
Brian Tyler    Composer
Julianne Jordan    Music Supervisor
Julia Michels    Music Supervisor
Arno Neubauer    Unit Production Manager
Alexander Oakley    First Assistant Director
Alexander Oakley    Associate Producer
James Manning    Second Assistant Director
Christoph Fisser    Co-Producer
Henning Molfenter    Co-Producer
Charlie Woebcken    Co-Producer
Karen Heston    Visual Effects Supervisor
Ebbi Olshausen*    Supervising Art Director
Cornelia Ott    Art Director
Uwe Stanik    Art Director
Stephanie Rass    Art Director
Mark Rosinski    Set Decorator
Zoe Morgan    Script Supervisor
Meike Schlegel    Costume Supervisor
Jayne Marie Ghisays    Costume Supervisor
Melanie Hughes-Weaver*    Make up
Maha Lessner    Make up
Camille Friend    Hairstylist
April Schuller    Make up
Roland Winke    Sound Mixer
Uli Nefzer    Special Effects Supervisor
Simon Daniel    Location Manager
Nic Diedrich    Location Manager
Daniel Selensky    Set Designer
Anna Jarocka    Set Designer
Mariana Vasconcellos    Set Designer
Markos Rounthwaite    Second Unit Director
Björn S. Berger    Script Supervisor
Richard B. Molina    First Assistant Editor
Christine Kim    First Assistant Editor
Sarah Russell    Assistant Editor
Anahuac Valdez    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Erin Oakley    Supervising Sound Editor
Kami Asgar    Supervising Sound Editor
Ryan Collins    Sound Effects Editor
Hector Gika    Sound Effects Editor
Casey Genton    Sound Effects Editor
Mark Larry    Sound Effects Editor
Steve Urban    Dialogue Editor
Brendan Hill    Foley Editor
Brendan Croxon    Foley Mixer
Will Kaplan    Music Editor
Joe Lisanti    Music Editor
Greg Hayes    Score Recordist
Frank Wolf    Score Mixer
Brian Tyler    Score Mixer
Thomas Hacikoglu    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.