Switzerland (German Speaking) Box Office for Central Intelligence (2016)

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Central Intelligence poster
Theatrical Performance (US$)
Switzerland (German Speaking) Box Office $353,000Details
Worldwide Box Office $217,194,805Details
Home Market Performance
North America DVD Sales $13,044,937 Details
North America Blu-ray Sales $8,120,823 Details
Total North America Video Sales $21,165,760
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story follows a one-time bullied geek, Bob, who grew up to be a lethal CIA agent, coming home for his high school reunion. Claiming to be on a top-secret case, he enlists the help of former “big man on campus,‟ Calvin, now an accountant who misses his glory days. But before the staid numbers-cruncher realizes what he's getting into, it's too late to get out, as his increasingly unpredictable new friend drags him through a world of shoot-outs, double-crosses and espionage that could get them both killed in more ways than Calvin can count.

Metrics

Movie Details

Production Budget:$50,000,000
Switzerland (German Speaking) Releases: June 17th, 2016 (Wide)
Video Release: September 13th, 2016 by Warner Home Video
MPAA Rating: PG-13 for crude and suggestive humor, some nudity, action violence and brief strong language.
(Rating bulletin 2420 (Cert #50408), 4/13/2016)
Running Time: 114 minutes
Keywords: High School Hell, Bullies, C.I.A., High School Reunions, Action Comedy, Rogue Agent, Framed
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Universal Pictures, RatPac Entertainment, Dune Entertainment, Perfect World Pictures, Bluegrass Films, Principato-Young Entertainment
Production Countries: United States
Languages: English

2016 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 22nd, 2016

Finding Dory

It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year... More...

Home Market Releases for September 27th, 2016

September 27th, 2016

Captain America: Civil War

It is a pretty good week on the home market with a few releases worth picking up. The biggest of these is Central Intelligence, but while it is worth picking up, it isn’t a contender for Pick of the Week. There are some smaller releases that were up for that title, including The Shallows, An American Werewolf in London and The Innocents. However, in the end, I went with Captain America: Civil War. The Blu-ray screener arrived late, and I held off on naming it Pick of the Week when it came out for that very reason. More...

Home Market Releases for September 13th, 2016

September 12th, 2016

The Transformers: The Movie

This week, the biggest hit of the year so far, Captain America: Civil War, comes out. It is also one of the best and the Blu-ray is a contender for Pick of the Week. Unfortunately, the screener is late and I don’t like awarding Pick of the Week to a release where I’m still waiting on the Blu-ray. The rest of the contenders are smaller films, including The Bloodstained Butterfly, which arrived late. Part of me wants to give the title to The Transformers: The Movie, but while I plan to buy the Blu-ray, I understand that Nostalgia has a lot to with that. ... Oh what the hell, doing it. The Transformers: The Movie is the Pick of the Week. More...

Thursday Night Previews: Ghosts have a Chance with $3.4 million in Previews

July 15th, 2016

Ghostbusters

Ghostbusters earned $3.4 million in previews last night, which is ... a number. Unfortunately, there hasn’t been a film like Ghostbusters to come out this summer, so it is hard to judge that figure. For example, The Conjuring 2: The Enfield Poltergeist also pulled in $3.4 million during its previews and just over $40 million during its opening weekend. However, there’s not a lot of crossover between the two films, outside of the ghosts. Perhaps a better comparison is Central Intelligence which is an action / comedy and the “/ comedy” matters. That film earned $1.84 million during its previews and if Ghostbusters has the same multiplier, it will make $66 million. Ghostbusters did have louder buzz, even if a lot of that buzz was the “Feminists ruin everything” crowd whining, but it also has better reviews. On the other hand, Ghostbusters is part of a franchise, which is going to be more front-loaded. How about Independence Day: Resurgence? It’s a long-delayed sequel, so it has that in common. It earned $4 million on debut night, so if Ghostbusters has the same legs, it will make $35 million over the weekend, although the word-of-mouth is much better here. So we have a range of $35 million to $66 million, or almost exactly what we had for our prediction. We have learned nothing. Fortunately, we will have a much better picture this time tomorrow when Friday’s estimates are in. More...

