August 5th, 2018
Breaking In wasn’t a big hit at the box office, but it did well enough to cover its production budget during its opening weekend and will likely break even early in its home market run. The film does have a good hook, so I’m not surprised it did as well as it did, but does it have anything more?
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May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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All Technical Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Screenwriter at the Domestic Box Office (Rank 401-500) |
490 |
$271,457,513 |
Top Grossing Story Creator at the Domestic Box Office (Rank 701-800) |
739 |
$101,028,233 |
Top Grossing Screenwriter at the International Box Office (Rank 301-400) |
365 |
$489,526,480 |
Top Grossing Story Creator at the International Box Office (Rank 201-300) |
266 |
$326,918,984 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) |
401 |
$760,983,993 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 301-400) |
345 |
$427,947,217 |