Australia Box Office for 21 Bridges (2019)

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21 Bridges
Theatrical Performance (US$)
Australia Box Office $850,489Details
Worldwide Box Office $42,657,631Details
Home Market Performance
North America DVD Sales $2,189,140 Details
North America Blu-ray Sales $2,595,117 Details
Total North America Video Sales $4,784,257
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 bridges to prevent any entry or exit from the iconic island.

Metrics

Movie Details

Production Budget:$33,000,000
Australia Releases: November 22nd, 2019 (Wide)
Video Release: February 18th, 2020 by Universal Home Entertainment
March 30th, 2020 by Sony Pictures
MPAA Rating: R for violence and language throughout.
(Rating bulletin 2603 (Cert #52300), 11/6/2019)
Running Time: 103 minutes
Keywords: NYPD, Set in New York, Set in New York City, Manhunt, Corrupt Cops, Action Thriller, Crime, Narcotics, Young Child Dealing with the Death of a Parent, Father’s Footsteps
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AGBO, MWM Studios, H Brothers, STX Films, XCeption Content
Production Countries: United States
Languages: English

Home Market Releases for February 18th, 2020

February 19th, 2020

Jojo Rabbit

There are not a lot of major releases on this week’s list, but what we lack in quantity, we more than make up for in quality. In fact, there are five contenders for Pick of the Week and a couple of other smaller releases that might end up in my collection soon. It is going to be a rough week on my wallet. These include a couple of Oscar contenders, A Beautiful Day in the Neighborhood and Jojo Rabbit; a couple of animated releases, The Point! and Tex Avery: Screwball Classics: Volume 1; and a TV on DVD Megaset, Unbreakable Kimmy Schmidt: The Complete Series. All five releases are worth picking up, but I’m going with Jojo Rabbit as this week’s Pick of the Week. More...

Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left

December 2nd, 2019

Frozen II

2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half. More...

Weekend Wrap-Up: Frozen has Fantastic Opening with $130.26 million

November 26th, 2019

Frozen II

Frozen II beat expectations over the weekend, and earned several records along the way. In fact, its three-day opening of $130.26 million is better than the previous 5-day Thanksgiving weekend for an animated film, a record previously held by Frozen. The other two new releases, A Beautiful Day in the Neighborhood and 21 Bridges, missed expectations, but were close enough that the overall box office was very healthy. In fact, the box office rose 89% from last weekend to $204 million. This was 5.7% lower than the same weekend last year, but this weekend last year was Thanksgiving, so being down by 5.7% during a holiday misalignment is a fantastic result. We did lose the weekday holidays, so year-over-year, 2019 lost a lot of ground to 2018 and is now behind last year’s pace by 7.4% or $770 million at $9.71 billion to $10.48 billion. We should gain a lot next weekend, thanks to Thanksgiving, and by the first weekend of December, things will settle down. More...

Weekend Estimates: Frozen II Sets Animation Records with $127 million

November 24th, 2019

Frozen II

It didn’t look like Frozen II would match our $125 million prediction based on Friday’s estimate, but if weekend estimates hold, it will did so with $127.0 million. This is not only the highest opening weekend for an Animated film in November, but anytime outside of summer. This greater-than-anticipated internal multiplier stronger suggests better legs overall. It is a family film opening just before Thanksgiving, so it was expected to have long legs regardless, but its reviews and its A minus from CinemaScore were merely good and not great. Add in the sequel effect and the film leg’s wouldn’t be nearly as stunning as the first Frozen’s legs were. However, after this result, I’m a lot more confident the film will still be at least a truly wide release come January, if not a saturation level release, as its predecessor was. More...

Friday Estimates: Frozen II Sets Fire to the Record Book

November 23rd, 2019

Frozen II

As expected, Frozen II started with a record-breaking Friday, as the film pulled in $41.8 million during its opening day, the best day in November for an animated film. Combine this start with its reviews and its A minus from CinemaScore and the film should have decent legs. The audience reaction is a little disappointing, so I think our prediction of $125 million is unlikely. It will come close enough to become a huge hit domestically. In fact, it is on pace to smash the November 3-day weekend for an animated film by the middle of Saturday and the five-day Thanksgiving weekend for any film by the middle of Sunday, and it isn’t even Thanksgiving. Those records are currently held by The Incredibles ($70.5 million) and The Hunger Games: Catching Fire ($109.9 million). The Incredibles record will obviously be broken, but we’ll have to wait until next week to see what Thanksgiving looks like. Frozen II is the fastest-starting November animated release of all time, but I don’t think it will have the legs to catch Frozen’s domestic total, unless it is able to remain in saturation level wide release until the New Year. More...