Weekend Wrap-Up: It’s No Secret that Life of Pets Will Get a Sequel

July 12th, 2016

The Secret Life of Pets

As expected, The Secret Life of Pets earned first place on the weekend box office chart. However, almost no one was expecting it to dominate the way that it did with $104.35 million. There are some calling this film the best opening for a non-franchise animation film, but let’s face the facts... Universal started work on two or three sequels as soon as Friday’s Estimates came in. Meanwhile, Mike and Dave Need Wedding Dates has a good opening in the role of counter-programming with $16.63 million. Overall, the box office pulled in $217 million, which was 14% more than last weekend. More importantly, it is 1.3% more than the same weekend last year. Granted, this is lower than ticket price inflation, but since most people assumed the weekend would suffer a serious decline, this should be seen as a major victory. Year-to-date, 2016’s lead over 2015 grew a tiny bit hitting 2.4% at $6.00 billion to $5.86 billion. More...

Weekend Wrap-Up: Dory Defeats Alien Invasion with $72.96 million

June 28th, 2016

Finding Dory

As predicted, Finding Dory repeated as the box office champion and came very close to matching our prediction with $72.96 million over the weekend. This is well above Independence Day: Resurgence's opening of $41.04 million. The Shallows was great as a low-budget horror film. The other two films... let's not talk about them. Overall, the box office fell 19% from last weekend to $188 million; however, this is to be expected, given how big Finding Dory opened. The weekend box office was even better than the same weekend last year, albeit by only 2.3%, which is not enough to keep up with inflation. Likewise, the year-over-year comparison is not great either. 2016 still leads 2015, but only by $5.38 billion to $5.31 billion, which is a lead of just 1.2%. Hopefully this weekend's win is a sign of things turning around, but I'm not so sure of that. More...

Friday Estimates: Dory swims to $23.21 million, Resurgence shrinks to $16.8 million

June 25th, 2016

Finding Dory

Finding Dory held on to first place on Friday and that’s not good news, at least not for the box office as a whole. The film pulled in $23.21 million last night, which puts it on track to earn approximately $76 million. We predicted $74 million, so I’m calling this a victory. This will give the film close to $290 million after just ten days of release and puts it on pace to reach $300 million late Monday / early Tuesday. It will obviously hit $400 million at this pace, and it could become the first film of 2016 and the first animated film of all time to reach the $500 million milestone. That’s not a sure thing, but I think it’s at least 50/50 at this point. More...

Weekend Predictions: Will New Releases Challenge Top Spot? Or Will Dory just Keep Swimming?

June 23rd, 2016

Independence Day: Resurgence

This is the last weekend in June and there are three wide releases hoping to challenge Finding Dory for top spot. I don’t think any of them will come close. Independence Day: Resurgence is the only new release with a shot at first place and it should come out on top on Friday. It better win on Friday, or the month will end on a soft note. The Shallows and Free State of Jones will be fighting for fourth place. The Shallows cost less than $20 million, so a fourth place finish wouldn’t be a bad start. On the other hand, Free State of Jones cost $65 million to make, so a fourth place finish would be a disaster. Also opening this week is The Neon Demon. It isn’t opening wide, but it is opening wide enough to compete for a slot in the top ten. This weekend last year, there were two wide releases that earned less than $50 million combined. On the other hand, the top two films, Jurassic World and Inside Out both earned more than $50 million. Can the top four this year out-earn the top four last year? I think they can. We might get an actual win in the year-over-year comparison. More...

Theater Averages: Dory Finds Her Way to the Top with $31,373

June 21st, 2016

Finding Dory

Finding Dory not only earned first place on the weekend box office chart, but it also earned first place on the theater average chart with $31,373 per theater. Homeless Billionaire was next with $19,771 in its lone theater. Tickled earned an average of $10,949 in two theaters. Meanwhile, Central Intelligence was right behind with an average of $10,130. More...

