April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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November 28th, 2012
The Independent Spirit Awards has a special place in the Awards Season. The nominations are the unoffficial start of Awards Season, but the actual awards aren't given out until Oscar weekend, so they are the beginning at the end of Awards Season. They also help out a lot of limited releases that would otherwise not get enough buzz, although they are not so good at predicting Oscar wins. This year, two films tied for most nominations, Moonrise Kingdom and The Silver Linings Playbook, both of which earned five nominations. They weren't the only films to earn multiple nominations though.
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October 14th, 2012
I have seen nearly everything Wes Anderson has ever made and I've liked most of it. I was disappointed by The Darjeeling Limited, but loved The Fantastic Mr. Fox. His latest film is Moonrise Kingdom, a story of young love set in 1965 with an ensemble cast, including two newcomers in the central two roles. It became one of his biggest hits, but was it also one of his best?
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All Acting Credits
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Latest Ranking on All Acting Box Office Record Lists
Record | Rank | Amount |
Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 44,401-44,500) |
44,490 |
$21,002,919 |
Top Below the Line Stars at the Domestic Box Office (Rank 42,201-42,300) |
42,253 |
$21,002,919 |
Top Stars at the Domestic Box Office (Rank 46,901-47,000) |
46,977 |
$21,002,919 |
Top 100 Stars in Supporting Roles at the International Box Office (Rank 36,701-36,800) |
36,728 |
$25,184,592 |
Top Below the Line Stars at the International Box Office (Rank 34,001-34,100) |
34,069 |
$25,184,592 |
Top Stars at the International Box Office (Rank 38,801-38,900) |
38,847 |
$25,184,592 |
Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 41,601-41,700) |
41,634 |
$46,187,511 |
Top Below the Line Stars at the Worldwide Box Office (Rank 39,001-39,100) |
39,035 |
$46,187,511 |
Top Stars at the Worldwide Box Office (Rank 44,101-44,200) |
44,172 |
$46,187,511 |
All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 5,801-5,900) |
5,893 |
$35,586 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,701-1,800) |
1,799 |
$75,718,979 |
Top Grossing Producer at the Domestic Box Office (Rank 2,601-2,700) |
2,624 |
$20,290,506 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,701-1,800) |
1,776 |
$57,450,767 |
Top Grossing Second Unit Director at the Domestic Box Office (Rank 101-200) |
182 |
$118,432,231 |
Top Grossing Story Creator at the Domestic Box Office (Rank 901-1,000) |
950 |
$76,292,631 |
Top Grossing Executive Producer at the International Box Office (Rank 1,701-1,800) |
1,780 |
$84,371,148 |
Top Grossing Producer at the International Box Office (Rank 1,701-1,800) |
1,781 |
$53,566,565 |
Top Grossing Screenwriter at the International Box Office (Rank 1,901-2,000) |
1,992 |
$46,510,836 |
Top Grossing Second Unit Director at the International Box Office (Rank 101-200) |
142 |
$167,314,732 |
Top Grossing Story Creator at the International Box Office (Rank 901-1,000) |
946 |
$81,296,313 |
Top Grossing Director at the Worldwide Box Office (Rank 13,701-13,800) |
13,732 |
$35,586 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,701-1,800) |
1,792 |
$160,090,127 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,101-2,200) |
2,101 |
$73,857,071 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,901-2,000) |
1,945 |
$103,961,603 |
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 101-200) |
159 |
$285,746,963 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 901-1,000) |
957 |
$157,588,944 |