Thursday Night Previews: Frozen Gets Off to a Hot Start

November 22nd, 2019

Frozen II

Frozen II is giving box office watchers a reason to celebrate after earning $8.5 million during its previews on Thursday, setting the record for an animated film in November. This is not as much as The Lion King ($23 million) or Toy Story 4 ($12 million) made during their previews, but those two films opened during summer holidays and family films’ performances during previews is proportional to the number of kids who are on holidays. A better comparison is Aladdin, which earned $7 million during its previews back in May before the vast majority of kids were out of school. It turned that preview into an opening weekend haul of $91 million. This film does have better reviews and I think there isn’t much difference between a sequel and a remake when it comes to legs, so that should help this film’s legs. I’m cautiously optimistic that the film will match our $125 million weekend prediction. We will know more when we get Friday’s estimates. More...

Weekend Predictions: Can Frozen Heat Up the Box Office?

November 21st, 2019

Frozen II

The winter holiday season unofficially began on the first weekend of November and so far performance at the box office has been less than acceptable. That needs to—and should—turn around this weekend. According to most industry trackers, Frozen II should break records. Its reviews are far from award-worthy, but they are great for a family film. On the other hand, A Beautiful Day in the Neighborhood’s reviews are award-worthy and the film should have really long legs, especially if major nominations start rolling in. Finally, 21 Bridges has the weakest reviews and the lowest box office potential of the three wide releases this week. This weekend last year was led by the one-two punch of Ralph Breaks the Internet and Creed II. Frozen II should easily earn more than those two’s combined $92 million. Unfortunately, last year there were four films that topped $20 million over the weekend, while this year there will be only one. Last year’s depth will likely result in 2019 losing yet another weekend in the year-over-year competition. At least it should be close. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/22 4 $335,417   203 $1,652   $335,417 1
2019/11/29 8 $149,255 -56% 209 $714   $619,279 2
2019/12/06 11 $69,840 -53% 158 $442   $758,401 3
2019/12/13 19 $25,085 -64% 52 $482   $818,659 4
2019/12/20 31 $5,867 -77% 10 $587   $838,276 5
2019/12/27 - $1,079 -82% 2 $540   $850,489 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/3/2020 $61,417 117 117 150 $105,469 1/20/2020
Australia 11/22/2019 $335,417 203 209 634 $850,489 12/31/2019
Brazil 12/13/2019 $329,231 190 190 269 $829,719 12/28/2019
Bulgaria 2/28/2020 $9,310 0 0 0 $23,384 3/11/2020
China 3/18/2021 $2,330,000 51862 51862 54322 $4,320,000 4/14/2021
France 1/3/2020 $700,641 214 235 631 $1,343,442 1/29/2020
Germany 4/2/2021 $2,906 0 0 0 $867,970 4/12/2021
Hong Kong 11/22/2019 $0 0 0 0 $437,725 1/5/2020
Italy 1/9/2020 $492,645 0 0 0 $972,999 10/19/2022
Lithuania 11/22/2019 $10,354 10 10 15 $17,247 12/10/2019
Mexico 12/6/2019 $258,652 0 0 0 $514,004 12/17/2019
New Zealand 12/20/2019 $1,123 9 9 23 $3,008 10/19/2022
North America 11/22/2019 $9,261,268 2,665 2,665 10,225 $28,539,757
Portugal 12/13/2019 $49,566 42 49 138 $164,892 10/19/2022
Russia (CIS) 12/5/2019 $207,482 633 633 1107 $359,678 10/19/2022
Slovenia 2/28/2020 $6,488 10 12 22 $11,879 4/8/2020
South Korea 1/1/2020 $255,097 225 225 531 $885,144 11/25/2020
Spain 2/21/2020 $239,243 238 238 465 $431,046 3/5/2020
United Kingdom 11/22/2019 $840,557 407 407 1050 $1,979,779 12/12/2019
 
Worldwide Total$42,657,631 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chadwick Boseman    Andre Davis