Weekend Wrap-Up: Dory Dominates with $135.06 Million, Central is Solid with $35.54 Million

June 21st, 2016

Finding-Dory

In our prediction column, I said I wanted the top two films to earn a combined total of $150 million to $170 million. Finding Dory's and Central Intelligence's combined opening weekend was $170.60 million. The overall box office was 53% higher than last weekend at $233 million. However, this was still 6.3% lower than the same weekend last year. Finding Dory did do better than either Jurassic World or Inside Out individually, but couldn't compete with their combined totals. 2016 is still ahead of 2015, but its lead was cut by a third at $150 million or 3.1%. That said, 2016 hit $5 billion a week faster than 2015 did and its lead of $5.06 billion to $4.91 billion is still substantial. More...

Weekend Estimates: Finding Dory Surges to Biggest Animated Opening with $136.2 Million

June 19th, 2016

Finding-Dory

Finding Dory is rewriting the record books this weekend, posting the biggest weekend ever for an animated film. Disney is projecting a total of $136.18 million in its first three days, which will easily break the record of $121.6 million set by Shrek the Third back in 2007. The previous top mark for a Pixar movie was Toy Story 3’s $110.3 million. With an A CinemaScore (for the 17th time straight for Pixar, per Disney), and 95% positive reviews on Rotten Tomatoes, the film should enjoy Pixar’s traditional good legs. In the Summer, that has meant a ratio between opening and final box office of somewhere between 3 and 4, which points towards a final box office somewhere between $400 million and $520 million for the fish pic. By way of comparison Finding Nemo earned $518 million, adjusted for inflation. More...

Friday Estimates: Dory Finds Success with $54.95 Million

June 18th, 2016

Finding-Dory

Finding Dory led the way on Friday with $54.95 million. This is the best opening day for a Pixar film and the best opening day for an animated film. Simply, a fantastic start. Our prediction of $129 million seems woefully inadequate. It is a family-friendly film with 95% positive reviews and a CinemaScore of A, so it should have good legs, meaning a $140 million is the new target. This would also be a record for an animated film and put it in the top twenty opening weekends. If this calculation holds true, then getting to $400 million domestically will be an easy feat. Hitting $500 million isn’t out of the question. More...

Thursday Night Previews: Dory Sets Pixar Record, Intelligence Right on the Money

June 17th, 2016

Finding-Dory

Finding Dory. Finding Dory started its box office run by setting a Pixar record with $9.2 million at preview shows. This beats the old record of $4.0 million held by Toy Story 3. However, that film came out six years ago and midnight showings were not industry standard back then so it is hard to judge. On the other hand, the film also set the record for an animated film, which was previously set last year by Minions at $6.2 million. Finding Dory is also the biggest midnight hit for a family film so far this year, topping The Jungle Book, which earned $4.2 million. At this pace, a $100 million opening seems very likely and a record-breaking opening, for an animated film, is still the goal. More...

Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?

June 16th, 2016

Finding-Dory

This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million. More...

Contest: Remember Me

June 9th, 2016

Finding Dory

Next week, there are two wide releases debuting in theaters: Finding Dory and Central Intelligence. I think Central Intelligence is going to be a hit earning more than $100 million domestically and could spawn a sequel as a result. On the other hand, Finding Dory could earn more than $100 million opening weekend and it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Finding Dory.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviewed DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are, two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: June

June 1st, 2016

Finding Dory

May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/06/17 1 $353,000   0     $353,000 1

Box Office Summary Per Territory

$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/19/2016 $172,789 90 90 131 $260,335 11/30/2018
Australia 7/1/2016 $3,593,987 336 336 1452 $11,521,195 9/20/2016
Austria 6/17/2016 $253,000 0 68 345 $1,516,801 9/1/2016
Belgium 8/26/2016 $162,932 46 48 282 $811,601 11/1/2016
Brazil 8/11/2016 $672,696 526 526 1015 $1,576,925 9/27/2016
Bulgaria 6/17/2016 $33,019 0 0 0 $184,150 2/26/2019
Central America 6/17/2016 $342,000 0 0 0 $342,000 6/19/2016
Chile 7/29/2016 $85,950 37 37 63 $133,673 12/31/2018
Colombia 7/29/2016 $300,864 134 134 267 $620,669 12/31/2018
Croatia 6/30/2016 $28,223 20 20 76 $87,085 12/20/2018
Czech Republic 6/16/2016 $27,035 67 67 122 $61,839 12/31/2018
Denmark 6/30/2016 $259,015 55 59 271 $1,184,878 9/13/2016
Ecuador 6/17/2016 $40,000 0 0 0 $40,000 12/31/2018
Egypt 7/13/2016 00$0
Finland 7/1/2016 $126,947 45 45 190 $615,740 9/6/2016
France 8/26/2016 $1,345,903 239 270 1277 $4,169,893 10/25/2016
Germany 6/17/2016 $2,000,000 494 539 3453 $8,433,156 10/11/2016
Greece 6/17/2016 $50,000 0 22 39 $139,178 7/27/2016
Hong Kong 7/14/2016 $404,379 30 30 91 $1,054,165 8/23/2016
Hungary 6/17/2016 $112,000 0 55 211 $580,809 12/31/2018
India 6/17/2016 $166,000 0 0 0 $166,000 9/5/2016
Israel 6/17/2016 $312,000 0 32 217 $2,590,277 12/31/2018
Italy 7/14/2016 $342,859 0 241 443 $1,037,436 9/1/2016
Lebanon 7/14/2016 00$0
Lithuania 7/1/2016 $20,773 11 19 44 $79,957 7/28/2016
Malaysia 6/17/2016 $368,000 0 86 279 $1,439,257 8/23/2016
Mexico 7/1/2016 $1,577,872 0 282 388 $5,222,699 9/13/2016
Netherlands 6/16/2016 $436,479 64 72 509 $2,294,648 9/13/2016
New Zealand 7/1/2016 $353,808 65 65 309 $1,267,625 9/1/2016
North America 6/17/2016 $35,535,250 3,508 3,508 18,681 $127,440,871 1/18/2017
Norway 6/17/2016 $252,000 0 82 278 $1,325,511 9/20/2016
Panama 6/16/2016 $0 0 8 32 $1,181,711 12/31/2018
Paraguay 7/29/2016 $11,000 10 10 10 $11,000 12/31/2018
Peru 6/24/2016 $252,814 84 84 154 $696,740 12/31/2018
Philippines 6/17/2016 $344,000 0 23 25 $514,595 12/31/2018
Poland 7/1/2016 $126,090 96 96 330 $467,663 11/18/2018
Portugal 6/30/2016 $123,479 36 43 197 $843,499 10/4/2016
Russia (CIS) 7/8/2016 $671,505 564 564 1489 $1,723,421 11/14/2018
Singapore 6/17/2016 $311,000 0 26 94 $1,211,273 8/2/2016
Slovakia 6/16/2016 $18,890 53 53 89 $39,094 7/20/2016
Slovenia 6/17/2016 $19,765 10 10 94 $127,747 10/3/2016
South Africa 6/24/2016 $374,230 128 132 855 $2,250,577 10/4/2016
Spain 7/8/2016 $837,660 270 298 1151 $3,499,989 9/13/2016
Sweden 6/17/2016 $421,000 0 66 298 $1,845,573 8/23/2016
Switzerland 6/16/2016 $0 0 53 368 $1,850,140 12/6/2016
Switzerland (French Speaking) 8/26/2016 $55,000 0 0 0 $55,000 8/29/2016
Switzerland (German Speaking) 6/17/2016 $353,000 0 0 0 $353,000 9/5/2016
Switzerland (Italian Speaking) 7/14/2016 00$0
Taiwan 7/15/2016 $456,893 71 71 211 $1,133,931 8/9/2016
Thailand 6/17/2016 $211,000 0 83 118 $415,171 7/12/2016
Turkey 6/17/2016 $42,571 64 64 147 $129,847 2/26/2019
United Arab Emirates 7/14/2016 00$0
United Kingdom 7/1/2016 $4,050,811 444 444 1942 $11,166,857 9/8/2018
Venezuela 8/26/2016 $29,975 50 50 198 $288,212 11/8/2016
Vietnam 6/17/2016 $90,000 0 0 0 $90,000 12/31/2018
 
Rest of World $11,101,392
 
Worldwide Total$217,194,805 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Dwayne Johnson    Bob Stone
Kevin Hart    Calvin Joyner