Supporting Cast

Sienna Miller    Detective
Stephan James    Michael
Keith David    Deputy Chief Spencer
Alexander Siddig    Adi
Taylor Kitsch    Ray
J.K. Simmons    Captain McKenna
Louis Cancelmi    Bush
Victoria Cartagena    Yolanda
Gary Carr    Hawk
Morocco Omari    Deputy Mayor Mott
Chris Ghaffari    Brad Gales
Dale Pavinkski    Mosto’s Manager-Tom Cheaver
Christian Isaiah    Young Andre
Sarah Ellen Stephens    Young Vonetta Davis
Jamie Neumann    Leigh
Peter Patrikios    Leigh’s Boyfriend
Jayson Ward Williams    Ear Hair IA Suit
Suzette Azariah Gunn    Lipstick Spots
Khalil McMillan    Metallic IA Suit
John Douglas Thompson    Reverend
Jennifer Onvie    Chemist
Obi Abili    Sgt. Butchco
Andy Truschinski    Sgt. Dugan
Darren Lipari    Lt. Kelly
Monica Hernandez    Maria
Adriane Lenox    Older Vonetta Davis
Narci Regina    Waitress
Sophia Blum    Uniformed Tech
Stephen Medvidick    LMSI Tech
Zena-Marie Ghanney    CSU Tech
Kaylah Timoney    Club Goer
Justine Smith    Club Goer
Joseph D. Fisher    Cop
Danny Plaza    Cop
Dwayne Alistair Thomas    Henchman
Ryan Love    Henchman
Joseph Lawrence    Henchman
Sean Close    Buddy
John O’Donnell    Buddy’s Friend
Katie McClellan    Parallax Receptionist
Mike Rainey    Hotel Cop
Craig Newman    Anchor
Cheryl Singleton    NY1 Anchor
Pat Kiernan    NY1 Anchor
Vivian Lee    NY1 Reporter
Robin Rieger    ND News Anchor
Brooke Stacy Mills    ND News Reporter
Emily Grace Murray    ND News Reporter
Chrisdine King    ND News Reporter
David Adams    SWAT
Robert Poletick    Police Lawyer
John Jezior    Hotel Cook
Tony Giorgio    Ceremonial Lieutenant
Sunny DeLeon    Female Employee
James Bodnar    Cops at Pan Am
Jason Iannacone    Cop at Pan Am
Juan Encarnacion    Cop at ADI’s
Raymond DeBendictis    Cop at ADI’s

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian Kirk    Director
Adam Mervis    Screenwriter
Matthew Michael Carnahan    Screenwriter
Adam Mervis    Story by
Logan Coles    Producer
Chadwick Boseman    Producer
Mike LaRocca    Producer
Joe Russo    Producer
Robert Simonds    Producer
Anthony Russo    Producer
Gigi Pritzker    Producer
Rachel Shane    Executive Producer
Adrian Alperovich    Executive Producer
Mike LaRocca    Executive Producer
Adam Fogelson    Executive Producer
Wang Zhongjun    Executive Producer
Wang Zhonglei    Executive Producer
Felice Bee    Executive Producer
Mark Kamine    Executive Producer
Todd Makurath    Executive Producer
Paul Cameron    Director of Photography
Greg Berry    Production Designer
Tim Murrell    Editor
David Robinson    Costume Designer
Henry Jackman    Composer
Alex Nelson Belcher    Composer
Jason Markey    Music Supervisor
Malcolm Gray    Co-Producer
Melissa Rucker    Co-Producer
Avy Kaufman    Casting Director
Mark Kamine    Unit Production Manager
John B. West    Unit Production Manager
Michele Shelley Ziegler*    First Assistant Director
Xanthus Valan    Second Assistant Director
Spiro Razatos    Second Unit Director
Spiro Razatos    Stunt Coordinator
Matteo De Cosmo    Art Director
Regina Graves    Set Decorator
Melissa Brockman    Visual Effects Producer
Charles S. Rowe    Script Supervisor
Damian Elias Canelos    Sound Mixer
Staci Hagenbaugh    Location Manager
Rita Squitiere    Costume Supervisor
Pamela Peitzman    Make up
Diane Dixon    Hairstylist
Ray Santoleri    Make up
Janice Innella    Hairstylist
Joseph D. Weber    Set Designer
Stuart MacPhee    Post-Production Supervisor
Timothy Feeley    First Assistant Editor
Jac Rubenstein    Dialogue Editor
Michael Feuser    Dialogue Editor
Larry Zipf    Sound Designer
Wyatt Sprague    Sound Effects Editor
Lee Salevan    Sound Effects Editor
Igor Nikolic    Foley Editor
Skip Lievsay    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Paul Urmson    Supervising Sound Editor
Felipe Pacheco    Music Editor
Maverick Dugger    Additional Music
Chris Fogel    Score Mixer
Andy Gill    Second Unit Director
Andy Gill    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.