Supporting Cast

Amy Ryan    Agent Pamela Harris
Danielle Nicolet    Maggie
Jason Bateman    Trevor
Aaron Paul    Phil
Ryan Hansen    Steve
Tim Griffin    Agent Stan Mitchell
Timothy John Smith    Agent Nick Cooper
Sione Kelepi    Young Robbie
Dylan Boyack    Trevor - 17 Years Old
Thomas Kretschmann    The Buyer
Megan Park    Waitress
Slaine    Thugged Out
Annie Kerins    Lady MC
Nate Richman    Big Bro
Robert Woo    Ethan
Kumail Nanjiani    Jared The Airport Security Guard
Phil Reeves    Principal Kent
David Stassen    Randy's Husband
Ricky Eugene Brown    Flunkie
Kyle Washburn    Flunkie #2
Sarah K. Thurber    Beautiful Restaurant Woman
Lawrence Koplin    Dashing Restaurant Man
Rawson Marshall Thurber    Handsome Pants Catcher

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rawson Marshall Thurber    Director
Ike Barinholtz    Screenwriter
David Stassen    Screenwriter
Rawson Marshall Thurber    Screenwriter
Ike Barinholtz    Story by
David Stassen    Story by
Scott Stuber    Producer
Peter Principato    Producer
Paul Young    Producer
Michael Fottrell    Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Samuel J. Brown    Executive Producer
Michael Disco    Executive Producer
Steven Mnuchin    Executive Producer
Ed Helms    Executive Producer
Stephen Lineweaver    Production Designer
Mike Sale    Editor
Brian Olds    Editor
Theodore Shapiro    Composer
Ludwig Göransson    Composer
Barry Peterson    Director of Photography
Lisa Beach    Casting Director
Sarah Katzman    Casting Director
Carol Ramsey    Costume Designer
Gabe Hilfer    Music Supervisor
Kelvin McIlwain    Visual Effects Supervisor
Beau Bauman    Co-Producer
Hiram Garcia    Co-Producer
Michael Fottrell    Unit Production Manager
Jeffrey Wetzel    First Assistant Director
Paul Schneider    Second Assistant Director
Joel Kramer    Second Unit Director
Adam McCarthy    Co-Producer
Bryan Felty    Art Director
Masako Masuda    Assistant Art Director
Patrick Scalise    Set Designer
Anthony Raymond    Set Designer
Leslie Rollins    Set Decorator
Adam McCarthy    Production Supervisor
Kelly Cronin    Script Supervisor
Claire Folger    Additional Photography-Still Photographer
Tom Williams    Sound Mixer
Wendy Chesebrough Lowe    Post-Production Supervisor
Tammy Fearing    Supervising Sound Editor
Kevin O'Connell    Re-recording Mixer
Tom Ozanich    Re-recording Mixer
David Raymond    First Assistant Editor
Samantha Babcock    First Assistant Editor
Ronald Webb    Music Editor
Marc Glassman    Sound Effects Editor
Cindy Marty    Sound Effects Editor
George Anderson    Sound Effects Editor
Alison Fisher    Dialogue Editor
Susan Kurtz    Dialogue Editor
Cameron Steenhagen    Dialogue Editor
Debbie Holbrook    Costume Supervisor
James Mackinnon    Make up
Merc Arceneaux    Make up
Frank Barbosa    Hairstylist
Elizabeth Cecchini    Hairstylist
Luke Ramsey    Location Manager
Robin Citrin    Location Manager
Mark Hawker    Special Effects Supervisor
Craig Barnett    Special Effects Coordinator
John Ruggieri    Special Effects
Judson Bell    Special Effects
Robert Caban    Special Effects
Herb Desroches    Special Effects
Jeremy Dominick    Special Effects
R. Scott Forster    Special Effects
Morgan Guynes    Special Effects
Mike Ricci    Special Effects
Diana Roche    Special Effects
Jay Cail Stone    Special Effects
Thomas Tate    Special Effects
Christopher Walsh    Special Effects
Larry Zelenay    Special Effects
Chris Fogel    Score Recordist
Chris Forster    Score Mixer
Allan Poppleton    Supervising Stunt Coordinator
Mark Fichera    Stunt Coordinator
Mark Wickham    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.